This paper examines how a depressed client's responses would appear on the Rorschach inkblot test, a projective psychological instrument in which subjects interpret standardized inkblots. The paper outlines the test's core scoring criteria — including number of responses, reaction time, use of color and shading, and content — and explains how depressed individuals characteristically differ from non-depressed subjects. A clinical case illustration grounds the discussion in observable behavior. The paper concludes by addressing growing skepticism about the Rorschach's cross-cultural applicability, scoring reliability, and its diminished role as a formal diagnostic tool in contemporary clinical psychology.
The Rorschach inkblot test is a projective psychological instrument in which subjects view a series of standardized inkblots and their subjective impressions are recorded and scored. The theory underlying Rorschach's technique was that in the course of interpreting a random inkblot, attention would be drawn away from the subject so that the person's usual psychological defenses would be weakened ("Projections of who you are," 2012, p. 2). Although the content of responses may vary, the uniform nature of the blots and the observations of respondents with different conditions over the years have been used to derive a relatively standardized scoring system for the Rorschach.
Rorschach was adamant that although the test might seem to study the subject's imaginative capabilities, responses were in fact often highly predictable. Content, in other words, was only one component of the evaluation and not necessarily the most important part.
Formal scoring of the Rorschach consists of evaluating several distinct variables: the total number of responses; length of reaction time; whether shape alone, color, or movement were reflected in the responses; whether the figure was interpreted as a whole or as a series of component parts; and only then was what the subject actually saw interpreted for its content ("Projections of who you are," 2012, pp. 2–3). Each of these dimensions contributes independently to the overall clinical picture, and no single variable is treated as definitive on its own.
A clear contrast can be drawn between the responses of depressed and non-depressed subjects. While non-depressed persons typically give between 15 and 30 total responses to the 10 blots, depressed subjects give significantly fewer responses ("Projections of who you are," 2012, p. 3). Depressed subjects also tend to give more animal responses than non-depressed individuals, although animal responses are generally popular overall, frequently composing anywhere from 25–50% of responses even among non-depressed subjects; artists and creative professionals tend to give fewer animal responses on average ("Projections of who you are," 2012, p. 3).
Frequent use of shading is also seen as an indicator of anxiety and depression (Plante, 2010, p. 230). Depressed individuals additionally tend to respond with excessively literalist interpretations of the blots, resisting the imaginative engagement the test requires.
"Case example of a depressed client's Rorschach responses"
"Criticisms and declining clinical role of the Rorschach"
You’re 48% through this paper. Sign up to read the remaining 2 sections.
Sign Up Now — Instant Access Already a member? Log inAlways verify citation format against your institution’s current style guide requirements.