Bach-Busoni Chaconne The Objective Of Thesis

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" (Fabrikant, 2006) Through having transposed Bach's originally melody to the lower and middle layers "Busoni achieves a vertical layering of melodies from different genres..." (Fabrikant, 2006) The top melodic layer is supplied by Busoni through creation of "his own or using imitation techniques. These melodies have a broken line and are organized in short motifs usually derived from the inner voices of Bach's score." This is utilized by Busoni in highlighting the chaconne-sarabande rhythm..." which used together results in the creation of "an unusual combination of polyphonic intensity" and develops the upper line dramatically enable the listener to appreciate the color and range of the music. The chorale theme which is quite stern is placed in the lower layer by Busoni and the melody which is fragile and placed atop the chorale results in an emphasis "on melodic disparity" which "opens Bach's parentheses and depicts Busoni's concept of the piece. " (Fabrikant, 2006) the melodic lien of the Chaconne is written by Busoni in unison for the purpose of building the volume and expressiveness.

SUMMARY & CONCLUSION

Busoni effectively extracted "musical arches...hidden in the Bach score" (Fabrikant, 2006) through the promotion of genres as a tool that is recognized in pinpointing the...

...

Busoni does not change the melodic lines of Bach's composition of Chaconne but instead in his transcription of Bach's work highlights what already exists conceptually and ultimately brings out in the upward leaps which occur from such depths on the piano octaves the dramatic expression and color in what is a creation of tension that resolves and remains adherent to the original melodic line of Bach's composition yet adding depth and texture to the original Chaconne which Bach composed. The variations that Busoni explores are in keeping with Bach's creative style and mode of playing and do not change but instead greatly enhance this musical composition.
Bibliography

Fabrikant, Marina (2006) Bach-Busoni Chaconne: A Piano Transcription Analysis

Student Research, Creative Activity, and Performance - School of Music University of Nebraska - Lincoln Year 2006.

Leibowitz, Rene (nd) the Art of Musical Interpretation According to F.B. Busoni. Gallimard Editions. Les Fantomes de L'Opera. Online available at http://www.rodoni.ch/busoni/leibowitzEN.html

Bach-Busoni Chaconne

Sources Used in Documents:

Bibliography

Fabrikant, Marina (2006) Bach-Busoni Chaconne: A Piano Transcription Analysis

Student Research, Creative Activity, and Performance - School of Music University of Nebraska - Lincoln Year 2006.

Leibowitz, Rene (nd) the Art of Musical Interpretation According to F.B. Busoni. Gallimard Editions. Les Fantomes de L'Opera. Online available at http://www.rodoni.ch/busoni/leibowitzEN.html

Bach-Busoni Chaconne


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