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Sidewalk Artist
For the better part of the last ten years, British artist Julian Beever has created an array of impressive artwork across the expanses of England, France, Germany, USA, Australia and Belgium. Though notably recognized for his work in common mural and fine art paintings, Beever is most popularly accredited for his astonishing mastery in illusion and defied perception. With the utilization of Rembrandt pastels, Beever has created well-over 100 three-dimensional sidewalk drawings that produce a deception of height, length and depth. Several of his pieces extend across fifty feet of sidewalk or street, but viewed from the appropriate angle, appear to be merely two to three feet high.
A particularly unique characteristic to this aspect of Julian Beever's "sidewalk-art" is that it does not remain in its original form. Since the pieces are created on public domain - sidewalks and streets, they eventually perish, wash away, or gradually fade from their place of conception. The only evidence of their existence is memorably captured through photographs and video, which procures the proper angle for their depiction and interestingly portrays their deceptive masterful artistry. Beever's success has skyrocketed from his skill in this realism. As a result, he has been eagerly contracted for various special events of both political and social regard.
Often referred to as the 'Pavement Picasso,' Beever has produced his art on the streets of Birmingham where he directly correlated pieces to the celebration of the Chinese New Year. In Edinburgh's city center, he connected a piece to the G8 summit that proved to influence a persuasion of art, politics and humanity. Beever has also recently been asked to create a distinct work on the driveway of a soon-to-unveil New York City fire station in commemoration of the fallen firefighters in 9-11.
As Julian Beever's esteem cultivates to further audiences, his work continues to be heavily anticipated and eagerly followed. He has begun a trend in modern art that is hardly comprised of direct competition and thus, will undoubtedly prevail in developing more and more exciting art throughout the sidewalks and streets of major cities.
When a "camera" was mentioned, I thought that perhaps this was a photographic image, but it is not. The art form has to be better defined. What the writer of this essay did so well, however, is to make me very interested in learning more about chalk art and Beever. I could definitely feel how much the writer enjoyed Beever's work. As soon as I read the article, I googled
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