¶ … Romanticism Transcendentalists differed Romanticism Irving, Hawthorne, Poe, Melville. Cite specific examples support answer
Romanticism has had a great influence over nineteenth century literature, considering the wide range of writers who produced works in accordance with this current. However, as Romanticism progressed, it contributed to creating Transcendentalism. The former primarily focused on the internal aspects of individuals, as Romantics often related to the importance of concepts like sentiments and freedom. In contrast, Transcendentalism concentrated on ideas that dealt with external influences on the individual's mind. Transcendentalists took on a more revolutionary attitude and expressed great interest in having the public acknowledge American values while also appreciating the importance of progress alongside of these respective values.
Herman Melville is probably one of the most ardent supporters of Romanticism...
Even with the fact that the writer believed that Transcendentalism was far less complex than Romanticism, some of his works have been influenced by the former. It is difficult to determine whether he did this with the purpose of satirizing its importance or whether he simply realized that there actually were concepts in Transcendentalism that he could borrow and use with the purpose of reviving Romanticism. "Less positively, Melville's 1857 novel, The Confidence Man, includes what some scholars see as over caricatures of Emerson, in the character of Mark Winsome, and of Transcendentalism in general" (Wayne 182).
Ralph Waldo Emerson is largely considered to be one of the leading members of the Transcendentalism movement and the person responsible for its creation. The writer's determination to relate to external concepts through his works can be observed by…
Romanticism "Romance," "Romanticism" and "Romantic" are three related words frequently utilized rather loosely by literature readers and hence requiring some clear definition. The most important fact is these words are always written with the first letter capitalized to differentiate them from the words "romantic"and "romance" -- words which are generally used to denote erotically intensified conditions and events or love stories. While Romances commonly do contain love interests, it isn't a
Russian writers like Pushkin, Lermontov and Turgenev experienced with the symbols of Romanticism as they inevitably reached the remotest literary fecund corners of the continent. Turgenev lived in Europe for a while, at the very heart of Romanticism and his translated literary works received the acclaim of the critics and were welcomed by the public as well, showing him as an artist who became an integral part of the
Romanticism: A disdain for the unities of form and the embrace of the unities of genre The integral relationship between the visual and verbal genres of the Romantic period of letters is perhaps one of its most striking aspects. Poetry and painting in particular seemed to be fused in a homogenous blend of intense individualism, emphasis on naturalism, and a stress upon spontaneous human feeling, with all of its imperfections. One
Romanticism American Romantic poet and author Edgar Allan Poe Poe is one of the early American poets of Romantic literature. In the poem Annabel Lee he uses idealism in Romance language to describe a relationship with a woman in first person. A description of the adult lovers as children most likely represent innocence or naivety. The Romanticism comes in by comparing the couple to elements of nature. The love that the two
He shifts from the instinctual world of the emotions to a cerebral existence, and loses a sense of what is truly meaningful in life. In Romantic thinking, which also idealized a pastoral, earthy lifestyle, being separated from the world of the emotions was seen as negative. Rousseau describes his feelings for books as a child as a kind of romance, and he felt equally as intensely about Ovid's Metamorphosis
Romanticism and Romantic poetry was a combination of personal philosophy and vision of the world and also a reflection of the times. In many ways we can understand Romantic poetry as a reaction to the rise of science and materialism and the denial by society of the importance of nature and imagination. The Romantic writers' reaction against conventional views was largely determined by their opposition to the emerging rational and mechanical