Art can be defined as anything that is created to be visually appealing or significant in some way. Art is also something that has meaning and purpose, whether it be to represent feelings, a situation or just to create something beautiful.
The first criteria for art is that it be visually appealing or significant in some way. Art is sometimes created just to copy the beauty of the world and paint it exactly as it exists, such as with a landscape. The same can also be said of portraits, they can be created just to create a copy of a person. Paintings, however, do not need to be visually appealing, they only must be significant.
They may be unappealing but this may be why they are significant, they may be capturing an emotion instead of an object. And this is one of the other reasons why a painting becomes art, it captures emotions or feelings or ideas.
In our portrait example, a real artwork captures more than just a face, it captures emotion and personality as well.
A painting can be called art where it too has a purpose but not all paintings would be called art.
A child drawing can create a painting but it would not be called art if it was not created for a purpose. A student could create a painting out of splashes of paint but this would not be true art unless it had greater meaning.
The difficulty is that it is not just the finished product that matters but the artist also.
Some paintings that are called art look no greater than something a child could produce. The difference is that the artist created them that way for a specific purpose.
Paintings are created with a meaning in mind, the artist creates something that people respond to. A painting that can truly be called art will be one that will mean something to people viewing it. It will express an idea, an emotion or a scene.
A painting that is art then is one that has purpose, whatever that purpose may be.
People not only make art, but also choose which objects should be called art" (Art Pp). Art critics refer to the work of Bulgarian-born Christo and American Robert Smithson as land art and earthworks (Art Pp). In February 2005, Christo and his wife, Jeanne-Claude, fulfilled a twenty-six-year-old dream art project when 7,500 saffron colored drapes hanging from 16-foot-high steel frames were unfurled as they wound their way through twenty-three miles
His paintings were and are provocative because, instead of using personal confessions (like Dali), he uses irony and wit and intelligence to make his point hear. "The Treason of Images" is controversial in the sense that it makes the viewer question art and language and the meaning that we apply to objects. Magritte questions the assumptions made by people about the world, changing the scale of objects and defying
In essence, this painting "mixes a toothpaste smile with the grimace of a death's head" and symbolizes the true work of an American "action" painter (de la Croix & Tansey, 774). Another great example of an American abstract expressionist master is Mark Rothko (1903 to 1973), who emigrated to the United States in 1914 from Latvia with his family to escape Czarist Russia and its strict policies towards Jews. Although
Art History Roy Lichtenstein -- Stepping Out is a painting done in oil and magna on canvas by Roy Lichtenstein. (Magna is a plastic painting product made of permanent pigment ground in acrylic resen with solvents and plasticizer. This material mixes with turpentine and mineral spirits and dries rapidly with a mat finish) (www.artlex.com/ArtLex/M.html).Painted in 1978, this work is 85 inches in heighth and 70 inches in width, 218.4 cm by
(176) In this regard, Nead notes that because she was an art lover, Richardson experienced a moral dilemma in her decision to attack "The Rokeby Venus," but she felt compelled to do so anyway based on her perception that the government was failing to act responsibility towards women in general and the suffragettes in particular. "In her statement during her trial, Richardson appears calm and articulate and nothing is said
Art The Painting Techniques of the Impressionists, Cubists, and Fauvists During the late nineteenth and early twentieth centuries art styles were changing rapidly in France. Impressionism, Cubism, and Fauvism were three of the styles developed during this time. The painters involved were using new techniques with oil paint to change what was accepted as fine art. Their new techniques reflected societal changes happening all around them. The Age of Industrialization, economic fears,
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