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Superman
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What is Superman?

Superman as a topic sits at the intersection of literary studies, philosophy, cultural criticism, and media studies, making it relevant across a wide range of courses and disciplines. Students encounter the subject through multiple lenses: George Bernard Shaw's play Man and Superman appears in literature and drama courses, while Friedrich Nietzsche's philosophical concept of the Superman connects the topic to ethics and existential thought. Sherman Alexie's short story "Superman and Me" introduces questions about literacy, identity, and resilience that appear in composition and cultural studies classes. The Cold War's influence on superhero comics adds a political and historical dimension, while comparisons to ancient heroic figures like Gilgamesh raise questions about what defines a hero across time and culture.

Papers on this topic take a variety of approaches. Literary analysis is common, particularly focused on Shaw's dramatic work and Alexie's autobiographical narrative. Comparative essays appear frequently, setting Superman against other figures—whether mythological, literary, or cinematic—to examine shifting definitions of heroism, power, and identity. Some papers address philosophical frameworks around human potential, while others explore political themes, including how superhero narratives reflect Cold War anxieties or broader questions about individual power. Personal and reflective angles also emerge, especially when writers use the concept to examine childhood, family, and growth.

A strong essay on this topic begins with a clearly scoped thesis that commits to one version of "Superman"—the Shaw character, the Nietzschean ideal, the comic figure, or the Alexie symbol—rather than treating them as interchangeable. Evidence drawn from the primary text or cultural context carries the most weight. The most common pitfall is treating "Superman" as a universal symbol without grounding that claim in specific textual or historical evidence.

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Paper Masters
How superheroes reflected Cold War anxieties in American comic books
In the earliest years of human civilization, they were called gods. They lived forever, and each had a special role or power. Although at times they interacted with the humans on earth, there was no denying that their…
Paper Doctorate
Individual Knowledge and Power in Dickinson, Alexie, and Carver
19th century poet Emily Dickinson is famous for her writing about the sometimes odd quality of being human, or rather the unnatural social norms that humanity has constructed. Dickinson claims that "[m]uch Sense -- the…
Paper Undergraduate
Li Ka-shing's rise from poverty to international business success
The Entrepreneur Li Ka-shing- Hong Kong, China
Paper Undergraduate
Batman's Evolution: Christopher Nolan's Dark Knight Analyzed
¶ … evolution of Batman from the character's earliest depictions on film and television through to the most recent adaptations by Christopher Nolan. The purpose of this paper is to illustrate the ways in which Nolan's…
Research Paper Undergraduate
Heroism in Ancient Literature: Five Epic Traditions Compared
The word "hero" today entails a variety of meanings, depending upon the situation, the person referred to, and the mindset of the person speaking. Generally, the connotation of the word refers to somebody who performs a…
Research Paper Undergraduate
Roman Emperor Worship: Origins, Rituals, and Legacy
The worship of Roman emperors appeared to have developed from ancient beliefs in, or worship of, a divine spirit or a guardian double of a rule. Like the Greeks, the Romans held that the spiritual powers, Agathos daimon…
Research Paper Undergraduate
Adolf Hitler's Role in Causing World War II
There is a common notion that the war in 1939 is a continuation of the war that ended in 1918. The Second World War was in fact a return to the unfinished business of the First World War.
Research Paper Undergraduate
The Glass Menagerie: Memory, Loss, and Hidden Hope
"Where are the snows of yesteryear?" asks Tennessee Williams in the opening screen of The Glass Menagerie (401). Williams explains in the production notes to this famous play that he has left in the manuscript a device omitted from the "acting version" of the play (Williams 395), a series of messages projected on screens, some verbal, some pictorial, that prompt and reflect the action on stage. Williams explains the trajectory of action succinctly before those notes as occurring in two parts, preparation for a gentleman caller, and "the gentleman calls" (394). Between those two bookends Williams brings back snows of a yesteryear that have melted away forever, but which his Prince can never forget. Such is the nature of living in time, he suggests, from the very first words of the Production Notes (395). Such innovations as the screen projection or the tansparent set properties Williams employs in The Glass Menagerie attempt "a more penetrating and vivid expression of things as they are" (Williams 395). The fact that The Glass Menagerie has captivated so many, called by Hale "the great American play" more performed and reprinted "in modern theater history" (27) indicates Williams was not alone in an obsession with a past he could never recapture, but could never fully leave behind.
Paper Doctorate
Smallville as Cult Television: Superman's Legacy on Screen
This paper explores the cult status of Smallville. It describes, in great detail, the cultural impact and ubiquity of the show. It also details the fascinating aspects of characterization and plot that have enabled it to make for quality television.
Paper Undergraduate
Comparing Two Biographies of Alexander the Great
The paper reviews two books on the life of Alexander the Great. One is by Philip Freeman who tells the story of Alexander in an impartial manner but still not escaping the bias of Greek sources. The other is by J.R. Hamilton, who argues that Alexander was not a Hellinizer, but an "essential" Macedonian. Both books have strengths and weaknesses but have important things to say about the life of Alexander.