Music Essays (Examples)

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Buddy Bolden and the Blues

Words: 1423 Length: 4 Pages Document Type: Essay Paper #: 89616354

Black Southerner’s World in the US Before Civil Rights
Part 1 A Conversation with Amari Baraka
A I agree that blues is a non-diatonic music and does slur and slide the notes, which is the style that came from West Africa—but I also think that the blues is more than just that. There are a lot of things happening in blues and a lot of different styles that are incorporated into it, such as the style of gospel music, the harmonies of the southern church choirs and spirituals were incorporated into blues music. The black southerners turned these gospel songs into spirituals along with the instruments of the time such as fiddles and guitars, which they would use for its strings as well as a type of drum on which they would tap out the rhythm of their songs. Or there was Buddy Bolden with his brass instruments, infusing the…… [Read More]

References

Barker, D. (1998). Buddy Bolden and the Last Days of Storyville. NY: Continuum.


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Global Influence of Peking Opera

Words: 2948 Length: 9 Pages Document Type: Essay Paper #: 23245422

Peking Opera and Its Influence
Peking Opera is a form of conventional Chinese theatre whose origin can be traced back to the late 18th Century.  In comparison to the other kinds of Chinese theatre that existed at that time, Peking Opera was a relatively new style of drama.  This theatre involved the combination of music, dance, and acrobatics that was presented in a lively and colorful way (Gao par, 1).  During this ancient times, dancers would perform Peking Opera at religious ceremonies and feudal lords’ festivals.  While Peking Opera emerged in the late 18th Century, it became completely developed and recognized by mid-19th Century.  Since its inception, Peking Opera has played a crucial role in sharing the Chinese culture across the globe.  Peking Opera conveys a national spiritual essence that is accompanied with elegance and beauty.  Peking Opera has developed to become a tool of transnationalism and acculturation through conveying…… [Read More]

Works Cited

Chinavine. "The Peking Opera." Chinavine. Creative Commons, n.d. Web. 07 Dec. 2017. .

Cifuentes, Anastasia. "The Stagecraft and Influence of Classical Chinese Opera – Fringe Arts." Fringe Arts. Fringe Arts, 29 July 2014. Web. 07 Dec. 2017. .

Gao, Sally. "A Brief History Of Peking Opera." Culture Trip. Culture Trip, 14 Dec. 2016. Web. 07 Dec. 2017. .

Hui-Qian, Zang, Sun Zhi-Xiang, and Xiang Yu-Xin. "Opera Translation and Globalization of Chinese Local Culture: A Case Study of Wuxi Opera." Journal of Literature and Art Studies 7.8 (2017): 1031-038. Print.

Lam, Joseph. "Chinese Music and Its Globalized Past and Present." Macalester International. Macalester International, 2008. Web. 7 Dec. 2017. .

Li, Yiman. "STUDY OF SYMBOLIC EXPRESSIONS IN PEKING OPERA’S COSTUMES AND LYRICS." University of Central Florida. University of Central Florida, 2008. Web. 7 Dec. 2017. .

Liu, Yao-Kun. "Peking Opera and Grotowski's Concept of "Poor Theatre"." Comparative Literature and Culture 12.1 (2010): 1-7. Print.

Min, Cai. "Peking Opera: Sharing Chinese Culture with the World." Editorial. Confucius Institute Magazine. Confucius Institute, 2015. Web. 7 Dec. 2017. .