Sign Up Now
Get instant access to over 1 million+ study documents
OR
Already registered? click here to login
By creating your account, you agree to our terms of service, privacy policy and student honor code.
¶ … Cherry Orchard by Anton Chekhov. Specifically it will discuss it as a work built upon realistic and naturalistic premises. Realistic and naturalistic premises are a key to this play about memory, nature, and symbols.
Chekhov relies on objective details to make his points in this play. For example, he writes, "Father died six years ago, and a month later my brother Grisha was drowned in the river-- such a dear little boy of seven! Mother couldn't bear it; she went away, away, without looking round...." (Chekhov). This is an emotional line from Anya, but she says it realistically and unemotionally, showing how Chekhov attempts to make this play real, objective, and unemotional, so the characters seem somehow remote and distanced from the viewer. Chekhov uses the natural world often in the play too, from the title to blandly discussing the weather and the garden. He writes, "The only remarkable thing about the orchard is that it's very large. It only bears fruit every other year, and even then you don't know what to do with them; nobody buys any" (Chekhov). The family hangs on to their memories of what was through the cherry orchard, the direct opposite of the rest of the realism in this novel. They hang on to the orchard for sentimental reasons, something directly opposed to the reality Chekhov promotes, indicating their love of the natural world, and their inability to fit inside the real world of the present.
In conclusion, Chekhov's drama uses reality and naturalistic premises to show a family in decline who cannot face their circumstances or the solution. Living in the past, they insist on remaining there, while their world crumbles around them, and by using real situations and natural surroundings, Chekhov makes the family seem more real, and more pathetic because they refuse to budge from their positions.
References
Chekhov, Anton. "The Cherry Orchard." iBiblio.org. 2008. 11 Dec. 2008. http://www.ibiblio.org/eldritch/ac/chorch.htm
References
Kafka, Franz. "The Metamorphosis." Gutenberg.com. 2008. 11 Dec. 2008. http://www.gutenberg.org/files/5200/5200-h/5200-h.htm
Even with this, he cannot help but criticizing individuals whom he considers to be inexperienced in life in general. "I've never met such frivolous people as you before, or anybody so unbusinesslike and peculiar" (Chekhov 37). Lopakhin and Ranevskaya could on the surface be perceived as representatives of the ascending capitalist middle class and the degrading aristocracy, but the characters are far more complex than it appears, overcoming the social
The Cherry Orchard Play By Anton. Chekhov Ms. Ranyevskaya’s behavior in Chekhov’s The Cherry Orchard is replete with sentimentality, distraction, and nostalgia. However, lurking beneath her obvious mistakes and foolish dreams is a serious trauma—i.e., the drowning death of her seven year old son and the loss of her husband—leaving her a motherless widow. It is the unexpected entrance of death into her life that could be used to explain or
The death that occurs at the end of the Cherry Orchard -- that of the serf-turned-servant, Fiers -- is far more comic than the death of Konstantin, however, and that is why this death occurs onstage rather than out of sight of the audience. Much of the Cherry Orchard is focused on the inability of many of the characters to see beyond the ends of their own noses and immediate
Despite his love of the estate, the future is far better and far more promising than the Russia of the previous era. Another tragic feature of Ranevskaya's character that makes her uniquely 'modern' is that she knows her flaws. She admits that she squanders money, while Oedipus seems unaware of his arrogance until the very end of the play. Chekhov's subtlety as a playwright is that he knows that people
Stanislavsky Constantin Stanislavsky is the father of modern acting theory. His theories which he extols in his four books, My Life in Art (1924), An Actor Prepares (1936), Building a Character (1941), and Creating a Role (1961) have had an unparalleled effect on actors and acting instructors throughout the world. Acting theorists such as Vsevelod Meyerhold, Uta Hagen, and Bertold Brecht have all taken his theories into account while developing
humanities study means human. In 10 weeks, thought critically concepts myths narratives, morality decision making, freedom, happiness, specific subjects literature, art, music, film, popular culture. (1) I am a human being who lives in the 21st century. In my time, being human is a complex process. As a race, we exist on a series of predetermined conditions which serve to shape our daily experience into a habitual cycle of living.