Theft By Katherine Anne Porter The Setting Term Paper

PAGES
1
WORDS
482
Cite

Theft by Katherine Anne Porter The setting of the story "Theft" made by Miss Porter is the city New York. The character of the story is a writer and reviewer; such as Miss Porter and the time that has been defined in the tale is the beginning of the Great Depression of the l930s. The story that symbolizes all the property was the stolen reward, which was appropriately made of gold cloth. Thus, the theft of the prize signifies the conflict between the "haves" and the "have-nots."

About the book

Miss Porter being the author of the story neither given a simple conflict in the tale nor a reader can easily comes up to a simplistic definition of the problem. Thus, here the character and heroine...

...

In fact, she was too close to starving and was even poorer than the janitress.
However, just like the purse, she signified those who possessed things other people do not have but in fact they want. Therefore, the talented reversal at the end of the story made the janitress succeeded and also made the heroine feel that she has stolen if not from the janitress herself, then from the janitress' niece making the readers' emotions running through the whole tale, that are amalgamation of sympathies and much more.

Furthermore, it can be said about the story "Theft," that the protagonist's indifference invited the theft of…

Cite this Document:

"Theft By Katherine Anne Porter The Setting" (2002, June 10) Retrieved April 25, 2024, from
https://www.paperdue.com/essay/theft-by-katherine-anne-porter-the-setting-133405

"Theft By Katherine Anne Porter The Setting" 10 June 2002. Web.25 April. 2024. <
https://www.paperdue.com/essay/theft-by-katherine-anne-porter-the-setting-133405>

"Theft By Katherine Anne Porter The Setting", 10 June 2002, Accessed.25 April. 2024,
https://www.paperdue.com/essay/theft-by-katherine-anne-porter-the-setting-133405

Related Documents

In 1930, she published her first short story anthology, Flowering Judas and Other Stories, which was highly praised by critics. Flowering Judas is the story of young American woman during the Marxist Revolution in Mexico, who advances the cause of Marxism and helps the political prisoners, but becomes disillusioned while doing so. It is the story of a woman who can't make a real commitment to life. The story

Both Mrs. Hopewell and her daughter Hulga are judgmental, but for different reasons. Mrs. Hopewell is middle class and has tenants on her farmland. She only wants "good country people" as tenants. In her estimation, "good country people" are stereotypically poor, "salt of the earth" types with no pretensions about them. They are not educated, but they do not behave in ways Mrs. Hopewell would find embarrassing. For this

In a sense, Paul buried it when he buried the rabbit. She will look back at that place and see it as a time when things shifted in her world. Miranda lost the tomboy little girl and exchanged her for a girl facing all the pains and pitfalls of adulthood. Again, it is impossible to find blame in this tale. Miranda wanted to see the bunnies as much as

Faulkner's "A Rose for Emily" and Porter's "The Jilting of Granny Weatherall." Jilt can have particularly negative consequences on an individual who is left, considering that the respective person comes to consider that he or she is actually to blame for the fact that his or her lover did not share his or her feelings. The effects of jilting are reflected by the behavior of individuals like Emily in William Faulkner's

Armant S, Jr. Never-Ending Relationships Miss Emily Grierson in Faulkner's, "A Rose for Emily" and Granny Weatherall in Porter's, "The Jilting of Granny Weatherall" are quite similar characters though they are set in different times and different places. The two characters from each respective story have some similarities between each other; however, the most notable is that they both have been "jilted" in love, and the rest of their lives have been impacted

Winter Dreams" of F. Scott Fitzgerald and "Flowering Judas of Katherine Anne Porter" Cool. Dispassionate. Masters of the art of literary artifice, lies, and characters who wear masks rather than their true selves. Although one author deploys an almost newspaper-like dispassionate style, and the other is more poetic in her use of the language, both F. Scott Fitzgerald and Katherine Anne Porter have been called by these appellations because of