Ts Eliot Essays (Examples)

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Eliot Stevens Williams Stein and Faulkner

Words: 580 Length: 2 Pages Document Type: Essay Paper #: 17196654

Eliot's "The Love Song of J. Alfred Prufrock." Specifically, it will choose one instance of abstraction in the work, and describe what the author is trying to "get at," through that abstraction. What is he trying to suggest? What methods is he using to do so? Does it "work" for you? Why or why not?

Abstraction in Poetry

In "The Love Song of Alfred J. Prufrock," T.S. Eliot writes in many abstractions, but there is one at the end, which is especially poignant and full of meaning. "I have heard the mermaids singing, each to each. / I do not think that they will sing to me. / I have seen them riding seaward on the waves / Combing the white hair of the waves blown back / When the wind blows the water white and black. / We have lingered in the chambers of the sea / By sea-girls…… [Read More]

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Ts Elliot

Words: 580 Length: 2 Pages Document Type: Essay Paper #: 5282539

T.S. Eliot: Still Modern Today

When he died in 1968, an article in Life Magazine proclaimed, "Our age beyond any doubt has been, and will continue to be, the Age of Eliot" (qtd. Brooker xiii). Although T.S. Eliot has been dead for over fifty years, this statement is still true in 2011, because in many ways, the basic issues and problems that formed the background for Eliot's works are still present in today's world, although the specific reasons and forms of those problems have evolved over the years. The period of Eliot's earliest artistic production, in particular, has many parallels to today. As with Eliot himself, young people coming of age today have strong familial and cultural traditions to which they are expected to conform, but which seem foreign to them. As during the writing and publication of Eliot's first major works (The Waste Land, 1922, and The Love Song…… [Read More]

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Eliot Makes in Tradition and

Words: 2530 Length: 10 Pages Document Type: Essay Paper #: 46765674

" For Pound, the Image should be central to the poem; this is the "thing" that needs to be dealt with solely and directly, without any extraneous words, in musical meter.

Pounds definition of an image is "that which presents an intellectual and emotional complex in an instant of time." That is, an image as Pound uses the term is a snapshot; it is a motionless artifact, spontaneously and completely captured by the poet and transmitted via the poem to the reader without any additional trappings. The effect of such an image is one of "liberation;" it is the "sense of freedom from time limits and space limits." Images exist outside of time and space; they are not representations of shift but eternal constructs -- Pound uses the word complex -- that exist somehow outside the mind, somewhat like Plato's concept of the ideal. Imagism is the school of poetry…… [Read More]

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Keats Dickinson Keats and Eliot

Words: 921 Length: 3 Pages Document Type: Essay Paper #: 59364683

However, in line with the Paz prompt at the outset of this discussion, Keats merely uses this tradition as a bridge on which to extend toward motivation on behalf of the evolving form. The subject matter is where this work takes a step toward modernity. The manner in which Keats describes the reality of dying is startling for its time primarily because it lacks religiosity. In describing death, the poet tells, "where youth grows pale, and spectre-thin, and dies; / here but to think is to be full of sorrow / and leaden-eyed despairs; / here beauty cannot keep her lustrous eyes, / or new Love pine at them beyond to-morrow."

The notion of discussing death from a decidedly humanistic rather than spiritual perspective is more daring and innovative than perhaps we are won't to give credit for. It is remarkable that the poet would invert a steadfastly traditional form…… [Read More]

Works Cited:

Dickinson, E. (1862). #303 (the Soul Selects Her Own Society). Poets.org.

Eliot, T.S. (1917). The Love-Song of J. Alfred Prufrock. University of Virginia. Online at  http://people.virginia.edu/~sfr/enam312/prufrock.html 

Keats, J. (1819). Ode to a Nightingale. Arthur Quiller-Couch, ed. 1919. The Oxford Book of English Verse: 1250 -- 1900.
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Miller and Eliot on Beauty Comparing and

Words: 3310 Length: 10 Pages Document Type: Essay Paper #: 73887617

Miller and Eliot on Beauty

Comparing and Contrasting "Beauty" in Miller and Eliot

Arthur Miller and T.S. Eliot are two 20th century American playwrights. hile the latter is more commonly noted for expatriating to Britain and writing some of the most memorable poetry of the early 20th century, the former is noted for his famous depiction of the common man's struggle to find meaning and fulfillment in Death of a Salesman. As distinct as the two writers may seem, they both conceive of and treat the theme of beauty -- Miller analyzing its absence in Salesman, and Eliot analyzing its abandonment in several poems like "The Love Song of J. Alfred Prufrock" and "The asteland." This paper will compare and contrast both writers and show how they deal with the theme of beauty in their works.

The Absence of Beauty in Salesman and "Prufrock"

Beauty is missing from illy Loman's…… [Read More]

Works Cited

Aristotle. "Poetics." Internet Classics Archive. Web. 12 Oct 2011.

Barstow, Marjorie. "Oedipus Rex as the Ideal Tragic Hero of Aristotle." The Classical

Weekly 6.1 (1912): 2-4. Print.

Blasing, Mutlu Konuk. American Poetry: The Rhetoric of Its Forms. New Haven: Yale
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Diverse Poems

Words: 909 Length: 3 Pages Document Type: Essay Paper #: 94315198

T.S. Eliot, Lawrence Ferlinghetti, & Ezra Pound

"Preludes" by T.S. Eliot adopts a slant rhyme pattern to convey the state of his thoughts as he writes the poem. The poem basically illustrates the Voice/Poet's thoughts about the seemingly busy, yet tiresome and uninteresting lives of the people in the urban areas (cities). Eliot paints this tiresome and uninteresting picture of human life in the city by slant rhymes, reflecting the continuous stream of unorganized thoughts of the poet. For example, slant rhyming occurs in lines 2 and 4, where "passageways" and "smoky days" are used. However, towards the end of the poem, slant rhyming is instead replaced with end-rhymes (lines 12 and 13, with rhymes used "stamps" and "lamps"), proving once again the presence of 'unstable' and changing thoughts of the poet.

"The pennycandystore beyond the El" by Lawrence Ferlinghetti utilizes symbolism to effectively depict his thoughts about the fleeting…… [Read More]

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Hollow Men According to C K

Words: 747 Length: 3 Pages Document Type: Essay Paper #: 60252235

We see the stone images raised again to indicate soulless worshipping. It is used to highlight the impurity and insincerity of worshippers:

At the hour when we are Trembling with tenderness

Lips that would kiss

Form prayers to broken stone.

The fourth section is actually that twilight zone that hollow men dreaded. The fear of meeting the eyes had already been overcome. It is their absence which is disturbing now:

As the perpetual star

Multifoliate rose

Of death's twilight kingdom

The absence of eyes in the 'twilight kingdom' suggests that this part if yet another version of the world. Here reappearance of eyes would mean rekindling of spirit and rebirth of soul and conscience. The return of eyes is now a hope- 'the hope only'. The syntax is deliberately ambiguous- 'This broken jaw of our lost kingdoms' evokes a powerful and mysterious image of things in the twilight kingdom. The…… [Read More]

References

C.K. Stead, The New Poetic: Yeats to Eliot (Penguin, 1967 edn), 167-70
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Modernist Aesthetic Theories Developed at

Words: 2219 Length: 7 Pages Document Type: Essay Paper #: 59183697



Likewise, Ezra Pound put forth another modernist aesthetic theory, which was founded on the concept of imagism. He proposed that emotion always creates a pattern in the mind of the author, and thus, the work of art is created following that pattern:

Intense emotion causes pattern to arise in the mind-if the mind is strong enough. Perhaps I should say, not pattern, but pattern-units, or units of design. (I do not say that intense emotion is the sole possible cause of such units. I say simply that they can result from it. They may also result from other sorts of energy.)(..)" by pattern-unit or vorticist picture I mean the single jet. The difference between the pattern-unit and the picture is one of complexity. The pattern-unit is so simple that one can bear having it repeated several or many times. hen it becomes so complex that repetition would be useless, then…… [Read More]

Works Cited

Cohn, Allan M. Work in Progress: Joyce Centenary Essays, Illinois: Southern Illinois University, 1993

Eliot, Thomas Stearns Sacred Wood,  http://www.bartelby.com/200/sw4.html 

Eliot, Thomas Stearns the Waste Land,  http://eliotswasteland.tripod.com 

Pound Ezra Selected Prose, 1909-1965, New York: New Directions, 1973
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Waste Land the Contrast Between

Words: 721 Length: 2 Pages Document Type: Essay Paper #: 92762009



In Rowson's version he mimics Eliot in the sense that his comic book is part satirical, it is pessimistic, and it is told in fragments, as well. But the two literary works could hardly be farther apart in substance, as Rowson parodies a crime novel's trashy tone -- parodying noted pulp crime writer Raymond Chandler more than Eliot or Eliot's poem -- and it shows in his edgy comic drawings that there is more than one "waste land" in the world.

Rowson had some problems in getting his lawyers to sign off on his parodies of Eliot's lines; for example, in Eliot's "The Fire Sermon," line 205, the poet writes "Jug jug jug jug…" and originally Rowson had his hero, Chris Marlowe ("Philip Marlowe" was a Chandler character ) walking past six jugs in the British Museum (which he uses in his comic illustrations). So instead of the six "jug[s]…"…… [Read More]

Works Cited

Eliot, T.S. (1922). The Waste Land. Bartleby.com. Retrieved January 2, 2012, from  http://www.bartleby.com/201/1.html .

Rowson, Martin. (1990). The Waste Land. New York: Harper and Row.
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Hollow Men

Words: 711 Length: 2 Pages Document Type: Essay Paper #: 8036771

Hollow Men by T.S. Eliot was first published in Poems: 1909-1925 and contains many overlapping themes that were also seen in many of his other works. Moreover, "The Hollow Men" is reflective of the overarching themes that were seen in orld ar I poetry and may also provide an introspective look into Eliot's emotional and psychological state at the time. In "The Hollow Men," Eliot uses allusions, imagery, and an overall theme of despair and isolation.

"The Hollow Men" makes references to at least two outside works or events, Joseph Conrad's Heart of Darkness and the Gunpowder Plot of 1605. In addition to being referenced in the five parts of Eliot's poem, these two allusions are also referenced in the poem's epigraph as Eliot writes "Mistah Kurtz -- he dead" and "A penny for the Old Guy" (lines-epigraph). In Heart of Darkness, Kurtz realized, upon his deathbed, the extent of…… [Read More]

Works Cited

Eliot, T.S. "The Hollow Men." Web. 6 December 2011.
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Authors Are Obsessed With the

Words: 2222 Length: 6 Pages Document Type: Essay Paper #: 19253590

The central focus of the book is the search for self and identity and an attempt to answer the question of what happens when men leave the protective normative and restraining influence of society. The central figure of Kurtz is a man who has broken free of the constraints of a sick society. However the novel also questions whether Kurtz too has become evil and lost his own sense of direction. The question is posed questions whether the human "heart of darkness" is not the real problem. If one interprets the book from this perspective, as a work that states that human nature or the human heart is essentially flawed, then one could conclude that Heart of Darkness is in fact more gloomy or pessimistic then the Wasteland.

The Heart of Darkness is a complex work that can be interpreted on many different levels: psychological, sociological, ethical and political. The…… [Read More]

Bibliography

http://www.questia.com/PM.qst?a=o&d=98131559

Bloom, Harold, ed. 1(986). T.S. Eliot's the Waste Land. New York: Chelsea House,

Conrad, Joseph. (1946) Youth: Heart of Darkness, the End of the Tether; Three Stories. London J.M. Dent and Sons Ltd., 1946. http://www.questia.com/PM.qst?a=o&d=24227703

Eder, Doris L. (1984).Three Writers in Exile: Pound, Eliot & Joyce. Troy, NY: Whitston, http://www.questia.com/PM.qst?a=o&d=75053211
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Paired Poets it Attempts to Compare and

Words: 1920 Length: 7 Pages Document Type: Essay Paper #: 34142411

Paired Poets." It attempts to compare and contrast the lives, personality, psychology and the work of T.S. Elliot and DH Lawrence. Furthermore, it elaborates the similarities and the differences between both the poets and also details some of the most significant work done by these poets.

Life and Personality of T.S. Elliot and D.H.Lawrence

Thomas. Stearns. Elliot; a poet, editor and a critic was born on 26th September 1888 in St. Louis Missouri. His father; Henry are Eliot was the president of the Hydraulic-Press Brick Company and his mother Charlotte Champe Stearns, a former teacher, an amateur poet and a social work volunteer at the Humanity Club of St. Louis. Born into a prosperous old New England family, Eliot was the youngest of the seven children. Afflicted with a congenital double hernia, he was in the constant eye of his mother and five older sisters. (notablebiographies.com)

Eliot was initially educated…… [Read More]

Works Cited

Poets.org. T.S. Elliot. American Academy of poets. 2007. Web. Accessed on 5th May 2011



Questia, Roberts, Michael. The personal past makes the poet 2002. Accessed on 6th May 2011

< http://www.questia.com/PM.qst?a=o&d=5000877695>
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Buirnt Norton East Coker the

Words: 2176 Length: 6 Pages Document Type: Essay Paper #: 79675513

" In other words, you can't change the way you are or the way you think by staying in the same clothes or the same consciousness that you have been in all this time. You must be willing to sacrifice and accept that things may get worse before they get better. "…to be restored, our sickness must grow worse" Eliot writes, and this is actually a recipe for emotional health albeit nothing close to that was to be found in the asteland. Indeed the world "become stranger" and the pattern of our lives becomes "more complicated" as we grow older. But these are words that sound like philosophy, not the remorse that was saturated throughout the asteland.

The Dry Salvages -- Number Three of Four Quartets

In the asteland there was no water to be found. Not a drop of water -- just rock and dust and death. And yet…… [Read More]

Works Cited

Eliot, T.S. "Four Quartets."

Eliot, T.S. "The Wasteland."

Lewis, Pericles. "The Waste Land." Modernism Lab Essays. (2005). Retrieved Feb.

15, 2010, from  http://modernism.research.yale.edu .
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Hamlet Hesse and Gidding

Words: 640 Length: 2 Pages Document Type: Essay Paper #: 75942761

Shakespeare's Hamlet and Herman Hesse's Siddhartha meet the words Eliot's "Little Gidding"

We shall not cease from exploration/And the end of all our exploring/Will be to arrive where we started/And know the place for the first time," writes T.S. Eliot in his Fourth Quatrain entitled "Little Gidding." In the tragedy that bears his name Prince Hamlet begins and ends in the same place, namely the court of his late father and the living King Claudius. He also begins and ends in the play in the hall of the court in a state of alienation from the rest of the court. However, while at the beginning of the play this alienation takes the form of a state of adolescent moodiness and mourning for his dead father at the end of the play Hamlet has a more reasoned and larger philosophical understanding of how his own family tragedy has a resonance with…… [Read More]

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Coy Mistress by Andrew Marvell

Words: 1086 Length: 3 Pages Document Type: Essay Paper #: 62590508



This darkness is the poem is the suggestion of death, which Eliot's character contemplates throughout the poem. In fact, the last lines of the poem refer to death. Eliot writes, "We have lingered in the chambers of the sea / By sea-girls wreathed with seaweed red and brown / Till human voices wake us, and we drown" (Eliot). Eliot's character knows his life is ending, and love and courtship are far behind him. Marvell's character also contemplates death. Marvell writes, "Time's winged chariot hurrying near; / And yonder all before us lie / Deserts of vast eternity. / Thy beauty shall no more be found, / Nor, in thy marble vault, shall sound / My echoing song: then worms shall try / That long preserved virginity, / And your quaint honour turn to dust, / And into ashes all my lust: / The grave's a fine and private place, /…… [Read More]

References

Eliot, T.S. "The Love Song of Alfred J. Prufrock." Bartleby.com. 2005. 8 Aug. 2003.  http://www.bartleby.com/198/1.html 

Marvell, Andrew. "To His Coy Mistress." Bartleby.com. 2005. 8 Aug. 2003  http://www.bartleby.com/101/357.html
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Hamlet Siddhartha and Little Gidding

Words: 789 Length: 2 Pages Document Type: Essay Paper #: 47268628

Shakespeare's Hamlet and Herman Hesse's Siddhartha meet the words Eliot's "Little Gidding"

One of T.S. Eliot's most famous poetic protagonists, that of J. Alfred Prufrock, may lament that he is not Prince Hamlet, only a fool like Yorick or Polonius of the tragedy that bears the prince's name. But a closer examination of Shakespeare's play highlights the fact that the noble Prince Hamlet, is not really so noble at all, but begins the play in a state of adolescent moodiness, mourning his dead father, even though in the words of his uncle Claudius "your father lost a father, and your father lost his." Hamlet begins the play, not a young anointed king-to-be but a man angered at the limited, fleshy nature of human existence as well as the dissatisfactory reconstruction of his own family.

Hamlet sees falseness wherever he goes. He sees his mother whom once followed like "Niobe, all…… [Read More]

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British and German Trench Poetry

Words: 385 Length: 1 Pages Document Type: Essay Paper #: 9412341

These young men were not immersed in the high modernist traditions of Virginia Woolf and T.S. Eliot: rather, they were immersed in the experience of war and their own visceral response to the horrors they witnessed.

Thus a multifaceted, rather than strictly comparative approach might be the most illuminating way to study this period of history and literature. Cross-cultural, comparative literary analysis is always imperfect, particularly given the linguistic challenges presented by evaluating German poetry in relation to its British counterparts. Contextualizing the British war poets requires a certain level of understanding how the war was seen by the other side, and by alien eyes. More is likely to be gained than lost by reading the German war poets in translation. Yet reading the German poets in translation allows the reader to appreciate the influence of symbolism and expressionism in their work that was not present even in the harsh…… [Read More]

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Modernism Factors That Led to

Words: 1040 Length: 3 Pages Document Type: Essay Paper #: 185872



Q3. Explain the importance of the Fisher King in Modern Literature.

The Fisher King is the wounded king that motivates Sir Galahad to find the Holy Grail to heal him and his people: the quest narrative is one of the most significant narratives in all of literature, and the Moderns despaired of finding a quest in the modern, faithless, directionless world. The Fisher King's wound symbolizes his lack of fertility, which leaves his kingdom hungry and barren. T.S. Eliot's poem "The Wasteland" suggests that modern life is like the Fisher King's kingdom.

Q4. Explain the importance of WWI trench poetry and the works of Wilfred Owen

While some of the early poets celebrated patriotism, or eulogized the fate of the common soldier with quiet despair, Owen's poetry was harsh, gritty and realistic. In his poem "Dulce et Decorum est" Owen takes the familiar Latin phrase that it is sweet to…… [Read More]

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Alienation in A Rose for

Words: 2361 Length: 8 Pages Document Type: Essay Paper #: 2484922

The image of the fog is significant because the protagonist is comparing himself to the fog in that he skirts along the outside of what is happening. If he is like fog, moving slowly and quietly, he does not have to become involved but can still see what is going on. hen he writes that there will be time to "prepare a face to meet the faces that you meet" (27), he is simply avoiding the issue by putting off the inevitable. The protagonist convinces himself that there will be time to do all that he wants to do, such as "murder and create" (28), and "drop a question on your plate" (30). Allan Burns suggests that the images are important to the reader in that they "underscore Prufrock's low self-esteem: he identifies with the lonely working class men" (Burns 47) and the image of his dead being chopped off…… [Read More]

Works Cited

Burns, Allan Douglas. Thematic Guide to American Poetry. Santa Barbara: Greenwood

Publishing. 2002.

Eliot, T.S. "The Love Song of J. Alfred Prufrock." The Bedford Introduction to Literature.

Boston: Bedford Books of St. Martin's Press. 1993.
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Banksy The Immature Poet Imitates and the

Words: 1206 Length: 4 Pages Document Type: Essay Paper #: 88374276

Banksy

"The immature poet imitates and the mature poet plagiarizes," said T.S. Eliot. If imitation is indeed the finest form of flattery, then does it follow that plagiarism is a worthwhile pursuit? Indeed it can be. Street art, including visual art and music, is both plagiarizer and plagiarized. To imitate without paying full homage to the original creator is to fail in the ultimate pursuit of aesthetic brilliance. The art of Banksy integrates itself fully with popular culture and community. By stealing space and time, Banksy and street artists like him raise poignant political questions about the ownership of public space and the social class hierarchies that determine access to and enjoyment of the public domain. Likewise, Banksy participates in the time-honored tradition of sampling. By mixing and matching, cutting and pasting, Banksy is following in a long and venerable line of artistic genius that revels in the creative potential…… [Read More]

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Art in Poetry The Archaic

Words: 428 Length: 1 Pages Document Type: Essay Paper #: 91552473

The interpretation of the poem, like the speaker's interpretation of the statue, will likely depend on what he or she feels at the time about his or her own life.

The subjectivity of perception is also evident in the "Love Song of J. Alfred Prufrock" by T.S. Eliot. The speaker of this poem casts his decision to declare or not declare his love in heroic terms, even while he mourns the smallness of his existence, measured out in coffee spoons, in rooms where dull women come and go and talk about the great Leonardo in polite terms. The women, including his beloved, only see the speaker as a balding man, rather than the Hamlet he wishes to be, at the center of a great drama -- and because they see him as a fool, he feels like a fool. However, the contrast between inner and outer reality seen in Rilke…… [Read More]

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Minor Characters and Themes Minor Characters in

Words: 870 Length: 3 Pages Document Type: Essay Paper #: 81673758

Minor Characters and Themes

Minor characters in any play act as supporting foils and help to advance the plot. Without these foils, it would be impossible for the play to progress in the way that playwright has envisioned. Besides carrying the play forward, they also help in highlighting the major themes of the literary piece. In almost every piece of fiction, whether a play or short story or novel, we come across certain important minor characters that are minor because while they lend support to the plot, they are not directly influenced by the intentions of the author. The people who remain in the forefront and bear the brunt of all action are the major characters, and thus their in the story is obvious and needs little discussion. However it is the minor characters that need to be closely analyzed or discussed to see why they have been placed in…… [Read More]

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Wallace Stevens The Emperor of

Words: 2090 Length: 7 Pages Document Type: Essay Paper #: 21604861



Let the wenches dawdle in such dress

As they are used to wear, and let the boys

Bring flowers in last month's newspapers.

Let be finale of seem.

The only emperor is the emperor of ice-cream.

The children gather around the curls of cream, to wonder at the miraculous substance and this ordinary, humble labor is made momentarily great by his trade, a European Emperor who can give and take at will, and thus also seems faintly sinister in his muscularity.

Stevens celebrated "the emergence from old ideologies in the form of what was rapidly becoming an aesthetic ideology," a form of "American home-grown" modernist abstraction that still had its roots in the concrete, the concrete nature of imagism, and also of plain, simple, profound American reality. Unlike other American modernists, like T.S. Eliot (who eventually became a British citizen and converted to Anglicanism) or Ezra Pound (a permanent expatriate)…… [Read More]

Works Cited

Filreis, Alan. "Beyond the rhetorician's touch: Steven's painterly abstractions."

Originally published in American Literary History. Spring 1992: pp. 230-63. Accessible 4 Dec 2006 at  http://www.writing.upenn.edu/~afilreis/Stevens/talcoat-alh.html 

Groundbreaking Book: Harmonium by Wallace Stevens." Poets.org. Online publication of the Academy of American Poets. [4 Dec 2006] http://www.poets.org/viewmedia.php/prmMID/5952

Modernism." Poets.org. Online publication of the Academy of American Poets.
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Isolation in American Literature the

Words: 3546 Length: 11 Pages Document Type: Essay Paper #: 13731057

The mere fact that these people interact as much as they do is a sign of the blurring of class signs. Also, the image of Gatsby as essentially nouveau riche, is itself a statement indicating interclass mobility. Unlike Steinbeck's story, Fitzgerald's is much more concerned with individual prejudices and stereotypes. In Gatsby, the prejudgments are of the working class against the leisured class. The work also speaks to the utter aimlessness of someone like Gatsby - a man who lives it seems, just for the sake of inoffensive pleasure, but who, at the same time, contributes nothing to the overall society. The unbelievable disconnect between Gatsby's set, and the rest of humanity is captured in an offhand remark of one of his guests, who just happened to find himself in the library, "I've been drunk for about a week now, and I thought it might sober me up to sit…… [Read More]

Works Cited

http://www.questia.com/PM.qst?a=o&d=25602892

Pelzer, Linda C. "Honoring an American Classic: Viking's 1989 Edition of John Steinbeck's the Grapes of Wrath (Review)." The Critical Response to John Steinbeck's the Grapes of Wrath. Ed. Heavilin, Barbara a. Westport, CT: Greenwood Press, 2000. 309-311.

John Steinbeck, the Grapes of Wrath, p. 30 www.questia.com/PM.qst?a=o&d=25603407

Linda C. Pelzer, "Honoring an American Classic: Viking's 1989 Edition of John Steinbeck's the Grapes of Wrath (Review)," the Critical Response to John Steinbeck's the Grapes of Wrath, ed. Barbara a. Heavilin (Westport, CT: Greenwood Press, 2000) 310.
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Illiad Argue Whether the Poetry Text Presents the

Words: 1334 Length: 4 Pages Document Type: Essay Paper #: 7880516

Illiad

Argue whether the poetry/text presents the author as pilgrim or as tourist on a wartime journey

The distinction between the tourist and the pilgrim is one that invariably arises when analyzing texts that address war. While it is common for the hero (or author) to discuss war as a theme, a distinction must be made with regard to the way in which the author relates to the war and to the soldiers. In poems where the hero embarks on a journey, his journey can take the shape of either a pilgrimage or a simple tourist trip. Drawing from Donnelly's categorization involving the tourist vs. The pilgrim, this paper analyzes a series of war poems and texts that assume the form of either a pilgrimage or a tourist journey. The pilgrimage refers to an internal journey that is invested in the pilgrimage of war. The hero is profoundly affected by…… [Read More]

References

Brazeau, Peter. (1985). Parts of a World: Wallace Stevens Remembered. New York: North Point Press.

Eliot, T.S. (1971). Four Quartets. Orlando: Harcourt Press.

Silkin, Jon. (1996). Penguin Book of First World War Poetry: Revised Edition. London: Penguin Group.

Wiesel, Elie. (2006). Night. New York: Hill and Wang.
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Modernism God the World and Literature The

Words: 943 Length: 3 Pages Document Type: Essay Paper #: 50034598

Modernism)

God, the World, and Literature: The Concept of Social Morality in Modern Literature

Literature, as the primary source of information of people in witnessing and experiencing realities interpreted by the author/writer, is more than a medium that extends messages of reality and experience. Literature is, first and foremost, an expression of thoughts and ideologies that may or may not be agreed upon by the author or his/her characters in the said work. The concept of social morality is such example of these ideologies extended thru literary works. Through literature, writers are able to provide people with varying themes related to the discussion of social morality, offering people avenues wherein morality can be created and developed by the society, and adapted by the individual.

Modern literature boasts itself of this kinds of art -- literary works that depict the life of individuals who were directly affected by their own or…… [Read More]

Bibliography

Achebe, C. Things Fall Apart. New York: First Anchor Books, 1994.

Camus, A. The Guest. Available at http://www.geocities.com/su_englit/camus_guest.html.

Eliot, T.S. The Love Song of J. Alfred Prufrock. Available at  http://www.cs.amherst.edu/~ccm/prufrock.html .

Yeats, W.B. The Second Coming. Available at http://www.poets.org/poems/poems.cfm?prmID=1369.
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American Poets -- the Strangeness

Words: 4117 Length: 11 Pages Document Type: Essay Paper #: 59770845

Apparently Plath wrote the poem during her stay in the hospital, which can be a depressing place notwithstanding all the nurses and orderlies dressed in white. The appendectomy followed a miscarriage that Plath had suffered through, so given those realities in the poet's life -- especially for a woman to lose a child she had been carrying -- one can identify with the bleak nature of the poem. Confronted with the birth that turned out to be death, and then a painful appendectomy, the tulips are used as something of an abstraction and the redness of them gives her pain because it "corresponds" to the wound in her body from the surgery.

The opening stanza's first few lines seem rather peaceful and restful: "The tulips are too excitable, it is winter here / look how white everything is / How quiet, how snowed-in / I am learning peacefulness / lying…… [Read More]

Works Cited

Brower, Reuben a. (1963). The Poetry of Robert Frost: Constellations of Intention. New York:

Dobbs, Jeannine. 1977. "Viciousness in the Kitchen: Sylvia Plath's Domestic Poetry.

Modern Language Studies, 7(2).

Frost, Carol. (2012). Sincerity and inventions: On Robert Frost. Poets. Retrieved May 3,
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Analyzing Social Activism and Literature

Words: 1299 Length: 4 Pages Document Type: Essay Paper #: 46632921

gender and how the characteristic is addressed within the precincts of play, poem, or short story. Further, a comparison of literary elements will be made, in the play, poem, or short story.

Gender and how it is handled in the confines of short story, play, or poem.

Poem -- Thomas Stearns Eliot's The Waste Land

A careful reading of T. S. Eliot's poem, The Waste Land depicts the author's profound anticipation of an important collection of concepts, considered as post-modernism for a major part of the second half of the 20th century. While it is well-understood that the poem by Eliot comprises of a portrayal of theatrical voices, critics are yet to fully understand the fact that a foundational portion of this drama is presentation of gender. Certainly, Eliot, who is, at times, openly positioned as an embodiment of male sexual/poetic hierarchy, is a pioneering 20th-century figure who depicted what…… [Read More]

References

Farmer. (2010, January 5). Analysis of September 1918. Retrieved from http://mrfarmer.wikifoundry.com/page/Analysis+of+September+1918

Lowell, A. (n.d.). September. 1918. The Complete Poetical Works of Amy Lowell. Houghton Mifflin Company.

Pondrom, C. N. (2005). T. S. Eliot: The Performativity of Gender in The Waste Land. Modernism/modernity, 12(3), 425-441.
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Waste Land French Lieutenant the

Words: 4164 Length: 14 Pages Document Type: Essay Paper #: 35242335

(Eliot, 1971).

The Subjective over the Objective

Modernism was a reaction against Realism and its focus on objective depiction of life as it was actually lived. Modernist writers derived little artistic pleasure from describing the concrete details of the material world and the various human doings in it. They derived only a little more pleasure from describing the thoughts of those humans inhabiting the material world. Their greatest pleasure, however, was in expressing the angst, confusion, and frustration of the individual who has to live in that world. (Merriam-Webster, p. 1236).

Modernist writers used novel means for expressing these newly intense emotions. They did not always express the individual's confusion and frustration by relating the inner discourse of the individual. Instead, they manipulated the structure, style, and content of their works to cultivate a certain effect on the reader. (aym, Vol. D, p. 17). They wanted to convey the experience…… [Read More]

Bibliography

1. Snow, C. (1968). The Realists: Portraits of Eight Novelists. New York: Macmillan.

2. Fried, M. (1997). Realism, Writing, Disfiguration: On Thomas Eakins and Stephen Crane. Chicago: The University of Chicago Press.

3. Wilson, E., & Reill, P. (2004). Encyclopedia of the enlightenment. New York, NY: Facts on File.

4. Zafirovski, M. (2011). The Enlightenment and Its Effects on Modern Society. New York: Springer.
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Eastern Influences on Western Philosophy Culture Literature Art Film

Words: 3310 Length: 10 Pages Document Type: Essay Paper #: 47749173

East/West

An Analysis of Eastern Influence in Western Art

The American/English poet T.S. Eliot references the Upanishad in his most famous poem "The Wasteland," a work that essentially chronicles the break-up of Western civilization and looks to Eastern philosophy for a kind of crutch in the wake of the abandonment of Western philosophy. Since then, Westerners, whether in literature or in film, have continued to look to the East for inspiration and representation of virtuous or right living. Hollywood, for example, has for decades been borrowing themes and narratives from Hong Kong cinema, whether in the works of artin Scorsese, Quentin Tarantino, or the Wachowski Brothers. This paper will look at the ways Eastern philosophy has influenced the West in terms of culture -- primarily through the medium of literature and film and the avenue of spirituality.

The Spirit of the East: Karma

Karma may be defined as the cycle…… [Read More]

Morris, M. (2004). Transnational imagination in action cinema: Hong Kong and the making of a global popular culture. Inter-Asia Cultural Studies 5(2), 181-199.

Pollard, M. (2004). 'Kung Fu Hustle', Kung Fu Cinema. Retrieved from http://web.archive.org/web/20070502050543/http://www.kungfucinema.com/reviews/kungfuhustle_082205.htm

Sikora, J. (2002). Religions of India. Lincoln, NE: Writer's Club Press.
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Hamlet and Othello Driven by

Words: 1081 Length: 3 Pages Document Type: Essay Paper #: 63328010

Bradley describes this by saying that "Othello's nature is all of one piece... Love, if he loves, must be to him the heaven where either he must leave or bear no life. If such a passion as jealousy seizes him, it will swell into a well-night incontrollable flood" (Bradley 188). This shows how Othello goes to the extremes, especially relating to his emotions. Bradley also says that "He is quite free from introspection, and is not given to reflection. Emotion excites his imagination, but it confuses and dulls his intellect" (Bradley 188). This shows that like Hamlet, Othello is not able to consider the source of his emotions. This occurs as a natural part of Othello's character, while for Hamlet it is specifically linked to the particular situation and the particular emotion. However, the end result is the same with both characters unable to consider their emotions and rationalize them.…… [Read More]

Works Cited

Bradley, A.C. Shakespearean Tragedy. New York: Penguin, 1991.

Eliot, T.S. "Hamlet and his Problems." The Sacred Wood: Essays on Poetry and Criticism. 1922. Bartelby.com. Retrieved October 29, 2005. URL:  http://www.bartleby.com/200/sw9.html 

Shakespeare, W. Hamlet. New York: Penguin, 1987.

Shakespeare, W. Othello. New York: Penguin, 1984.
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Analyzing Leo Marx Critic on Huckleberry Finn

Words: 1500 Length: 4 Pages Document Type: Essay Paper #: 14712525

Leo Marx Critic on Huckleberry Finn

Author's ideas: The Adventures of Huckleberry Finn has a controversial ending, which, as stated in Professor Leo Marx's 1995 analysis, resulted from: the enforced happy ending, the author's basic betrayal of Huck's companion Jim (Twain, 1994), and the return of the tale to the original mood, reflected at the novel's start (roussard, 2011).

Leo Marx states that Huckleberry becomes a powerless, naive and subservient accomplice of Tom the robber (Marx, 1995, p. 296), akin to the eager boy, prepared to become a part of Tom's gang of thieves at the novel's outset.

I concur with Twain's view, since Tom's wild scheme holds no significance after the revelation that, all this time, Jim was a liberated man. Further, Huck discovers his father is deceased, and hence, is freed, as well. Ultimately, Twain (1994) ties up loose ends, providing writers with a seemingly happy ending, which,…… [Read More]

Bibliography

Broussard, R. (2011). The Controversy Over the Ending. NSHSS, 2-7.

Eliot, T. S. (1995). The Boy and the River: Without Beginning or End." Mark Twain Adventures of Huckleberry Finn: A Case Study in Critical Controversy. Ed. Gerald Graff and James Phelan. Boston: St. Martin's, 286-290. Print

Fishkin, S. F. (2006) Race and the Politics of Memory: Mark Twain and Paul Laurence Dunbar. Journal of American Studies, 40.02: 283-309. Print

Marx, L. (1995). "Mr. Eliot, Mr. Trilling, and Huckleberry Finn." Mark Twain Adventures of Huckleberry Finn: A Case Study in Critical Controversy. Ed. Gerald Graff and James Phelan. Boston: St. Martin's, 290-305. Print.
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Theorizing Ideology Literature as a

Words: 2359 Length: 8 Pages Document Type: Essay Paper #: 78274353

Literature is allowed to expand across class lines because it is constantly seeking out new forms of expressing the human experience. Even the most elite of the bourgeoisie are allowed to enjoy the latest experimental or ethnic literature, which serve as pure representations of the proletariat human experience, "it is common to see 'literature' defined as 'full, central, immediate human experience,' usually an associated reference to 'minute particulars,'" (illiams 45). These "minute particulars" are what make literature so interesting and entertaining, thus successful. It is with this understanding of literature as an ideology that the concept of ideology can take on duel roles, "A common culture is thus entirely compatible with a hierarchical one," (Eagleton The Idea of Culture 115). Much unlike the theories which state that a true ideology cannot live up to a duel existence, literature as an ideology proves to do just that.

It is in this…… [Read More]

Works Cited

Bawden, Garth. "Symbols of Power." The Moche. Wiley. 1996.

Eagleton, Terry. The Idea of Culture. Blackwell Publishing. 2000.

Eagleton, Terry. "The Rise of the English." Norton Anthology of Literature. PUT EXACT PUBLICATION INFO HERE

Foucault, Michel. The History of Sexuality: An Introduction Volume 1. Vintage Books.
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Structure and Texture in Ford's

Words: 10629 Length: 40 Pages Document Type: Essay Paper #: 71661121



Ford's most accomplished novel, the Good Soldier, was published when he was forty-two. This famous work features a first person narrative and tells the story of two couples, the English Ashburnhams and the American Dowells. John Dowell is the narrator, through whom we learn of Florence and Edward Ashburnham's affair, which culminates in the suicide of the former, John's wife (Edward is the "good soldier" of the title.) it is through the rambling, textured narration of John that the author attempts to forge a literary corollary to actual thought - quite similar, actually, to the Impressionist painters' experiments with capturing nature on their canvases:

You may well ask why I write. And yet my reasons are quite many. For it is not unusual in human beings who have witnessed for the sack of a city or the falling to pieces of a people to desire to set down what they…… [Read More]

Bibliography

Armstrong, Paul B. The Challenge of Bewilderment: Understanding and Representation in James, Conrad, and Ford. Ithaca, NY: Cornell University Press, 1987.

Beckett, Samuel. Molloy. New York: Grove Press, 1994.

Bender, Todd K. Literary Impressionism in Jean Rhys, Ford Madox Ford, Joseph Conrad, and Charlotte Bronte. New York: Garland, 1997.

Brettell, Richard. Modern Art 1851-1929: Capitalism and Representation. Oxford:
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Music Since 1900 a Survey of Three

Words: 1625 Length: 5 Pages Document Type: Essay Paper #: 99515421

Music Since 1900

A Survey of hree Works by Ives, Schoenberg, and Barber

In the film Legend of 1900, im Roth plays an orphan who grows up aboard the SS Virginian, where he becomes a virtuoso piano player, whose styling rivals the greatest Jazz pianists of the early twentieth century. he Italian film is supposed to represent the impermanence of art and the cheapness of capturing a live performance on a record. However, what cannot be achieved in the film is actually achieved by the film, as the New Orleans jazz artist is surpassed by the glorious skills of an orphan who has spent his entire life aboard a steam liner. What it says is that music may be recorded, but what is even greater than the recording is the music itself and the story that inspired it. his paper will compare and contrast three different works of musical art…… [Read More]

Tornatore G. 1999 The Legend of 1900 Fine Line Features Los Angeles

White DA. 2000 Lecture on Music Theory St. [sound recording] Thomas Aquinas

Seminary Winona
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Elaine Reichek Paint Me a Cavernous Waste

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Elaine Reichek: "Paint Me a Cavernous aste Shore"

The artist Elaine Reichek's works can be best described as a combination of traditional crafts and pastiche. Reichek has, throughout her existence as an artist, been intent upon challenging conventional notions of what constitutes a fine art. Her 2009-2010 tapestry "Paint Me a Cavernous aste Shore" draws from Greek mythology, Renaissance art, and the poetry of T.S. Eliot. "One thing I'm very much worried about is the exclusion of the female artist, and the embrace of 'craft,'" Reichek has said (Lichtenstein 2012). Reichek notes that embroidery was the art of the upper class woman, yet it was also devalued because it was feminine -- and the women that produced it were not professionally trained like painters. "There's a connection between the warm and fuzzy image of knitting and the nostalgia associated with vintage photographs. There's a lot of baggage tied to all…… [Read More]

Works Cited

"Elaine Reichek." MoMa. 2010. [15 Apr 2012]

http://www.moma.org/collection/browse_results.php?criteria=O%3AAD%3AE%3A7960&page_number=1&template_id=1&sort_order=1

Eliot, T.S. "Sweeney Erect." University of Virginia. 2004. [15 Apr 2012]

 http://people.virginia.edu/~sfr/enam312/2004/sweeneyerect.html
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How Was the Cold War Represented in Cinema

Words: 5793 Length: 17 Pages Document Type: Essay Paper #: 9347766

Cold War and Film

Generally speaking, the Cold War has been depicted as an era of spy games and paranoia in popular films from the 1960s to the present day, but the reality of the era was much more complex. The Cold War was a period of military and political tension from 1947 to 1991, or from the end of WW2 to the collapse of the Soviet Union, in which the "politics of war" masked the business and social agendas of multinationals and ideologues. The era was marked by myriad issues: East-West mistrust, proxy wars, espionage, the threat of nuclear war, domestic and foreign propaganda, the rise of the military-industrial complex and multinational corporations, assassinations, detente, de-colonization, new nationalism, neo-colonialism, the vying for control of resources, alliances (NATO, Warsaw Pact), and an inculcation of the "deep state." [footnoteRef:1] It can be divided into five basic periods: 1947-53, 1953-62, 1962-79, 1979-85,…… [Read More]

Bibliography

Dominik, Andrew, dir. Killing Them Softly. NY: Weinstein Company, 2012. Film.

Eliot, T.S. "Burnt Norton." The Four Quartets. Web. 10 May 2015.



Frankenheimer, John, dir. Seven Days in May DVD Commentary. LA: Warner Home
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Gertrude Stein Indeed Gertrude Stein Wrote for

Words: 4312 Length: 12 Pages Document Type: Essay Paper #: 84008224

Gertrude Stein

Indeed. Gertrude Stein wrote for "herself" for many years prior to ever being noticed as the marvelously talented and versatile writer that she was. That fact was a reality simply because she did not have the opportunity for many years to publish the work she was so tirelessly putting out. Meanwhile, her legacy today is that of an extraordinarily insightful and respected woman of letters, an innovator, an elite member of the artistic avant garde in Europe, a prolific poet and writer, a visionary, something of a rebel, and more. Although she died in 1946 (of intestinal cancer), her work is discussed, debated, dissected and analyzed like the work of few other poets/writers. It's almost as if she were alive today.

Thesis

Certainly this paper focuses on a gifted thinker whose poetic form is sometimes misunderstood, but rarely ignored. And it also delves into the life of a…… [Read More]

Works Cited

Cook, Dana. "Meeting Gertrude Stein...a miscellany of first encounters."

Time-Sense: an electronic quarterly on the art of Gertrude Stein. 2002.  http://www.tenderbuttons.com/gsonline/timesense/1_2cook.html .

Hartley, George. "Textual Politics and the Language Poets." English Department

University of Pennsylvania 2002. http://www.english.upenn.edu/~afilreis/88/hartley.html
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Chopin Twain Etc Change in

Words: 1496 Length: 3 Pages Document Type: Essay Paper #: 17064575

Herein is composed a character who captures the internal conflict that would identify America on its path to Civil ar.

In Twain's work, Huck emerges as a figure whose behavior and ideology are stimulated by a discomfort with the circumstances constraining him. Though painted as a portrait of one young man, the adventures which give the novel its title are actually a series of events wherein Huck brazenly flouts the standards which had given the pre-Civil ar delta its cultural outlook. His flight to freedom is guided by the juxtaposed but equally inapt incarcerations which he endured both at the pious hands of the idow Douglas and the abusive hands of his drunken father. Certainly, his staged death and his river-raft escape here would be explicit forms of active protest to the church-going morality of the former and the violent authority of the latter. In both, we see the religious…… [Read More]

Works Cited

Chopin, Kate. (1898). The Storm. About Literature. Online at http://classiclit.about.com/library/bl-etexts/kchopin/bl-kchop-thestorm.htm

Eliot, T.S. (1917). The Love Song of Alfred J. Prufrock. The Egoist.

Robinson, E.A. (1921). Mr. Flood's Party. Web Books. Online at  http://www.web-books.com/Classics/Poetry/Anthology/Robinson_E/MrFlood.htm 

Twain, Mark. (1884). The Adventures of Huckleberry Finn. Charles L. Webster and Co.
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Doctor Faustus Reasons Why He Was Willing to Accept Eternal Damnation

Words: 6431 Length: 20 Pages Document Type: Essay Paper #: 66458997

Faustus' Acceptance to Eternal Damnation

Many traditions and legends have been created all the way through the long history of western culture. Among which one of the most outstanding and well-known as well long lasting traditions of western culture is of the Faustus legend, where in this legend, a man called Faust or Faustus, sells his soul to the devil for almost twenty-four years for the purpose of worldly power. This makes it a very prominent story that has been narrated many times over by writers such as Goethe, Lessing, and Mann. However, most probably the famous telling is Doctor Faustus by Christopher Marlowe.

The social upheaval during the time period is the most prominent influence on Marlowe's version of Doctor Faustus. This novel has been suspected of being first performed in 1594, which was a time of great change in Europe. During this period the Medieval Times were over…… [Read More]

Works Cited

Conflict in the Tragical History of Doctor Faustus. November 6, 1998.

A www.kcweb.nhmccd.edu

Christopher Marlowe. Books and Writers.

A www.kirjasto.sci.fi
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20th Century Literature

Words: 1201 Length: 4 Pages Document Type: Essay Paper #: 28638541

Paul Valery was a French poet, essayist, and critic, who gave up writing for 20 years to pursue work in the scientific arena. His poetic style was based on symbolism and he believed that the mental process of creation was what was really important and that the poetry that he wrote was a by-product of the effort. "Enthusiasm is not an artist's state of mind," stated Valery. T.. Eliot has compared Valery's analytical attitude to a scientist who works in a laboratory "weighting out or testing the drugs of which is compounded some medicine with an impressive name."

Poetry is simply literature reduced to the essence of its active principle. It is purged of idols of every kind, of realistic illusions, of any conceivable equivocation between the language of "truth" and the language of "creation." (from Litterature, 1929)

His quote, "Beauty is a way of death. The novelty, the intensity,…… [Read More]

Sources in Haroun and the Sea of Stories." Washington and Lee University. 1997

 http://www.booksandwriters.com 

Gerard Genette. "Paul Valery: Literature as Such. Critical Essays. 1999 www.booksand writers.com.
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Djuna Barnes' Nightwood

Words: 1902 Length: 5 Pages Document Type: Essay Paper #: 45758885

Nightwood by Djuna Barnes [...] justify the book as a postmodern novel. "Nightwood" is a postmodern novel in every respect, from the stream-of-consciousness style of writing to the underlying sexual and homosexual themes that could only exist in postmodern writing of the twentieth century. "Nightwood" is unique, compelling, and disturbing all at the same time, yet it is difficult for the reader to put down. While it has been long touted as a classic lesbian novel, Barnes herself fought this label, wishing it only to be remembered as a classic postmodern work, not a sexually motivated treatise on women who love women.

Author Djuna Barnes was born in 1892 in Cornwall-on-Hudson, New York. Her mother was a violinist, and her father was a farmer and painter. Her parents instilled a love of the arts early in her life, and her father's free-spirited enthusiasm also greatly influenced her and her work.…… [Read More]

References

Barnes, Djuna. "Nightwood." Spillway, The Antiphon, Nightwood. New York: Farrar, Straus and Cudahy, 1962. 226-366.

Djuna Chappell Barnes (1892-1982)" Books and Writers. 2004. 12 Aug. 2004. http://www.kirjasto.sci.fi/dbarnes.htm

Moyes, Lianne. "Barnes, Djuna." glbtq: An Encyclopedia of Gay, Lesbian, Bisexual,

Transgender, and Queer Culture. 28 Feb. 2004. 12 Aug. 2004. http://www.glbtq.com/literature/barnes_d.html
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Theory of Knowledge on Language

Words: 998 Length: 3 Pages Document Type: Essay Paper #: 43654846

vocabulary we have does more than communicate our knowledge. It shapes what we can know. Evaluate this claim with reference to different areas of knowledge.

esponse Question: Does vocabulary limit what we can know or limit what we can express?

The sentiment, "the vocabulary we have does more than communicate our knowledge. It shapes what we can know" expresses only a partial truth. The vocabulary we have only shapes what we can express or communicate to others, but real wisdom and discovery, as encountered in various areas of knowledge, can transcend vocabulary. This is most immediate in the area of knowledge encompasses by the arts. Literature, music, art and poetry can often express the inexpressible, aptly conveying it to the spectator and imparting wisdom to that spectator. The spectator may be fully aware of this, and fully cognizant that he has been touched, but unable to express through words just…… [Read More]

References

Eliot, T. (1971). The Waste Land: A Facsimile and Transcript of the Original Drafts. New York: Harcourt Books.

Levine, L., & Munsch, J. (2010). Child Development: An Active Learning Approach. Thousand Oaks: Sage Publishers.

Pinker, S. (2008, January 13). The Moral Instinct. Retrieved from cuny.edu:  http://www.qcc.cuny.edu/SocialSciences/ppecorino/INTRO_TEXT/Chapter%208%20Ethics/Reading-The%20Moral-Instinct.htm
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Hamlet Annotated Bibliography Cook Patrick J Cinematic

Words: 1249 Length: 3 Pages Document Type: Essay Paper #: 92739423

Hamlet Annotated Bibliography

Cook, Patrick J. Cinematic Hamlet: the Films of Olivier, Zeffirelli, Branagh, and Almereyda.

Athens, Ohio: Ohio UP. 2011. Print. This book focuses on the many versions of Hamlet that have been made for the silver screen. The play by illiam Shakespeare is one of the most frequently filmed works and each version of the story has a unique perspective. Director, screenwriter, and of course actor each influence the overall position of the film. Each chooses which elements of the story to emphasize and which to underplay. Even films that use the complete text of Shakespeare's work still alter the original by the act of interpretation. By examining each version, focusing on the three four major ones, the author helps explain what was important to the artists and by extension to the audience who would have seen the film.

In the context of a paper, each film would…… [Read More]

Wood, William Dyson. Hamlet: From a Psychological Point-of-View. London, England:

Longmans. 1870. Print. This text was written nearly 150 years ago at the beginning stages of psychiatric and psychological medicines. Yet even from that early time period, psychologists and literary scholars alike were able to view the correlation between the characters in Hamlet and some severe psychological disorders. The author points to several of Hamlet's soliloquies, particularly the famous "To be or not to be" speech wherein Hamlet asks a myriad of hypothetical questions. These questions, Wood argues are actually the basis of all human thought. Everyone, he argues, questions the world and their place in it at some time.

Many critics have questioned Hamlet's mental state, as well as the mentalities of those around him. Of those critics, many have Hamlet not of sound mind. This does not seem to be the case in Wood's piece. Rather, he believes that Hamlet's actions are valid based upon the psychological medicine of the day.
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Why the Ending Doesn T Fit the Development of Huck Finn

Words: 2133 Length: 4 Pages Document Type: Essay Paper #: 91942057

Leo Marx and Huckleberry Finn

Katelyn Stier

The Adventures of Huckleberry Finn has a controversial ending, which, as stated in Professor Leo Marx's 1995 analysis, resulted from: the enforced happy ending, the author's basic betrayal of Huck's companion Jim (Twain, 1994), and the return of the tale to the original mood, reflected at the novel's start (roussard, 2011). Leo Marx states that Huckleberry becomes a powerless, naive and subservient accomplice of Tom the robber (Marx, 1995, p. 296), akin to the eager boy, prepared to become a part of Tom's gang of thieves at the novel's outset. I concur with Twain's view, since Tom's wild scheme holds no significance after the revelation that, all this time, Jim was a liberated man. Further, Huck discovers his father is deceased, and hence, is freed, as well. Ultimately, Twain (1994) ties up loose ends, providing writers with a seemingly happy ending, which, however,…… [Read More]

Bibliography

Broussard, R. (2011). The Controversy Over the Ending. NSHSS, 2-7.

Eliot, T. S. (1995). The Boy and the River: Without Beginning or End." Mark Twain Adventures of Huckleberry Finn: A Case Study in Critical Controversy. Ed. Gerald Graff and James Phelan. Boston: St. Martin's, 286-290. Print

Fishkin, S. F. (2006) Race and the Politics of Memory: Mark Twain and Paul Laurence Dunbar. Journal of American Studies, 40.02: 283-309. Print

Marx, L. (1995). "Mr. Eliot, Mr. Trilling, and Huckleberry Finn." Mark Twain Adventures of Huckleberry Finn: A Case Study in Critical Controversy. Ed. Gerald Graff and James Phelan. Boston: St. Martin's, 290-305. Print.
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Rudyard Kipling The Writer Takes

Words: 3383 Length: 12 Pages Document Type: Essay Paper #: 76807050



Some -- give trouble for half a year (Kipling)."

The above passage is clear and plain as it describes deaths by heart attacks that are sudden, accidents that are sudden and death by illness in which the person slowly dies.

In another passage Kipling illuminates the fact that just as there are many different personalities among the living, there are also many different personalities among the dying and how they choose to react to their impending death.

Some die quietly. Some abound

In loud self-pity. Others spread

Bad morale through the cots around...

This is a type that is better dead (Kipling). "

There is no question about what point Kipling seeks to make with his writing. He is clear and concise and there is no need to try and second guess any underlying meaning of his intent as one passes through the poems and stories of his career.

His…… [Read More]

References

Second-Rate Woman (Accessed 5-26-07) http://whitewolf.newcastle.edu.au/words/authors/K/KiplingRudyard/prose/UndertheDeodars/secondratewoman.html

Rudyard Kipling

Battles, Paul (1996) "The Mark of the Beast": Rudyard Kipling's apocalyptic vision of empire.

Studies in Short Fiction
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Greek Myths Theseus and the Minotaur and the Wasteland Motif

Words: 755 Length: 2 Pages Document Type: Essay Paper #: 65745647

astelands of Labyrinths, astelands of the Modern Past and Present

The wasteland of myth is a place where people have been mislead, where they dwell in a terrible half-existence, living a lie. Perhaps the most familiar modern expressions of the word 'wasteland' are those of T.S. Eliot's poem about "The asteland" and the idea of a modern, suburban 'teenage wasteland.' hen people speak about a teenage wasteland, they usually are referring to a group of disenchanted youths who have given up on their parent's values but cannot construct their own, new set of values. hen people speak of the "asteland" poem of Eliot, written during the early half of the 20th century, they are referring to Eliot's vision of modern life as a series of broken visions of past phrases, verses, and schemas of believe that no longer have a coherent form or provide moral guidance for people living today.…… [Read More]

Work Cited

Campbell, Joseph. Hero with a Thousand Faces. 1948.

"The Greek Myths: Theseus and the Minotaur & The Wasteland Motif." From The Norton Anthology of World Masterpieces. Seventh edition. Volume 1. W.W. Norton & Co, 2001.
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Modern Poetry Frost Eliott Cummings Dickey

Words: 906 Length: 3 Pages Document Type: Essay Paper #: 21832039

Robert Frost "The Road Not Taken" (lines 18-20):

In the final lines of this poem, the narrator says some of the most famous lines in American poetry: "I took the one less travelled by, / And that has made all the difference" (19-20). Many have interpreted these lines as a celebration of individuality, but on closer inspection, it becomes evident that in reality, the narrator is lamenting that he has made these choices. Instead of following the path of others, he has gone on his own path. His conclusion is that it was this choice, choosing "the path less travelled by" that has marked the rest of his life. The tone of the piece is not one of self-congratulation but rather depression and despondency. He does not say that he regrets the choices that he has made, but acknowledges that his life would be very different had he made other…… [Read More]

Works Cited:

Cummings, e.e. "Nobody Loses All the Time." Print.

Dickey, James L. "Cherrylog Road." Print.

Eliot, T.S. "The Love Song of J. Alfred Prufrock." Print.

Frost, Robert. "Birches." Literature. 11th Ed. 1042-1043. Print.
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Proust and Narrativity We Read Marcel Proust's

Words: 3396 Length: 13 Pages Document Type: Essay Paper #: 10806230

Proust and Narrativity

We read Marcel Proust's In Search of Lost Time - that greatest work of his the title of which is more commonly translated as Remembrance of Things Past both because of the simple beauty of his language and because of the power that he has to find our own lost pieces of time. For while he makes us interested in his past because of his marvelous descriptions of his own childhood and we become entranced by his memories because of the elegant and lush way that he conveys them to us, we also read the book because it seems to offer to us a type of magic, seems to serve as a talisman to all pasts, not just his alone. This paper examines the narrative structure of In Search of Lost Time and the ways in which that structure, joined to Proust's language and symbolism, can help…… [Read More]

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English Lit an Analysis of

Words: 915 Length: 3 Pages Document Type: Essay Paper #: 37152390

Even physical relationships are prone to dissolution -- as ebster shows: the lovers are murdered one by one. ebster and the other Jacobeans appear to pine for an era of old world spirituality -- for the new modern world, while full of scientific inquiry and triumph (see Bacon), lacks that sensitivity of soul that could effect true and real humility.

3. For, however, a complete and masterful representation of the many facets of human nature in all its strengths and failings, one need look no further than to the works of Shakespeare, which span both Elizabethan and Jacobean eras. For the folly of kingly pride, there is Lear. For the bitterness of ambition on the murdered conscience, there is Macbeth. For the nature of love and the relationship between man and woman there are the marvelous sonnets 116, 129, and 138: all three of which tackle the subject from a…… [Read More]

Works Cited

Eliot, T.S. "Whispers of Immortality." American Poems. Web. 27 July 2011.

Elizabeth I. "The Golden Speech." The Norton Anthology of English Literature, Eight

Edition. (M. H. Abrams, ed.) W.W. Norton, 2006.

Shakespeare, William. "Sonnets 116, 129, 138." The Norton Anthology of English
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Faustus and Everyman an Analysis

Words: 3798 Length: 11 Pages Document Type: Essay Paper #: 8354078

Faustus, who sees his time also coming to a close, becomes a kind of Hamlet-figure and doubts that he can be forgiven. Faustus' problem is more than a life of misdeeds -- it is a problem of lack of faith. The faith of Everyman may have been lukewarm, but it was not corrupt. The faith in the time of Everyman has been polluted by Lutheran and Calvinist doctrines.

Considering the form of the narrative, this is not surprising: Faustus is obsessed with fame and renown. Everyman has no name proper -- and neither does his author. That the author of the medieval morality play should be anonymous is nothing out of the ordinary, and indeed seems all the more fitting when one considers that the second most printed book after the ible was The Imitation of Christ, a work whose author never put his name on the original (and which…… [Read More]

Bibliography

Craig, H. Morality Plays and Elizabethan Drama. Shakespeare Quarterly 1(2), 1950, 64-

72. Retrieved from http://www.jstor.org/pss/2866678

Everyman. NY: Fox, Duffield and Company, 1903.

Gardiner, H. Introduction. The Imitation of Christ (Thomas Kempis). NY:
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Development of Ideas in American Literature Since 1900

Words: 706 Length: 2 Pages Document Type: Essay Paper #: 13497228

American Literature

The development of the major ideas and attitudes expressed in Modern American literatures since 1900 can start with the realist school of literature, which focused on representing in naturalistic terms and concepts the life of the world around. Thus, Theodore Dreiser wrote Sister Carrie about a bumpkin country girl who moves to the big city and becomes a mistress. Stehpen Crane also portrayed the street life and Upton Sinclair wrote The Jungle about what it was like to work in the meat packing plants at the time and how difficult it was for immigrant life. The ideas here were focused on revealing real American life -- not in broad comedy like a Mark Twain novel -- but in serious terms.

F. Scott Fitzgerald reflected the concept of "wasted youth" and the obsession with riches and power that was all so meaningless in the greater scheme of things in…… [Read More]

References

Piercy, M. (2009). What's That Smell in the Kitchen? Poetry: A Pocket Anthology.

NY: Pearson.

Rich, A. (n..d.). Living in Sin. Retrieved from https://www.naic.edu/~gibson/poems/rich1.html
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Predicted About the Year 2012

Words: 2130 Length: 6 Pages Document Type: Essay Paper #: 58042578

There is even conjecture that ancient civilizations may have, …spotted an orbit that will culminate in a collision with Earth in 2012. This is easily the most predictable disaster for 2012. ith recent discussion of "dark comets," we have become aware of the possibility of our planet being struck with little or no warning." (2012 Possibilities)

Another possibility that has been mentioned by some scientists is the possibility of a Cronal Mass Ejection (CME) from the Sun. A CME is an emanation of energy from the sun which can cause ferocious storms. A solar storm in 1959 has been linked to this form of energy burst. An unsettling fact is that, " In 2009 NASA told us to be wary of solar storms." (2012 Possibilities)

These speculative findings and many other have created an enormous amount of discussion and debate on the Internet. An expert in the field is the…… [Read More]

Works Cited

2012 Blog. December 12, 2009.

2012 Doomsday: Science or Superstition? December 12, 2009.



2012 Doomsday: Science or Superstition? (2) December 12, 2009.