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Ceremony
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What is Ceremony?

Ceremony as an academic subject appears across disciplines including anthropology, religious studies, cultural studies, and literature. Students encounter it in courses that examine how human communities mark meaning through structured ritual, whether in everyday social life or major life transitions. What makes ceremony academically compelling is its dual nature: it operates as both a deeply personal experience for individuals and families and a collective expression of cultural identity. Papers in this area often engage with the significance of ceremonial forms across vastly different societies, exploring how ceremonies organize social relationships, reinforce values, and connect generations. Works like Leslie Silko's 1977 novel Ceremony bring these questions into literary analysis, while ethnographic traditions applied to groups such as the Mbuti or the Enga people ground the subject in fieldwork and primary cultural research.

The papers gathered here approach ceremony from several angles. Comparative analysis is common, as seen in work examining the similarities and differences between a Kinaaldá and a Quinceañera—two coming-of-age ceremonies rooted in distinct cultural traditions. Historical and cultural overviews appear as well, covering topics like world music culture and Egyptian funerary texts. Other papers take a focused case-study approach, looking at same-sex marriage, cultural wedding practices, or Native American expressive culture to examine how ceremony functions within specific communities and changing social contexts.

A strong essay on ceremony builds a clear thesis about what a specific ceremonial form reveals—about identity, power, family, or cultural continuity—rather than simply describing its steps. Evidence drawn from ethnographies, primary texts, or close literary analysis carries the most weight. The most common pitfall is treating ceremony as mere tradition without analyzing its living significance for the individuals and communities who practice it.

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Paper Undergraduate
Race, Myth, and Capitol Sculpture: Pocahontas and Smith
Antonio Capellano's sculpture The Preservation of Captain Smith by Pocahontas (1825) is still in the Capitol Rotunda along with other works of the same period such as William Penn's Treaty with the Indians and The Landing of the Pilgrims, although they no longer resonate with audiences in the same way as they did in the 19th Century. In the 20th and 21st Centuries, more sophisticated and educated viewers at least would realize that these are all the product of an era of Western expansion and a highly romanticized view of history that is heavily tinged with racism and white nationalism.
Paper Doctorate
Life and Politics in Ancient Rome: HBO's Rome Analyzed
Rome: A brief study of life and politics in ancient Rome
Thesis Undergraduate
Le Grand Hautbois and Baroque Wind Music at Louis XIV's Court
During the reign of Louis XIII and especially Louis XIV, the courts were alive with new Baroque music and instruments. Many new wind instruments were being created with a variety of innovations and some other…
Paper Masters
Collective Memory Between Jewish and Muslim Turks
Assmann (2001) writes that sociologist Maurice Halbwachs and Aby Warburg, art historian developed two theories of "collective or social memory." (p.125) Assmann states of collective or social memory that the "…specific character that a person derives from belonging to a distinct society and culture is not seen to maintain itself for generations as a result of phylogenetic evolution, but rather as a result of socialization and customs." (2001, p.125) The cultural survival of this group or type of what Assmann refers to as a "pseudo-species" is stated to be a "function of cultural memory." (2001, p.125) This study examines the construction of a collective cultural memory in Turkey by present day Jewish and Islamic Turks.
Essay Doctorate
Competing Ethical Claims: Need, Egoism, and Moral Worth
The competing ethical claims regarding the hiring of the three workers are as follows: one is assumed to be more in need because of an objective claim of financial hardship (Dinu); another subjectively feels more…
Research Paper Doctorate
Oxford University in the High Middle Ages: Origins and Society
It is said that the University of Oxford was not created, that rather it emerged. Universities in general, and the University of Oxford in particular, are among one of the many contributions of Medieval civilization to…
Essay Doctorate
Ahmad Tea UK Marketing Strategy: Briefing Document 2012–2013
Ahmad Tea Assessment: Briefing Document 2012/2013
Thesis High School
Taoism, Confucianism, and Judaism: Beliefs Compared
There are several major religions in the world and in different parts of the world the religions are quite diverse. In China, two major religions are Taoism and Confucianism, while in the West one of the oldest…
Paper Masters
Sherman Alexie's Imagery and Storytelling in Lone Ranger
This paper discusses three stories from Sherman Alexie's book, The Lone Ranger and Tonto Fistfight in Heaven: "Every Little Hurricane," "What It Means To Say Phoenix, Arizona," and "The Trial of Thomas Builds-the-Fire." The focus is on the writing style of these stories, specifically, on the rhetorical use of repetition. Through use of repetition, Alexie manages to create a hypnotic story-telling mode that draws readers into the world of the Spokane Indian Reservation in which the stories are set. The repetition occurs with the words themselves, as well as through the use of the stories that are told – or at times not told – but that retain their power in the lives of the characters.
Paper Undergraduate
Chaucer's Friar and Summoner: Satire of Church Corruption
In the Canterbury Tales, the Friar's Tale and the Summoner's Tale are intended to be satires about the corruption of the church in the Middle Ages, and would have been considered comedic by the audience, but also as being quite close to the truth. Chaucer was very likely sympathetic with the early-Protestant Lollards and Reformers and intended this to be a humorous commentary on "the abuse that infected the medieval church" (Hallissy 138). Although the Friar and the Summoner work for the church, neither of them is even a remotely holy man, and their reasons for being on the pilgrimage are purely material rather than religious. Both of these characters equally corrupt and venal and have no real spiritual values but only an urge to satisfy their appetite for money (Pearsall 166).