Renaissance Art Research Paper

Renaissance Art Ghirlandaio's "Old Man with his Grandson"

Ghirlandiao's Old Man with his Grandson

The Renaissance marked a dramatic shift in artistic values and ideals as represented by Domenico Ghirlandaio's painting "Old Man with his Grandson." While the subject of Medieval art was strictly religious and lacked true perspective, Renaissance artists sought to recapture the artistic Humanism of the Classical World by incorporating reality through perspective. The Renaissance also saw a transition from the strictly religious topics to a more human-centered focus. Ghirlandaio's "Old Man with his Grandson" exemplifies these values and ideals in a physical form.

In the tradition of the Classical World, Renaissance artists sought to capture realistic human forms and Domenico Ghirlandaio's "Old Man with his Grandson," portrays just such a realistic scene in which an old man...

...

Both the old man and the child are wearing clothing appropriate to the time and the artists has made certain to capture every aspect of their appearance. The old man's nose is even slightly disfigured and he has a large mole on his forehead, demonstrating the importance of reality in Renaissance art. Seated on the old man's lap is a young, golden haired, child looking into the face of his grandfather with his hand gently placed on his chest. There is a real tenderness displayed in the scene, the love between a grandfather and his grandson on display for the world to see.
The reality of the painting is due to the perspective in which the figures are displayed. For instance, the grandfather's head is much larger than the child's, as would be appropriate, and the child's hand is also of a correct proportion, as are both of the bodies of the two subjects. The…

Sources Used in Documents:

References

Ghirlandaio, Domenico. (1490). Old Man with his Grandson [Painting]. Retrieved from http://www.wga.hu/frames-e.html?/html/g / ghirland/domenico/7panel/08oldman.html


Cite this Document:

"Renaissance Art" (2014, February 21) Retrieved April 19, 2024, from
https://www.paperdue.com/essay/renaissance-art-183319

"Renaissance Art" 21 February 2014. Web.19 April. 2024. <
https://www.paperdue.com/essay/renaissance-art-183319>

"Renaissance Art", 21 February 2014, Accessed.19 April. 2024,
https://www.paperdue.com/essay/renaissance-art-183319

Related Documents
Renaissance Art
PAGES 3 WORDS 985

Renaissance Art Within the broad gamut of Renaissance art throughout Europe, two sculptures remain outstanding and worthy of mutual comparison. Those two works of art are Michelangelo's statue of David and Donatello's same. The latter is the predecessor; Donatello's David predates Michelangelo's by about fifty years. Donatello's sculpture of David is considered to be of the Early Renaissance period, and was completed by about 1430 (Hudelson, n.d.). Michelangelo's David, on the

Renaissance Art
PAGES 2 WORDS 748

Renaissance Art Renaissance literally means 'rebirth' and the movement was specifically about rebirth of cultural ideas, spiritual views and artistic expression. The term, first coined by Vasari in 1550, is now used for the period from mid 14th to mid 16th centuries that was marked by a revolution in art, painting, sculpture and even literature. Renaissance gained prominence almost immediately with Bellini, Botticelli, Bruegel, da Vinci, Durer, Michelangelo, Raphael associating themselves

Renaissance Art
PAGES 5 WORDS 1399

Art As Baxandall points out, "a fifteenth century painting is a product of a social relationship," (p. 1). That social relationship was carefully forged and affected by a confluence of interests including those that are commercial, cultural, religious, and perceptual or aesthetic in nature. The relationship between client and artist was one constrained by social convention, legal tradition, and also the expedience of broader interests. Money has played a long-underestimated role

Renaissance Art
PAGES 3 WORDS 883

Art Cimabue's late Byzantine painting Madonna and Child Enthroned is on the surface and in many respects similar to Giotto's early Renaissance painting Madonna and Child Enthroned with Saints. In fact, only a generation or two separated these two painters. Cimabue painted his Maesta from 1280 and finished in 1285, whereas Giotto worked between 1305 and 1310 on the Ognissanti Madonna. Within this 40-year time span, great changes were taking place

Renaissance Art
PAGES 5 WORDS 1697

Renaissance Art The objective of this study is to trace the compositional, stylistic and symbolic development of the story of the Last Supper by Leonardo Da Vinci and what makes Leonardo's work unique. Earlier examples will be cited including those of Andrea del Castagno or Domenico Ghirlandaio. The three sources will be annotated with a 10-sentence paragraph reviewing the source. Each annotation will include full sentences in essay format that detail

Here Mars is asleep and unarmed, while Venus is awake and alert. The meaning of the picture is that love conquers war, or love conquers all." (Cole, xx) the purpose of the work during the renaissance was mostly likely for a prominent individual's bedroom furniture or a piece of wainscoting. Some art connoisseurs have considered that the detailed wasps at upper right may have been a link to the popular