My own take on Treadwell and his 12 summers among the bears in Alaska is similar to Herzog’s. I feel that Treadwell on some fundamental level had sentimentalized nature and thought that he could be one with this brute force. In reality, he had to keep some measure of distance at least during the rougher times of years when the bears were less likely to be as non-interested in Treadwell as they were in the summer when food was plentiful. For a hungry bear, Treadwell is not a friend but a source of food. Unfortunately that is the reality.The opening shot of Timothy talking to the camera and describing his manifesto displays his lack of maturity and his own ego. He is often grinning out his own perceived greatness and poeticism and he gets excited about his love for the bears and his feeling of kinship with them. It is almost as if he is overwhelmed by the environment, the scenery, the beauty, and the nature that he loses a proper and grounded sense of himself. He seems very naïve to me at the beginning of the film, and without even having had any knowledge of the film or what would happen to Timothy I felt immediately a strange foreboding as though I knew he was going to die. It was like in his romanticizing of nature, he was bound to meet his doom.
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Wittgenstein’s...
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