Identity, Performance, and Reality in Six Degrees of Separation
This essay examines the nature of identity in John Guare's Six Degrees of Separation, focusing on Paul's famous claim that imagination is "the passport we create to take us into the real world." The paper argues that identity operates on two levels simultaneously: as an imaginative projection of potential selfhood and as a performative act tailored to an audience. Through Paul's deception of the Kittredges, the essay explores how subjective realities can be constructed, accepted, and shattered, and how the film's postmodern themes connect human relationships, racial perception, and the fragility of individual worldviews.
- Imagination as the Foundation of Identity: Imagination defines and limits human potential and identity
- Performance and the Construction of Reality: Paul's con artistry shows identity as performed act
- The Kittredges' Subjective Reality: Victims accept Paul's fiction as genuine reality
- Postmodern Themes and Human Connection: Title reflects postmodern network of human relationships
- Race, Privilege, and the Limits of a Narrow Reality: Race and class shape the Kittredges' belief in Paul
- The Fragility of Personal Reality: Shattered illusions reveal how brittle subjective reality is
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What makes this paper effective
- The essay opens with a direct quotation from the play and immediately interrogates its meaning, grounding the analysis in textual evidence from the outset.
- It holds two competing ideas — imagination and performance — in productive tension throughout, rather than resolving the question too quickly, which mirrors the play's own ambiguity.
- The discussion of subjective reality is connected to broader social themes (racial prejudice, class privilege), giving the literary analysis wider relevance.
Key academic technique demonstrated
The paper uses a "both/and" analytical framework: rather than choosing between imagination or performance as the basis of identity, it argues that both operate simultaneously and that each depends on the other. This technique — sustaining complexity rather than collapsing it into a single answer — is a hallmark of strong literary analysis and is well-suited to postmodern texts that deliberately resist fixed meanings.
Structure breakdown
The essay moves from the abstract (what imagination means for identity) to the concrete (Paul's specific deception of the Kittredges), then zooms back out to postmodern and social implications. It closes by drawing a lesson about open-mindedness from the narrative's resolution. This funnel-and-widen structure is an effective way to balance close reading with thematic argument across roughly seven paragraphs.
Imagination as the Foundation of Identity
In Six Degrees of Separation, Paul states, "I believe the imagination is the passport we create to take us into the real world." He seems to suggest that the essence of identity lies in what we can imagine ourselves to be. Identity in the play also appears, at other times, to be a performance we put on for others. Can it be both? And what constitutes "true" identity for the other characters?
Identity is a complex concept, and Paul's claim that imagination forms the basis of identity is certainly compelling. We must first imagine a potential way of being before we can achieve it. In many cases, what is achievable is largely a function of our imagination — people can often accomplish far more than they believe possible, and it is common to underestimate one's actual potential. In this sense, imagination becomes the limiting factor. The statement that imagination is the passport that takes us into the real world is entirely accurate in this context.
Works Cited
Gleiberman, O. (1993, December 10). Six Degrees of Separation. Retrieved from Entertainment Weekly:
Hub. (N.d.). Film Review and Criticism: Themes in Six Degrees of Separation. Retrieved from Hub Pages: http://cdub77.hubpages.com/hub/sixdegrees
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