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Audience
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What is Audience?

Audience is a foundational concept in communications studies, addressing how speakers, writers, and creators shape their messages for specific groups of people. It appears across courses in rhetoric, media studies, public relations, marketing, and literary analysis, because nearly every act of communication is directed at someone. What makes the topic academically interesting is that audience is rarely passive — individuals bring expectations, cultural backgrounds, and prior knowledge that actively shape how a message is received, interpreted, and acted upon. Understanding the relationship between a communicator and their intended audience is central to analyzing why some messages succeed while others fail.

The papers archived here approach audience from a wide range of angles. Some focus on practical audience analysis, such as examining community profiles or mobile marketing campaigns like the one launched by Old Navy, while others take a literary direction, analyzing how works like Intimate Apparel or Things Fall Apart construct and address their readers. Historical and classical perspectives appear as well, including the objective and audience of ancient writings and the development of the classical symphony. Comparative approaches are common, and some papers move into psychological frameworks, exploring how identity and perception shape audience response.

A strong essay on audience begins with a clearly scoped thesis that identifies a specific audience, a specific communicator or text, and a claim about how that relationship works or matters. Evidence drawn from the text, campaign, or historical context carries the most weight. The most common pitfall is treating audience as a single, uniform group — strong analysis accounts for the diversity within any audience and acknowledges that different individuals may respond in meaningfully different ways.

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Paper Doctorate
Japanese anime and manga: cultural significance and evolution
A Division of Gender Culture: The Shojo and the Sh-nen
Paper Doctorate
Postmodern Cinema Postmodernism and Film
In this paper, the successes and failures of postmodernism in relation to film is examined. Also a brief definition and explanation of the constructs of postmodernism is given. Two films are analyzed to determine if they are postmodernist and how they fit into the genre. The first film, Beyond the Black Rainbow, does not fit into the definition of postmodernism, but rather is a modernist film. On the other hand, Sugar & Spice is a successful representation of postmodern cinema.
Essay Doctorate
Live music concert experience: ensemble instruments, style, and performance analysis
I attended a Crosby, Stills & Nash concert because my parents had always played music from that era and CS&N had such great harmonies I decided to attend their show. The songs were familiar and the harmonies were excellent; the three musicians have obviously aged but for the most part their voices are still strong and on key. They certainly know how to entertain an audience of older and younger people.
Paper Doctorate
Bullying Amongst Kids Bullying Among
The paper is an exposition on the topic of bullying among kids. It looks at what is considered bullying, what are the effects, what are the causes of the same and how bullying changes over time and how it manifests itself in the contemporary society. The paper also highlights ways of curbing the vice.
Paper Undergraduate
Entertainment and art in contemporary culture
Analyzing the Live Nation brand needs to start with the experience customers have when they purchase tickets and attend concerts. The value of live events is in how effectively there are promoted and how easily customers can quickly gain access to tickets, ticket packages and entire entertainment packages. Live Nation's branding has concentrated more on the performers, less on the experience, and have also not paid attention to the mobility factors including having a solid smartphone and table strategy (Tabitha, Hede, Rentschler, 2009). While the actual events the company produces and delivers are exceptional, the experiences of booking them are often problematic and require personal assistance from telephone service centers and customer service representatives. The more complex the event, the more manual the process becomes within Live Nation. After analyzing their financial statement, this fact became clear; the more gross margin they generate the higher their costs of sales. The hard reality for Live Nation is that the more attractive or exclusive the event, the more challenging they become to buy from. From a branding perspective, this is exactly the opposite of what they want to achieve. The essence of entertainment branding is a solid foundation of setting accurate, realistic customer expectations and then deliberately exceeding them on every fact of the experience, beginning with ticket purchased, through getting to and attending the event and the memories that have been formed as a result (Pihlström, Brush, 2008). Entertainment brands grapple with a particularly challenging set of circumstances, as the brand must reflect the overall experience and identity of the business while also managing to define and execute against expectations effectively (Hemphill, 2003). Nowhere is this shift more apparent than in the areas of mobility platforms and support for multiple marketing and selling channels (Verkasalo, 2011). Live Nation has failed to capture the full value of mobility platforms for entertainment, and as a result is in danger of seeing their entire business model become obsolete. The advent of mobility-based branding that supersedes and becomes even more strategically important than off-line (print) and online presence via websites was predicted six years ago and is today gathering momentum quickly (Vlachos, Vrechopoulos, Pateli, 2006). For Live Nation to retain and grow its customer base and also fend off competitors, it will need to concentrate on its mobility strategy not at the event level as it does today, but from a platform perspective, just as the company has done with the Web in the past (Okazaki, Barwise, 2011). For Live Nation the future requires that they make the brand part of the experience itself; today they are disjointed in a very competitive, turbulent market.
Research Paper Doctorate
The banking concept of education
The purpose of this paper is to introduce, discuss, and analyze Paul Freire's "Pedagogy of the Oppressed." Specifically it will focus on an incident from my own educational experience and interpret it as Freire would.
Research Paper Doctorate
Nellie Mcclung\'s Book in Times Like These
¶ … Nellie McClung's book In Times Like These chronicles the struggles of common, Canadian women on the frontier in a series of speeches and essays by the author that were intended for the public at large or the…
Research Paper Doctorate
Geoffrey Chaucer\'s Tales of Marriage
Geoffrey Chaucer wrote the Canterbury Tales, which is a collection of stories told by a set of thirty pilgrims to Canterbury Cathedral, to the shrine of Thomas of Canterbury, martyred in 1170.
Research Paper Doctorate
Artwork analysis and aesthetic interpretation
Vincent Van Gogh: Woman with a spade as seen from behind. (1885)
Paper Doctorate
Collapsing certainties: theme analysis and related readings
The collapse of the birth rate is a reflection of the lack of precedent population structure in which old people past their retirement age outnumber the young people. In the case of western and central Europe, there have been massive fall of the birth rate below the essential rate vital for the reproduction of the population. The main objective of this research exercise is to evaluate the aspect of collapsing birth rates in the context of the developed world.