¶ … Susan Glaspell's Trifles
Analysis of Symbols in Susan Glaspell's Trifles
Although short, Susan Glaspell's play, Trifles, is packed with key symbols that, thoroughly examined, offer a close look at the isolation and hopelessness that characterized the life of some women in the early 20th century. In particular, Glaspell uses the setting of the kitchen -- the traditional sphere of the woman -- to provide several symbols and offer biting social commentary delivered through vastly different gendered speakers, the male investigators and Mrs. Hale and Mrs. Peters.
The first crucial symbol in Trifles is the jarred fruit. The men immediately perceive the sticky fruit that has emerged from the broken jars as a mess, and they immediately seize the opportunity to comment on Mrs. Wright's poor housekeeping. In sharp contrast, Mrs. Peters explains that the jars cracked because of the kitchen fire had gone out and notes that Mrs. Wright had worried about...
While men ignore the kitchen as containing "nothing but kitchen things," women look for evidence precisely there because it is the only place where women are in control. As Holstein (2003) argues, women do not enter the house of Mr. Wright as a place of investigation but as a home of two human beings who have feelings. For men, what matters is the evidence and if they find one,
How -- she -- did -- change."(Glaspell) the second sense of the play's title becomes obvious: there is no place in the male world of overt action for women's fragility and sensibility, symbolized by the singing bird. The two wives intuitively understand that Mrs. Wright's husband could not understand or like "a thing that sang": "No, Wright wouldn't like the bird -- a thing that sang. She used to
Trifles In Susan Glaspell's play, "Trifles," a main theme is that of gender's roles in society. The women had to take care of the household, while the men's role was as public figure. The canary is one of the most important symbols in the play, because it represents the freedom of Mrs. Minnie Wright, before and after the marriage. The author describes her as being full of life "She used to wear
Symbols in Trifles of a Woman’s Oppression As Ben-Zvi notes, “women who kill evoke fear because they challenge societal constructs of femininity—passivity, restraint, and nurture” (141). For this reason, Susan Glaspell couched her play Trifles in comedic irony show as to show the real effects of oppressed womanhood that finally explodes in a way that would get the point across to the audience without frightening it to death. After all, the
El Dorado by Edgar Allan Poe Susan Glaspell worked as a legislative reporter for Des Moines Daily News between 1899 and 1901, during which time she witnessed and covered the trial of Margaret Hossack, accused of attacking and murdering her husband. Glaspell kept files that recorded the entire investigation throughout several months and wrote Trifles 15 years later. The play has only one act and there are five characters altogether,
Wright was a wonderful singer, but that after her marriage to Mr. Wright (who by all accounts was a solitary, cold man) her singing ceased -- apparently because he did not like it and did not allow it. This is akin to stifling the singing of a bird -- who could do it? Nonetheless, Mrs. Wright's singing was suppressed. Still, her sewing continued -- careful and conscientious. But if
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