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T.S. Eliot: Still Modern Today
When he died in 1968, an article in Life Magazine proclaimed, "Our age beyond any doubt has been, and will continue to be, the Age of Eliot" (qtd. Brooker xiii). Although T.S. Eliot has been dead for over fifty years, this statement is still true in 2011, because in many ways, the basic issues and problems that formed the background for Eliot's works are still present in today's world, although the specific reasons and forms of those problems have evolved over the years. The period of Eliot's earliest artistic production, in particular, has many parallels to today. As with Eliot himself, young people coming of age today have strong familial and cultural traditions to which they are expected to conform, but which seem foreign to them. As during the writing and publication of Eliot's first major works (The Waste Land, 1922, and The Love Song of...
Prufrock, 1915), the world finds itself again confronted with changing economic and political conditions that bring most people's long-held perceptions into question. And two of the main themes addressed in The Waste Land, Prufrock, and "Portrait of a Lady" (1917), still confront people today: first, how does one find his way in an age of social and moral decay in which all human agency seems hopeless; and second, on a more personal level, how does one create and maintain meaningful personal relationships within a wider atmosphere of despair? A short example of each of these situations will reveal the parallels between Eliot's period and today.
Eliot was certainly aware of the weight of family obligation and tradition. His grandfather, William Greenleaf Eliot, set the tone and expectations for not only his own family's conduct, but he expressed his ideas…
Ernest Hemingway & T.S. Eliot Modernism in Literature: Comparative Analysis of the works of Ernest Hemingway and T.S. Eliot As the world entered the 20th century, world literature have become influenced with the emerging ideology of modernism, a new thinking that promotes the potential of humanity to achieve more than they imagined possible. That is, modernism has promoted the idea that humanity has the potential achieve more than the present state they
"One of the most frequently observed weaknesses in his work is its depiction of women. It has been observed, for example, that the central male characters of his novels tend to be about his own age at the time of writing, while their female counterparts are progressively younger, more beautiful, and more absurdly compliant toward their men" (Kennedy and Gioia, 2000). Even though his work is regarded as one the
Willlam Hazlitt largely comments on the contemporariness and universality of Hamlet's character: that although Shakespeare wrote the play more than 500 years ago, we have come to know the character of the tragic Prince quite well. Not only because we read about him in school, but also -- and more -- because we know his thoughts as we do our own. (Hazlitt 1900) His sayings and speeches are not only
Paired Poets." It attempts to compare and contrast the lives, personality, psychology and the work of T.S. Elliot and DH Lawrence. Furthermore, it elaborates the similarities and the differences between both the poets and also details some of the most significant work done by these poets. Life and Personality of T.S. Elliot and D.H.Lawrence Thomas. Stearns. Elliot; a poet, editor and a critic was born on 26th September 1888 in St.
.. I grow old...' are the evidence of the impending fear of death. One unusual part of the poem is how Eliot, or Prufrock, puts himself into a role in one of Shakespeare's plays and then admits that he is no Hamlet by saying 'No! I am not the Prince Hamlet, nor was meant to be.' Although I am guessing, I feel that Eliot was trying to say that Shakespeare's
Love Song of J. Alfred Prufrock, by T.S. Eliot, and the Road Not Taken, by Robert Frost are two poems that imagine how life might be if the narrator had acted differently. However, the two poems are almost opposites in their intent and impact. Eliot's poem is a lamentation over a life not lived, over a failure to act. Frost's poem is a celebration over an unconventional life bravely