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Masculine
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What is Masculine?

Masculinity as a social and cultural construct is a central topic across disciplines including gender studies, sociology, cultural studies, literature, and media studies. It draws academic interest because it sits at the intersection of identity, power, and representation, shaping how individuals understand themselves and relate to others. Rather than treating masculinity as a fixed biological category, scholarly work examines how definitions of the masculine are produced, reinforced, and contested across different historical periods, cultural contexts, and media forms. The tension between masculine and feminine as paired constructs—along with questions of identity, love, care, and social roles—makes this a genuinely layered subject for analytical writing.

Student papers on this topic approach masculinity from a wide range of angles. Some take a media analysis approach, examining how films like Pumping Iron use symbolism to construct gender ideals. Others pursue literary analysis, exploring how characters in works such as J. M. Barrie's Peter Pan or Arthurian legend embody or complicate masculine archetypes across time. Comparative and historical approaches appear as well, tracing how gender roles and the relationship between masculine and feminine identity have shifted across cultures, from Japanese religious tradition to Latin American labor contexts. Cultural and feminist frameworks frequently inform these readings.

A strong essay on masculinity benefits from a focused, specific thesis—arguing how a particular text, period, or cultural moment constructs or challenges masculine identity rather than summarizing general gender norms. Evidence drawn from close reading, cultural analysis, or historical examples carries the most weight. The most common pitfall is treating masculinity as a monolithic concept; effective essays acknowledge that it varies significantly by race, class, region, and era.

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Paper Masters
Hofstede's Cultural Dimensions: U.S. and Cuba Compared
Managing Cultural Diversity: Hofstede's Five Cultural Dimensions Applied to the U.S. And Cuba
Case Study Undergraduate
Count Dracula and Hannibal Lecter: Identity and Horror Compared
Many of the critics have observed comparisons that are among Hannibal Lecter and Dracula, a linking which Harris compounded in Hannibal Rising by creating Lecter, like Dracula, an Eastern European Count. Each characters share customs of malicious biting and a threateningly seductive attraction. A lot of Lecter's physical structures, for instance his burgundy tinted looking eyes which had sparked red when uncovered to light, his widow's top, and important wits (particularly smell), are also features of Dracula. This paper will discuss this contrast and differences of two men that shared the one quality that made then alike, living the life of killers and the things that motivated them to feed this terror.
Paper Undergraduate
Gender and Feminism in Fowles and McEwan's British Novels
[Woman] is defined and differentiated with reference to man and not he with reference to her; she is the incidental, the inessential. He is the Subject, he is the Absolute -- she is the Other. -- Simone de Beauvoir.
Paper Doctorate
Masculinism in Science Fiction: Le Guin vs. Haldeman
Science fiction has always been a masculine genre, no matter that Mary Shelley invented it in her novel Frankenstein. Until fairly recent times, most science fiction writers were men, and they dealt with subjects like technology, power, space battles, featuring male heroes, explorers and adventurers. In film, science fiction has been a perfect subject for ultra-masculine actors like Arnold Schwarzenegger, although Lieutenant Ripley in the Alien trilogy proved that women could be masculine heroes as well and very effective at destroying hostile creatures that threaten humanity. Joe Haldeman's novel Forever Peace certainly fits within this conventional masculine narrative in science fiction, since the story is related by a male narrator named Sergeant Julian Class, an alienated soldier of the First World who opposes his own government and society. He is a class type of alienated and disillusioned male hero who nevertheless hopes that the world can achieve peace and prosperity through better use of technology. Even though it was written thirty years before, Ursula Le Guin's The Left Hand of Darkness is a radical departure from these types of themes and characters, since it takes place on an underdeveloped planet called Gethen far in the future.
Paper Doctorate
Strategic Positioning: Planning, SWOT, and Leadership
Strategic positioning is the positioning of an organization (unit) in the future, while taking into account the volatile environment, plus the systematic recognition of that positioning. The strategic positioning of an organization includes the planning of the desired future position of the organization. On the basis of present and foreseeable progress, and the making of plans to realize that positioning. The strategic positioning method is devised from the business world. The method is targeted at ensuring the functioning of the organization. The strategy determines the contents and the character of the organization's activities.
Paper Masters
Women's Role in Castiglione's Book of the Courtier
Baldassarre Castiglione's classic Book of the Courtier was set in the ducal palace at Urbino in the early-16th Century. Because of the Duke's illness, he always went to bed early after supper and his place as head of…
Paper Doctorate
Gertrude Stein: Life, Writing Style, and Paris Legacy
It is difficult to think of 1920's Paris without recalling Gertrude Stein. A friend to some of the most prominent artists and writers of the 20th century, Stein is not only known for her own accomplished writing…
Paper Doctorate
Masculinity, Class, and Labor in Nayak's "Boyz to Men"
This paper analyzes Anoop Nayak's 2003 sociological study "Boyz to Men: masculinities, schooling and labour transitions in de- industrial times." Working class men in post-industrial England have a much higher unemployment rate than do women. Nayak theorized that the culture of masculinity created an environment which valorized increasingly scarce manual labor versus seeking higher education.
Paper Doctorate
Gender and Orientalism in Hwang's M. Butterfly
This paper analyzes David Henry Hwang's Pulitzer-Prize-winning drama "M. Butterfly" in terms of how it constructs a drama out of cultural preconceptions. The paper uses the argument made by Edward Said in "Orientalism" to understand the cultural differences in "M. Butterfly" as being imagined largely in terms of gender differences. The way in which "M. Butterfly" constructs itself in terms of gender-reversal is shown to be part of the way whereby a Chinese-American author appeals to a largely white American audience.
Research Paper Doctorate
The Dark Forest as Symbol and Literary Device in Fairy Tales
Fairy tales are rightly seen by many authors and critics from Jung to Bruno Bettelheim as repositories for archetypes and for vital social messages. Additionally, they must be seen as a literary genre by themselves, and…