Faustus' Acceptance to Eternal Damnation Many traditions and legends have been created all the way through the long history of western culture. Among which one of the most outstanding and well-known as well long lasting traditions of western culture is of the Faustus legend, where in this legend, a man called Faust or Faustus, sells his soul to the devil for almost twenty-four years for the purpose of worldly power.

Faustus, as Christopher Marlowe's character, is a German scholar who wants to exceed the limits of traditional logic, medicine, law and religion by practicing black magic. Through this, he calls upon Mephistopheles, a demon, who arranges a deal between Faustus and Lucifer for 24 years of power and glory in exchange for his soul. Despite Mephistopheles' warnings about the horrors of hell and his own doubts about what the

Faustus, who sees his time also coming to a close, becomes a kind of Hamlet-figure and doubts that he can be forgiven. Faustus' problem is more than a life of misdeeds -- it is a problem of lack of faith. The faith of Everyman may have been lukewarm, but it was not corrupt. The faith in the time of Everyman has been polluted by Lutheran and Calvinist doctrines. Considering the

Marlowe's Faustus An Examination of Christopher's Doctor Faustus The Play in its Period The Play Personal Evaluation The Play in its Period Christopher Marlowe's play The Tragical History of the Life and Death of Doctor Faustus is a frightening adaptation of the German narrative of Johann Faust who traded his soul for knowledge and power. With its emphasis on intellectual pursuits, this play illustrates Marlowe's contribution to the Elizabethan drama. While much of Marlowe's life is

Not very different from Blanche, Marlowe's Faustus is a very proud individual, believing that there is little on the face of the earth that could pose any interest to him. The reason for his excessive pride is that his intellectual capacities had brought him important knowledge in most subjects. Faustus's idealistic approach to life is the very reason for him tending to appeal to any possible means in order to

Everyman: Faustus and Blanche The concept of "Everyman" derives from the 15-century morality play "The Summoning of Everyman." The play was meant as a guide towards salvation and how a person might attain it. The name "Everyman" was meant to represent an everyday, ordinary person of the time, implying that Christian salvation was obtainable by any person. Today, the idea of "everyman" is used to indicate any ordinary person with ordinary