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What is Shakespeare?

William Shakespeare stands as one of the most studied figures in academic history, appearing across disciplines from literature and theater studies to history and cultural theory. Students encounter his work in courses on early modern English literature, drama, and Renaissance studies, among others. What makes Shakespeare academically compelling is the sustained interpretive richness of his plays and poetry — works like Hamlet, Othello, Macbeth, Romeo and Juliet, and Richard II raise enduring questions about character, power, identity, love, and death that reward close critical attention across generations of readers.

Student essays on Shakespeare tend to take several distinct approaches. Close reading and character analysis are common, focusing on figures like Hamlet's indecisiveness or Lady Macbeth's ambition and how these illuminate larger themes. Comparative essays appear frequently, whether contrasting Shakespeare's presentations of the same character or examining adaptations like the 1961 film West Side Story alongside source material. Historical and cultural approaches also surface, including examinations of the Elizabethan stage's exclusion of women performers, festive comedy's Saturnalian patterns, and Shakespeare's treatment of political power in plays like Richard II. Some papers extend outward to film adaptations, such as those featuring Laurence Olivier or the 1971 Macbeth.

A strong essay on Shakespeare begins with a focused, arguable thesis rather than a broad claim about genius or timelessness. Evidence drawn from specific scenes, dialogue, and imagery carries the most weight, especially when supported by attention to genre conventions or historical context. The most common pitfall is summarizing plot instead of analyzing how language, structure, or dramatic choices construct meaning — every claim should circle back to the text itself.

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Research Paper Undergraduate
Mathematics and Logic vs. Shakespeare in Alice in Wonderland
Logic/Shakespeare in Alice and Wonderland
Research Paper Doctorate
Saturnalia and Shakespearean Comedy: Barber's Framework
C.L. Barber argues that all of Shakespeare's festival comedies, such as "A Midsummer's Nights Dream" and "Twelfth Night," make us of the convention of the Roman Saturnalia. During Saturnalia in ancient Rome, the social…
Paper Undergraduate
Mary Pickford: United Artists Co-Founder and Film Pioneer
Mary Pickford: United Artist's Founder, America's Sweetheart
Paper Undergraduate
Psychoanalytical Reading of The Turn of the Screw
Sigmund Freud's theories of psychoanalysis - in particular, the concept of repression -- have been liberally applied to interpretations of Henry James' novella, the Turn of the Screw.
Paper Masters
Falstaff as Hero: Welles's Five Kings and Shakespeare's Henriad
Rewriting the role of Falstaff in the Shakespearean English history cycle
Paper Undergraduate
Power and Love in King Lear and The Wife of Bath's Tale
Love and power are two of the most compelling of human desires. People are driven to do sometimes ridiculous things in the name of love and in the conquest for power, many of which do more harm than good.
Paper Undergraduate
Parent-Child Relationships in The Merchant of Venice
Child/Parent Models in the Merchant of Venice
Paper Doctorate
Suicide in Hamlet: Ophelia, Hamlet, and the Death Wish
Hamlet was written by Shakespeare sometime between 1599 and 1601. It was famous in its time and is still famous today. The play is as much of a mystery to today's critics as it was over 400 years ago when it was written…
Paper Undergraduate
White Over Black by Winthrop Jordan: Racism and Slavery
Jordan, Winthrop. White Over Black. Chapel Hill: University of North Carolina Press, 1968.
Paper Undergraduate
Love and Hate in Shakespeare's Romeo and Juliet
William Shakespeare's play, Romeo and Juliet is all about love but it also about hate. While it shows us the power of love on one hand, it shows us the equal power of hat on the other.