Mr. Smith Goes to Washington vs. Matewan: Power and Justice
This essay compares two classic American films — Frank Capra's Mr. Smith Goes to Washington and John Sayles' Matewan — examining how ordinary characters confront entrenched power. The paper analyzes Jefferson Smith's battle against corrupt politicians through Senate filibuster and Joe Kenehan's efforts to organize coal miners against exploitative mine owners in the 1920s. It argues that while both causes are morally just, the outcomes differ starkly: Smith ultimately prevails through institutional means, while the miners are crushed by brute force. The essay draws broader conclusions about the persistence of power imbalances, connecting the films' themes to modern corporate misconduct and the enduring relevance of labor unions.
- Introduction: Two Films, One Theme: Both films depict underdogs challenging entrenched power
- Jefferson Smith and Political Corruption: Smith filibusters corrupt senators in Washington
- Joe Kenehan and the Miners of Matewan: Coal miners fight brutal mine owners for rights
- Methods of Resistance: Filibuster vs. Strike: Contrasting strategies used against corrupt power
- Justice, Power, and Outcomes: Why Smith wins but the miners do not
- Conclusion: History's Recurring Lesson: Greed and power imbalances persist into modern era
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What makes this paper effective
- The essay uses a clear comparative framework, consistently returning to both films rather than treating them as isolated analyses, which strengthens its central argument about power and justice.
- The conclusion earns its weight by connecting 1920s labor struggles and fictional political corruption to a real-world corporate scandal (Enron), demonstrating the essay's broader relevance.
- The contrast between Smith's Hollywood victory and the miners' historical defeat is deployed as the paper's most persuasive evidence — showing that genre and reality produce different outcomes even when moral stakes are equal.
Key academic technique demonstrated
This paper demonstrates sustained comparative analysis across two texts. Rather than summarizing each film separately, the writer identifies a shared thematic question — can the powerless defeat the powerful through just means? — and uses each film as a test case. The divergent outcomes are then used as evidence to support a nuanced conclusion: moral righteousness alone does not guarantee victory against entrenched power.
Structure breakdown
The essay opens with a brief framing introduction, then devotes a dedicated paragraph to each film's plot and characters. A pivotal comparative paragraph follows, directly contrasting the two groups' methods (filibuster vs. strike) and outcomes. The conclusion steps back from both films to offer a generalized historical observation, reinforced by a contemporary example. This structure — introduce, analyze individually, compare directly, generalize — is a reliable and effective template for comparative film or text analysis.
Introduction: Two Films, One Theme
This essay examines two landmark American films: Mr. Smith Goes to Washington, directed by Frank Capra, and Matewan, directed by John Sayles. Specifically, it discusses the motives and causes of characters who are prepared to take on the powerful — how they do it, and whether their actions are justified. Both films show the underdog taking on those with great power. Their causes are just and their motives are pure, but they discover that those with power often overcome even the most morally righteous challenges.
Jefferson Smith and Political Corruption
Mr. Smith Goes to Washington is a classic Jimmy Stewart and Frank Capra film that illustrates just how deeply political influence runs in Washington, D.C. In this film, Jefferson Smith (Jimmy Stewart) is appointed as a Senator after the man holding the office dies. He is a naive, trusting, and honest man whom the political leaders of his state believe they can manipulate and use as a puppet in Washington. He has no idea he has been sent there to ensure the state's political bosses profit from a dam the state does not need, built on land the politicians secretly own.
When he discovers the truth, his honor and honesty will not allow him to do anything but fight back — including pushing his own proposal to build a boys' camp on that very same land. He even finds that his own boyhood idol, Senator Paine, is corrupt and manipulated by the political bosses back home. To be rid of him and his honest approach, they attempt to frame him. Instead, he fights back by filibustering on the Senate floor, refusing to yield to their threats to destroy his short Senatorial career. He fights by using the laws of the country against the corrupt politicians — honestly and with an almost naive conviction. He fights for what he believes in and what he knows is right, just as the miners in Matewan do. He is also fighting for American justice and democracy, and so, unless the system fails entirely, he must win, or there will be no hope for any American. Smith does win in the end, and that is the major difference between justice and power in these two films.
Joe Kenehan and the Miners of Matewan
Matewan offers another perspective on corruption and power — specifically, the power of business owners over the workers they exploit. In the film, the coal miners of Matewan, West Virginia are poor, and the rich, powerful owners are determined to keep them that way, making them permanently dependent on the company. The film vividly portrays how difficult and dangerous mine work was in the 1920s, and how hard these people had to fight for even the most basic rights.
Joe Kenehan is an admirable character who articulates the values that truly matter, but in the end, those values die with him at the Matewan Massacre. He not only speaks about what he believes in — he encourages the miners to organize, to fight for their rights, and to stand up to the brutal mine owners. The young narrator, who has so much potential, ends up working in the mines and appears to spend his entire life in Matewan, because there is simply no way out for these people. The mine owners hold them in a tight grip and will not let go. The mine owners act out of profit and personal gain, while the coal miners — who work until they die — want only a measure of respect and fair treatment. Their fight is fully justified, and they pursue legal means to achieve their goals, while the brutal owners resort to violence and ultimately murder to suppress the protest.
Conclusion: History's Recurring Lesson
In conclusion, it seems that some things never change in the relationship between the powerful and the weak. Today, unions still exist to protect workers from exploitation and degradation, yet companies continue to send more and more jobs overseas, where unions cannot reach them. There is not a great deal of difference between the heartless mine owners and politicians depicted in these films and the corporate executives at Enron, who sold their stocks and misled both the public and their own employees. Those executives sold before the collapse, and ordinary employees were left without retirement savings and without jobs. Some patterns in history never seem to change. That is why unions were formed in the first place, and that is one reason they still exist. Not all powerful people are villains, but many are, and these two films illustrate how greed and selfishness can lead to despair and even death.
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