Following the death of Elizabeth I in 1603, King James I awarded Lord Chamberlain’s Men a royal patent (BBC, 2017a). The company as a result changed its name to King’s Men. It is during King James’s reign that Shakespeare’s sonnets were published, further building his reputation. Sonnets were quite popular during the Elizabethan era (Ellis, 2012). Today, most of Shakespeare’s sonnets are some of the widely recognised poems in English literature.
Seven years after the demise of Shakespeare, a collection of most of his works was published by his allies Henry Condell and John Heminge. The publication, commonly known as the First Folio, was a major boost to Shakespeare’s popularity in his death as it accelerated the distribution of his work in England and beyond (Ellis, 2012). In fact, many historians agree that without Condell and Heminge, most of Shakespeare’s work would probably have disappeared (Fernandez, 2016; Marche, 2012). This is particularly true for works that had not been published during Shakespeare’s lifetime, such as Macbeth, Julius Caesar, and The Tempest. The First Folio made it easier for Shakespeare’s work to be read, disseminated, produced, and studied in future. Most of Shakespeare’s rivals such as Christopher Marlowe did not get such an opportunity, which perhaps explains why it was much easier for Shakespeare to rise to national bard status.
Shakespeare was without a doubt an influential poet and dramatist, but his journey to national and global prominence was not as straightforward as one may think. The circulation of his work suffered a major blow in 1642, when Puritans banned plays and theatres in England (Marche, 2012). Following the ban, performances depicting Shakespeare’s work were no longer allowed in public. The ban even led to the demolition of the Globe. However, the ban was lifted in 1660 during the Restoration of Charles II (BBC, 2017a). Shakespeare’s work came back to the public limelight after close to two decades of suppression. In the next one century, Shakespeare’s work spread far and beyond, growing his eminence across England. Samuel Johnson, an 18th century English writer, cited Shakespeare’s work countless times in his 1755 English dictionary, particularly acknowledging the thousands of words and phrases Shakespeare contributed to the English language (BBC, 2017a).
In 1769, actor David Garrick organised a jubilee to commemorate Shakespeare’s life (BBC, 2017a). The jubilee added thrust to Shakespeare’s fame. Garrick became a star following his role in Richard III. He would later devote his career to promoting Shakespeare’s work. His work was especially instrumental to Shakespeare’s rise to iconic status. Though the publication of Shakespeare’s work in 1623 by his two friends provided a crucial foundation for his fame journey, it was not until the 18th century that Shakespeare began earning the prominence he enjoys today (Fernandez, 2016). Garrick’s efforts in the 18th century helped Shakespeare gain recognition in English literature.
The influence of Shakespeare influence grew further during the 19th century. It is mostly during this era that Shakespeare became a symbol of national pride and that his fame went beyond England (Marche, 2012). By this time, the British Empire was the strongest empire in the world, with colonies all over the world. Without the British Empire, it would have been quite difficult for Shakespeare’s work to spread internationally. As the empire spread, the English language spread as well. The British government found Shakespeare’s work a valuable tool in spreading its imperial power. His work was taught in schools throughout the British Empire, helping build a sense of cultural patriotism across the empire (BBC, 2017a). Several centuries down the line, and even after the end of British colonial rule, Shakespeare’s work continues spreading throughout the globe, an embodiment of the robust influence he has commanded since the 16th century. The reconstruction of the Globe in 1997 further confirmed that Shakespeare’s influence remains vigorous more than 400 years after his death. In 2014 alone, the new Globe sold over 365,000 tickets (BBC, 2017a).
Shakespeare’s prominence was driven by not only his poems and plays, but also his wealth. In 1598, his company Lord Chamberlain’s Men built its own theatre known as the Globe, making Shakespeare wealthier (Marche, 2012). Shakespeare also had investments in real estate. Wealth meant that Shakespeare had the resources to support the advancement of his career. This is probably an advantage other poets of his time did not have, making it quite difficult for them to achieve the status Shakespeare achieved.
In spite of his prominence, Shakespeare has…
To die, to sleep; To sleep: perchance to dream: ay, there's the rub; For in that sleep of death what dreams may come When we have shuffled off this mortal coil, Must give us pause: there's the respect That makes calamity of so long life; For who would bear the whips and scorns of time, The oppressor's wrong, the proud man's contumely, The pangs of despised love, the law's delay, The insolence of office and the spurns That patient
Your answer should be at least five sentences long. The Legend of Arthur Lesson 1 Journal Entry # 9 of 16 Journal Exercise 1.7A: Honor and Loyalty 1. Consider how Arthur's actions and personality agree with or challenge your definition of honor. Write a few sentences comparing your definition (from Journal 1.6A) with Arthur's actions and personality. 2. Write a brief paragraph explaining the importance or unimportance of loyalty in being honorable. Lesson 1 Journal
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