Music's social and political influence on United States history

¶ … Music and Genres

List 3 music Genres that most socially and politically influential over time.

Music plays a critical role in the social and political spheres of the United States. Various music genres were most socially and politically influential in relation to the history of the United States. Three critical music genres that were socially and politically influential in the history of the United States include Cowboy songs, Jazz songs, and Ragtime. These music genres transformed political and social perspectives of the citizens of the United States with reference to the historical development of the nation.

Do you agree with Henry Wadsworth Longfellow's description of music as a universal language of humanity?

I agree with the statement that music is actually a universal language essential in transcending boundaries of language, culture, time, and geographical locations. In this context, universal represents all cultures and societies of man existing on the planet earth thus exclusion of the entire collection planets, galaxies, and stars. It is also vital to note that modern and contemporary music has its basis on the historical past thus connection of the music despite language barriers. It is also essential to note that music contains both vocal and instrumental aspects thus influence on the social and political spheres of the society. It is critical to note that music focuses on bringing members of the planet together despite the societal or cultural differences thus a universal language.

What's the typical process by which a folksong is created?

In the creation of a folk song, it is essential to note that all music in this genre begin with the phrase: "I asked my love to take a walk." In the continuation, the walk should relate to places such as past prison, riverside, into the valley, and over the sea rather than to the store for a loaf, Wal-Mart, and rollerblades. There should be critical attention to the type of conversation along the way to integrate aspects such as racehorse, murder, inevitable baby, and revelation of a long-lost person. It is ideal to mention places such as mountains, Botany Bay, valleys, and the fair. All folk songs focus on repeating same words in each verse with the ability to move them around resulting into the death of a person or appearance of a ghost. There is need to provide new information in the development of the chorus of the folk song thus integration of the repeated words in each verse. There is crucial need to implement references to the folk song with the aim of including lots of whales, sowing, job category, visionary/steam, and railroad trains. In the development of the references to the folksong, it is critical to avoid incorporation of the following job categories: re-insurance, insurance, and any state employment opportunity. There is the need to sprinkle certain choice of words in the development of a folk song such as farewell, thee, dead, alas, and gather. In the development of the folk songs, the true love is either missing, dead, or in disguise to offer greater meaning to the song (Novello et al., p. 18).

Discuss what the condition of slavery brought to African-American music and thus the music of America in general.

The condition of slavery in the African-American music was essential for the introduction of the slave music and the banjo. The dance is currently known as Charleston. It had great influence to the American dance style than any other imported culture from the African dance. It reflects a jitterbug dance applicable to unconventional and violent social dances performed in relation to the syncopated music (Ogude p. 149). The dance was brought by slaves from Congo to Charleston in Carolina in the form of juba dance to evolve into Charleston between 1735 and 1740. Another introduction was the African instrument known as banjo. Eventually, the Africans abandoned the instrument because of ridicule thus adoption by the southern whites as their own. African-Americans have contributed to the development of a music genre in the form of hip-hop. This is a reflection of the development of music genre following the aspect of slavery in the context of the United States. Other music genres under the influence of slavery include blues and dub-step.

Do you think racial background impacts the authenticity of music being played?

I believe racial background has minimal influence or implication on the authenticity of music being played. The authenticity of music being played should focus on two critical aspects. The first aspect in relation to the authenticity of the music being played should be innovation. This relates to the ability to integrate modern aspects to reflect and blend effectively and efficiently with the cultural diversity of the planet. The second aspect in the determination of authenticity of music being played should focus on the essence of originality. This is vital for the purposes of differentiation and violation of essential rights in relation to piracy. Originality is also crucial in the development of uniqueness thus authenticity of music being played.

What is the legacy of Latin/Caribbean/Mexican cultures on the music of America?

The legacy of Latin/Caribbean/Mexican cultures in the presence of the music of the modern America is evident in the development of rock as a music genre in the United States. The main contribution of Latin/Caribbean/Mexican cultures in the development of rock as a music genre in the context of the United States is evident in the form of Latin pop which is a form of rock (Rebollo-Gil et al., p. 121).

Describe the styles of music that Asian-Americans have participated in. What are the significant social/political influences made by Asian-American musicians?

Asian-Americans have participated in numerous genres of music such as classical, jazz, hip-hop, R&B, and popular. These activities have led to generation of numerous implications of the social and political spheres in relation to the cultures of the Asian-Americans. This has led to the development of the culture of the Asian-Americans in the context of the United States thus an opportunity for global representation of the global culture. There is also an enhanced interaction between the United States and Asian nations following the increased influence on the development of the genres of the music in America (Aton p. 517).

Describe the roots of rap and hip-hop. Name the general categories we discussed and important artists from each category.

The roots of rap and hip hop are found in the culture of African-Americans following the slavery conditions in the context of the United States. The development of hip hop is often credited to the work of Keith Cowboy.

General Categories

Important Artists

Jazz

Louis Armstrong, Johnny Hartman, Frank Sinatra, and Ella Fitzgerald.

Hip Hop

Run-DMC, NWA, Sugarhill Gang, Erick B, and Rakim

R&B

Aliyah, Ashanti, Brady, and Bobby Brown

Rap

Ice Cube, 2 Pac, Dr. Dre, Jay-Z, and LL Cool J

Folk Song

Woody Guthrie, Bob Dylan, Joni Mitchell, and Bill Monroe

Country Music

Kenny Rodgers, Dolly Parton, and Don Williams

Soul

Otis Redding, Eddie Floyd, Wilson Pickett, and Johnnie Taylor

Gospel

Elvis, Shirley H, and Rev. James Cleveland

Rock

Michael Learns, David Bowie, Neil Young, and the Ramones

Blues

Ida Cox, Tampa Red, Louis Jordan, and Leroy Carr