389), creating the connection that the lower classes had so desperately yearned for. Becoming familiar with the environment that her community hated so much, Laurel discovered that her teachers had been the only ones that could teach her to "speak like and understand the stupid rich bastards" that controlled the way that she lived.
Teachers had apparently been the only ones able to understand both the upper and the lower social classes, having the power to perform well in both communities. Laurel considered her teachers to have dedicated themselves, body and mind, to the attempt to ameliorate matters when considering the divergences between the rich and the poor. In spite of her obvious appreciation for her teachers, she had been afraid of becoming one of them, as she began questioning "Why did they make so little money? Drive those cars?"(Laurel Johnson Black, p. 390). Clearly, in spite of all of the advantages that a career in teaching would have meant for Laurel professionally, she could not help noticing that such a career would bring her all the financial freedom that her family hoped for. The very fact that she had been raised in a poor community stood as a disadvantage for her, as she had fixed concepts relating to how one should behave in society.
Even consequent to years of studying, Laurel felt useless when she came upon an ethical dilemma having her sister begging her to use her knowledge in order to help her avoid eviction. She learnt that her intellectual capacities...
To him, these teachers never really crossed the barrier but are merely bridges that connect the two territories, speaking both the language of the rich and of the poor. Because of this, the only ones that the narrator ever trusts aside from the poor people are his teachers. This paved the way for the narrator to make them an exception from the "stupid rich bastards" that do not understand
We actually feel that we are there, one of the spectators, experiencing the story along with Procne and Philomela. Titus lacks these specificities and cultural details. Similarities, however, may be found in other elements. The imagery in both narratives is rich. Both Ovid and Shakespeare have a penchant for enlivening the passages with verbal imagery, particularly in the forms of simile and metaphor. Tamora's praise of the forest alludes to
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