This paper offers a close reading of William Shakespeare's Sonnet 73, examining how the poem uses seasonal, diurnal, and elemental imagery to explore themes of mortality and love. Moving through the sonnet's three quatrains and closing couplet, the analysis traces how autumn leaves, fading twilight, and dying embers each symbolize a different stage of life's end. The paper also argues that the narrator's tone is one of calm reassurance rather than despair, as he seeks to comfort a loved one in the face of his own approaching death. The final couplet is identified as the poem's emotional and thematic climax, transforming a meditation on dying into a celebration of enduring love.
Sonnet 73 by William Shakespeare is a dark and meditative poem that symbolizes autumn, winter, death, and the final stage of a life. The narrator looks back on his life with calm reflection, and the poem reads like a personal journal in which he comes to terms with what he has and has not accomplished. Despite its somber imagery, the poem ultimately conveys a message of love and acceptance rather than despair.
That time of year thou mayst in me behold / When yellow leaves, or none, or few, do hang / Upon those boughs which shake against the cold, / Bare ruin'd choirs, where late the sweet birds sang.
The first four lines establish both the time of year and the emotional tone of the poem. The reference to "yellow leaves, or none, or few, do hang" places the poem firmly in autumn — the end of the growing season as it tips into winter. The mention of cold and of "ruin'd choirs, where late the sweet birds sang" reinforces this seasonal setting: the birds have flown south and their singing has ceased. These opening lines are not cheerful or hopeful; words like "cold" and "ruin'd" establish a mood that mirrors the bleakness of late autumn. Crucially, winter — the last season of the year — serves as a metaphor for the final years of a person's life, and Shakespeare uses this natural imagery to signal that the narrator is nearing the end of his own.
In me thou seest the twilight of such day / As after sunset fadeth in the west, / Which by and by black night doth take away, / Death's second self, that seals up all in rest.
The second quatrain shifts from seasonal to diurnal imagery, moving from the dying year to the dying day. References to "twilight," the "sunset fadeth," and night taking away "Death's second self" all point toward the end of life — the fading of light into the blackness of death. The phrase "Death's second self" suggests that sleep, or night, is a kind of rehearsal for death, one that "seals up all in rest." The narrator appears to be speaking directly to a companion, and both seem to understand that death is near. Notably, the narrator does not appear afraid or despairing. Instead, his tone is reassuring — as though he is trying to comfort the other person and let them know that everything will be all right after he is gone. This quality of calm selflessness distinguishes the poem from more anxious meditations on mortality found elsewhere in Shakespeare's sonnets.
"Extinguished fire representing exhausted youth"
"Love intensified by awareness of mortality"
This poem is ultimately about the death of the narrator, but it is also a poem of hope and love. Throughout the poem, the narrator not only confronts his own mortality — he tries to make his death a little less painful for his loved one, sparing them grief and fear. While he is the one who is dying, he remains focused on the feelings of those he is leaving behind, seeking to comfort them even from his death-bed.
You’re 51% through this paper. Sign up to read the remaining 2 sections.
Sign Up Now — Instant Access Already a member? Log inAlways verify citation format against your institution’s current style guide requirements.