This paper examines Aristotelian virtue ethics as illustrated through Nathaniel Hawthorne's allegorical story "The Great Stone Face." It traces how each character's pursuit of self-glory fails to achieve genuine happiness, while Ernest's selfless benevolence aligns him with the story's ideal of moral greatness. Drawing on Frankena's principle-based critique of virtue ethics, the paper argues that virtues must be grounded in guiding principles rather than mere pursuit of happiness. The analysis concludes by reading the story as a Christian allegory, proposing that Christ's teachings in the Sermon on the Mount represent the ultimate fulfillment of virtue ethics—a perfection achievable only beyond earthly life.
Aristotle notes that "if then there is an end for our activity, this will be the good to be accomplished; and if there are several such ends, it will be these" (p. 316). In other words, the idea of virtue ethics is that the most moral course of action is that which leads one to his final absolute end, which is happiness. Aristotle suggests that virtue is what can make man happiest. This idea is essentially repeated in Hawthorne's story "The Great Stone Face," which is about a succession of people who try to live up to the ideal of the Great Stone Face in the mountains, only to have it revealed that they possess character flaws which prevent them from fulfilling the local prophecy—that one would be born great enough to be the living embodiment of the Stone Face.
The problem with each of the story's characters is that, ultimately, he has been living for himself. Some vanity, pride, or lack of charity has prevented him from possessing the kind of benevolence that truly accompanies greatness. But Ernest shows this benevolence in his preaching, and the writer suddenly recognizes him as the Great Stone Face. Yet Ernest waves him off, for his end is not to be praised but rather to preach to others. He does not seek this praise. It is for this reason that he more and more resembles the Great Stone Face—he has the character that the mountain face depicts.
In this manner, the story exemplifies Aristotelian virtue ethics, for it is a story about what is really man's ultimate end: himself, or some greater glory? Those seeking their own glory do not find the happiness they desire. Those who receive praise are not satisfied, for they cannot supply the happiness they seek. Where does this happiness come from ultimately?
"Ernest's selflessness as true moral greatness"
"Frankena's argument that virtues require guiding principles"
"Christ's Sermon on the Mount as perfect virtue ideal"
You’re 43% through this paper. Sign up to read the remaining 3 sections.
Sign Up Now — Instant Access Already a member? Log inAlways verify citation format against your institution’s current style guide requirements.