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Mary Shelley
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What is Mary Shelley?

Mary Shelley occupies a significant place in literary and cultural studies as the author of Frankenstein, one of the most analyzed novels in the Western canon. She appears in courses spanning English literature, feminist studies, philosophy, and cultural theory, often positioned at the intersection of Romantic-era writing and proto-science fiction. Her biographical connections — particularly to Mary Wollstonecraft, her mother and pioneering feminist thinker — add another layer of academic interest, inviting students to consider how family, gender, and intellectual inheritance shaped her work. The novel's central concerns with creation, death, nature, and the moral responsibilities of makers give it lasting relevance across multiple disciplines.

Student essays on Mary Shelley tend to cluster around a few productive approaches. Many focus closely on Frankenstein and its central dynamic between creator and creature, examining themes of life, death, and human nature. Others apply specific critical frameworks — Marxist analysis, deconstructive criticism, and psychological theory all appear as lenses through which the novel is read. A smaller group of papers situates Shelley within her biographical and intellectual context, particularly through the figure of Mary Wollstonecraft and questions of gender relations in the novel.

A strong essay on Mary Shelley requires a clearly bounded thesis — arguing about a specific theme, character dynamic, or critical framework rather than summarizing the novel's plot. Evidence drawn directly from the text, such as the creature's language, the nature imagery, or the relationships between characters, carries the most weight. The most common pitfall is treating Frankenstein as a simple cautionary tale without engaging its genuine philosophical and ethical complexity.

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Research Paper Doctorate
H.G. Wells' *The Island of Doctor Moreau* and Darwinian ethics
¶ … reason to pay close attention, in these post-9/11, post-Hurricane Katrina (and post-disabled FEMA) days to such works as H.G. Wells' honor being reserved, perhaps, for The Time Machine as much less difficult story…
Research Paper Doctorate
Victor Frankenstein as thematic explorer of knowledge and ambition
In Mary Godwin Shelley's Gothic masterpiece Frankenstein; or, the Modern Prometheus, first published in 1818 as the result of a literary contest between Lord Byron, Mary Godwin, Percy Shelley, Clair Clairmont and Dr.
Research Paper Doctorate
The monster within: Evil and humanity in Romantic literature
Throughout the history of Western Literature, the "monster" as both a central character, as well as a literary device has been common. Indeed, within Western cultures, the monster theme is pervasive from early…
Paper High School
Doubling and the uncanny in Mary Shelley's Frankenstein
An analysis of the function of doubling, or the doppelganger, in Mary Shelley's Frankenstein; or, The Modern Prometheus. In the novel, doubling is seen between Frankenstein and the Monster as the Monster is the manifestation of Frankenstein's true character and is reflective of his monstrous and destructive nature. Additional doubling can be seen between the author and the characters she creates. Not only does her life parallel the in relationship between Frankenstein and Monster, but she considers herself to be both--a creative and destructive power and someone that was abandoned as soon as she was born.
Research Paper Doctorate
Gender equality and marriage in Henrik Ibsen's "A Doll's House"
Henrik Ibsen's "A Doll's House (1879)" became the landmark of realism, the prevalent genre of the theater during Ibsen's time. Realism was and is the literary movement that strives to portray life as it really is, in…
Paper Undergraduate
Mary Wollstonecraft's argument for women's education and independence
"Freedom, even uncertain freedom, is dear; you know I am not born to tread the beaten track." -- Mary Wollstonecraft
Research Paper Doctorate
The Promethean myth in Byron, Shelley, and Mary Shelley
Promethean myth holds a very strong hold upon the literature of the romantic era, a collected era of the rekindling of the ideas and ideals of classical antiquity. Though within each evolving age there is the…
Research Paper Doctorate
Marge Piercy's Woman on the Edge of Time and Mary Shelley's literary legacy
Women Science Fiction Writers as Probing Pathfinders
Paper Undergraduate
Neil LaBute's "The Shape of Things" and artistic manipulation
The Shape of Things, a play by Neil LaBute, (A) expands on the central themes of society's distortional emphasis on appearances, and art as a potentially limitless and human-sculpting instrument. Linearly structured in three acts, the plot closely follows the problematic evolution of a student couple from a Midwest university. Starting as a discrepant match, Evelyn and Adam develop an oddly unequal relationship, as the former increasingly impacts major changes in the apparel and psychological onset of her partner, who complies with every single suggestion out of innocent devotion.
Paper Undergraduate
Emilia's regret and complicity in Othello's tragedy
The creative writing piece follows the thought process of Emilia, Iago's wife, as she remembers the actions of her husband and the tragic fate of Desdemona. A few different themes have been discussed, pulling on the texts of Mary Shelley (Frankenstein), Jamaica Kincaid (Lucy), William Shakespeare (Othello), and the Anonymous author of Beowulf. Quotes were also used from Othello to further place Emilia's thoughts within the chronological course of the play itself.