IntroductionFilippo Thommaso Marinetti's the foundation and Manifesto of futurism or The Futurist Manifesto provides many a view into a perspective that was not all too common in that era. A rejection of past and a praise of machinery, violence, speed, industry, and youth, the Mainfesto advocated for cultural rejuvenation and modernization of Italy. This essay will cover the life of the writer, Filippo Tommaso Marinetti and what the Mainfesto meant to him, the meaning derived by others, and why the writer’s work offers significance today. Additionally, there will brief discussion on Marinetti’s view on World Literature and his voice within the literary world.
Marinetti’s Life
Marinetti is considered the founder of the Futurist movement. Futurism was a social and artistic movement originating with Marinetti in Italy in the early 1900’s. With the emphasis on violence, technology, speed, and youth, objects like planes and cars took center stage. What influences led to Marinetti founding such a significant movement? Marinetti was born on the 22nd of December in 1876. (Esposito) He was known as an Italian editor, art theorist, and poet. His most popular and best-known work is the Futurist Manifesto and the Fascist Manifesto. He began his love of literature when he was a young boy. Having been born in Alexandria, Egypt, he had parents interested in world literature and Italian and European classics.
Such an influence led to Marinetti starting Papyrus, his first school magazine when he was seventeen. (Ialongo) During this time, he developed a minor rebellious streak almost being expelled for publicizing scandalous novels from author, Emile Zola. He began his studies in Egypt, and then moved to Paris to obtain a baccalaureate degree at the Sorbonne in 1894. (Ialongo) Following that...
Art Movements Cubism vs. Futurism Futurism Futurism was an Italian movement originated in early 20th century. It was artistic and social movement targeted to mass urban population. Futuristic was focused on transforming the mindset of society from political thinking to more rational, conscious and close to humanity mental perspective. Futurism movement has traces of modern life and comprehensive renewal of human sensibility brought by modern science. Futurist's art work is presented in
Italian Futurism debuted in 1909 with the emergence of the "Founding and Manifesto of Futurism which was published in the newspaper Le Figaro, written by Filippo Tommaso Marinetti. Not only was Marinetti the individual who pushed for futurism and the father of the movement, but he was the one who essentially shepherded it from start to finish, until he died in 1944. One of the most refreshing aspects about Futurism
Art Futurism brashly and boldly embraced new technology, celebrating even the bellicose. In Marinetti's "Manifesto of Futurism," he states, "We will glorify war -- the world's only hygiene -- militarism, patriotism, the destructive gesture of freedom-bringers, beautiful ideas worth dying for, and scorn for women," (p. 148). This peculiar statement reveals the nature of futurism as it was manifest at early twentieth century. Futurism was all embracing, rejecting nothing based on
Marcel Duchamp took a urinal, called it "Fountain," put it in an art show and then defended his action on the grounds that as he was an artist and he said the urinal was art, then it was. This is just the sort of thing that has given modern art a bad name. But why should it have? Why should that urinal not be art? Understanding the answer to that question
Manifesto: A Difference between Baroque and Modern Art The manifesto of the Baroque artist was in the work itself -- there was no need to explain it in writing as the tools of the artist were fully capable of allowing the artist to present a view that was both pleasing to the artist and/or patron and illuminative/educative for the viewer. The entire Baroque artistic movement was rooted in a spirit
Modernism in art triumphed from the 19th century onward and in the early 20th century virtually changed the way art came to be perceived. From the Abstractionists to the Cubists to the Surrealists to the followers of Dada, the modernists continually reinvented themselves with newer and wilder movements, firmly rejecting tradition and all its preoccupations. It was only fitting, however, that modern artists should break so completely with the past:
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