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Ancient
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What is Ancient?

The ancient world spans a vast range of civilizations, practices, and ideas that historians, classicists, and religious studies scholars examine to understand how human societies first took organized shape. Courses in world history, art history, religious studies, and political science all draw on ancient sources, asking students to investigate how early cultures established governance, belief systems, trade, medicine, and artistic expression. What makes this period academically compelling is the tension between how remote these societies feel and how directly their structures, philosophies, and conflicts continue to shape contemporary life.

Papers on this topic approach the ancient world from several angles. Some focus on specific civilizations or regions, such as Classical and Hellenistic Greece, the Etruscan world, or the Ancient Near East, often through comparative or art-historical analysis. Others trace particular practices — fermentation, fasting, traditional medicine, or musical instruments like the panpipes — across cultural contexts. Religious experience, including Jewish diaspora, Christian ritual, and Roman Catholicism, also features prominently, as does the long reach of ancient literary traditions visible in works like Gilgamesh. Some essays take a broader theoretical stance, asking whether modern understandings of nature or power align more closely with ancient frameworks than with later periods such as the Renaissance.

A strong essay on the ancient world needs a focused, arguable thesis rather than a broad survey. Evidence drawn from primary sources, archaeological records, or well-established historical frameworks carries the most weight. The most common pitfall is treating "ancient" as a monolithic category — successful essays specify a civilization, time period, or practice and resist collapsing distinct cultures into a single narrative.

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Paper Masters
Joan Miro's detailist period and artistic development
This paper focus on the Catalan artist Joan Miro. While Miro had a number of styles throughout his lifetime, this paper focuses on the detailist style he embraced as a young artist. It talks about the inspiration for the style, which seems have been an equal blend of Miro's convalescence at a farm in Catalonia, Cubism, and an appreciation of Catalan folk art. It also discusses particular works.
Paper Doctorate
Globalization, economic inequality, and international terrorism in the Gaza Strip
Rapid innovations in technology, particularly telecommunications and transportation, have accelerated the globalization process in recent years, and a number of positive outcomes have been associated with these trends,…
Research Paper Undergraduate
The Sumerians: inventors of writing and the world's first civilization
Approximately 4000 B.C., on the flood plain of the Tigris and Euphrates Rivers, the Sumerians emerged, ruled by a priesthood with communities established around a temple (Watkins). David Fromkin, professor at Boston…
Paper Undergraduate
Mannerism as individualism and innovation in sixteenth-century Italian art
Mannerism, like every period in art or cultural movement was tributary to its time and the place it emerged from. Some scholars frame the period of mannerism between 1520 and 1620, others between 1520 and 1600,…
Paper Undergraduate
Contemporary staging of the medieval morality play Everyman
The allegorical style of play Everyman began to be considered out-of-date during the Renaissance as more realistic styles of theater grew popular in the post-medieval era. In the modern era of theater, appreciation of…
Paper Undergraduate
The Statuette of Amun at Karnak: ancient Egyptian religious art
Egyptian Period: The Statuette of Amun at Karnak
Paper Undergraduate
Exclusion of African-American martyrs from American Revolutionary nationalism
The symbolic and ceremonial importance attached to the American Revolution and its martyrs, due to the beliefs held within the 'Nationalism' of the patriots of the American Revolution did not extend to include the…
Paper Doctorate
The evolution of Elizabethan theatre from inn-yards to playhouses
In 1558, when Elizabeth I came into power there were no specifically designed theatres in England. Collections of performers moved throughout the kingdom and acted in a broad variety of temporary performing places.
Paper Undergraduate
Franz West's Chameleon: conformity and concealment through color
Exploring Contemporary Art with Theory (Philosophy of Art)
Paper High School
Modeling real-world periodic phenomena with sinusoidal functions
Modeling Real-World Data with Sinusoidal Functions