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Audience
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What is Audience?

Audience is a foundational concept in communications studies, addressing how speakers, writers, and creators shape their messages for specific groups of people. It appears across courses in rhetoric, media studies, public relations, marketing, and literary analysis, because nearly every act of communication is directed at someone. What makes the topic academically interesting is that audience is rarely passive — individuals bring expectations, cultural backgrounds, and prior knowledge that actively shape how a message is received, interpreted, and acted upon. Understanding the relationship between a communicator and their intended audience is central to analyzing why some messages succeed while others fail.

The papers archived here approach audience from a wide range of angles. Some focus on practical audience analysis, such as examining community profiles or mobile marketing campaigns like the one launched by Old Navy, while others take a literary direction, analyzing how works like Intimate Apparel or Things Fall Apart construct and address their readers. Historical and classical perspectives appear as well, including the objective and audience of ancient writings and the development of the classical symphony. Comparative approaches are common, and some papers move into psychological frameworks, exploring how identity and perception shape audience response.

A strong essay on audience begins with a clearly scoped thesis that identifies a specific audience, a specific communicator or text, and a claim about how that relationship works or matters. Evidence drawn from the text, campaign, or historical context carries the most weight. The most common pitfall is treating audience as a single, uniform group — strong analysis accounts for the diversity within any audience and acknowledges that different individuals may respond in meaningfully different ways.

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Research Paper Undergraduate
Depicting the Holocaust in cinema: specificity versus generalization in German film
National Socialism in Cinema -- putting the unspeakable into cinematic language
Paper Undergraduate
Shakespeare's Richard III: historical distortion and theatrical villainy
The (Un)Historical Underpinnings for Shakespeare's Richard the Third and Modern Interpretations of the Same
Paper Doctorate
Laura's hidden strength in The Glass Menagerie
¶ … Laura in Williams' the Glass Menagerie
Paper Undergraduate
Portable People Meter and the shift from diary-based radio audience measurement
Over the last 100 years, radio would go through an incredible transformation, as it would be the source of entertainment for countless numbers of people. With the period between the 1920 to the 1950's, representing a…
Paper Doctorate
Listening with the spirit in Chuang Tsu's "In the World of Men"
"in the World of Men": The Practicality of the Way
Research Paper Doctorate
John Grierson and the development of documentary film
The documentary film developed alongside the narrative film, though largely during the sound era. It was shaped most profoundly during the 1930s as filmmakers began to record sociological an anthropological studies of…
Paper Doctorate
Personal Trainer Inc. information systems implementation and organizational change management
Personal Trainer Inc., Information Systems Case Study
Research Paper Doctorate
Elizabethan theatre under Queen Elizabeth I's rule
The English theatre lived the most expressive period of its history during the forty-five-year supreme rule of Queen Elizabeth I in the second half of the 16th century. Queen Elizabeth I who was refined and had great…
Paper Doctorate
Cassandra's prophecy and lament in Aeschylus' Agamemnon
Cassandra: Prophecies of Doom and Reflections of the Whole in Agamemnon
Research Paper Undergraduate
Technology and the soul in Walt Whitman's "Passage to India"
Considering Technology and the Soul in Walt Whitman's "Passage to India"