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Audience
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What is Audience?

Audience is a foundational concept in communications studies, addressing how speakers, writers, and creators shape their messages for specific groups of people. It appears across courses in rhetoric, media studies, public relations, marketing, and literary analysis, because nearly every act of communication is directed at someone. What makes the topic academically interesting is that audience is rarely passive — individuals bring expectations, cultural backgrounds, and prior knowledge that actively shape how a message is received, interpreted, and acted upon. Understanding the relationship between a communicator and their intended audience is central to analyzing why some messages succeed while others fail.

The papers archived here approach audience from a wide range of angles. Some focus on practical audience analysis, such as examining community profiles or mobile marketing campaigns like the one launched by Old Navy, while others take a literary direction, analyzing how works like Intimate Apparel or Things Fall Apart construct and address their readers. Historical and classical perspectives appear as well, including the objective and audience of ancient writings and the development of the classical symphony. Comparative approaches are common, and some papers move into psychological frameworks, exploring how identity and perception shape audience response.

A strong essay on audience begins with a clearly scoped thesis that identifies a specific audience, a specific communicator or text, and a claim about how that relationship works or matters. Evidence drawn from the text, campaign, or historical context carries the most weight. The most common pitfall is treating audience as a single, uniform group — strong analysis accounts for the diversity within any audience and acknowledges that different individuals may respond in meaningfully different ways.

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Research Paper Doctorate
How Shakespeare Used Music in His Plays and Works
William Shakespeare (1564-1616), English playwright and poet, is recognized all over the world as the greatest dramatist of all times. His plays have been performed more times than those of any other dramatist and have…
Paper Doctorate
Moral Status of Advertising in a Free Market Economy
Despite what many individuals may think, when devising an advertising plan, the planners must carefully pay attention to the motives of not only the business that is selling, and the perceptions of the target audience.
Paper Undergraduate
Mourning Becomes Electra: Myth, History, and Repetition
This paper examines Eugene O'Neill's use of the mythic structure of Aeschylus' Oresteia in his trilogy Mourning Becomes Electra. The play suggests that O'Neill's play is built around acts of repetition and re-enactment: not only does O'Neill himself re-enact the Oresteia, but his characters seem to ritually re-enact the behavior of those who have gone before. The play connects Mannon's death in the play to a ritualized re-enactment of the death of Abraham Lincoln.
Paper Doctorate
UK and Chinese Newspaper Coverage of the BP Oil Spill
United Kingdom and Chinese newspaper coverage of BP Oil spill
Paper Undergraduate
Chaucer's Friar and Summoner: Satire of Church Corruption
In the Canterbury Tales, the Friar's Tale and the Summoner's Tale are intended to be satires about the corruption of the church in the Middle Ages, and would have been considered comedic by the audience, but also as being quite close to the truth. Chaucer was very likely sympathetic with the early-Protestant Lollards and Reformers and intended this to be a humorous commentary on "the abuse that infected the medieval church" (Hallissy 138). Although the Friar and the Summoner work for the church, neither of them is even a remotely holy man, and their reasons for being on the pilgrimage are purely material rather than religious. Both of these characters equally corrupt and venal and have no real spiritual values but only an urge to satisfy their appetite for money (Pearsall 166).
Paper Doctorate
Hitchcock's British Films: Expressionism, Montage, and Realism
An analysis of the influence of German Expressionism, Soviet Constructivism, and Griersonian Documentary Realism on Alfred Hitchcock's films. Films that were analyzed in these respects are The 39 Steps and The Lady Vanishes. Hitchcock used German Expressionism to determine what was seen on screen, Constructivism to determine how it was seen, and Griersonian Realism to elements the audience could relate to, thus allowing them to engage in the suspense on a personal level.
Paper High School
Socialization Themes in The Glass Menagerie by Williams
The paper is about the theme of social skills and socialization with respect to Tennessee Williams' famous play, "The Glass Menagerie." The paper focuses primarily upon the Wingfield family: Tom, Laura, and Amanda, with some reference to Jim O'Connor. The paper argues that each character has a social problem or social disorder that prevents him/her from interacting with the real world and having a happy life.
Paper Doctorate
Auteur Theory Challenged: Allen, Mamet, and Postmodern Film
A postmodern film studies critique of Woody Allen's 1994 film Bullets Over Broadway and David Mamet's 2004 film Spartan. The paper seeks to approach each film in terms of the auteur theory, by noting that each has a writer-director who has scripted a film with a single protagonist. The nature of Allen's identification with his playwright protagonist, and Mamet's identification with his Special Forces op protagonist, is questioned in terms of how each film examines questions of violence and duty. Postmodernism is invoked in the conclusion to show that the modernist desire to insist upon stable meaning can easily be deconstructed: David Mamet's film could be taken as an invitation for military men to place conscience over duty, leading Mamet to a conclusion where his story could be used to justify the actions of someone like Bradley Manning.
Research Paper Doctorate
Proust's In Search of Lost Time: Narrative and Memory
We read Marcel Proust's In Search of Lost Time - that greatest work of his the title of which is more commonly translated as Remembrance of Things Past both because of the simple beauty of his language and because of…
Paper Undergraduate
Media as a Linguistic Discourse Analysis Object
Discourse analysis' focus is noteworthy semiotic events. Discourse analysis aims to understand not only the nature of the semiotic event, but also the socio-psychological traits of the participants of the event. The proposed subject of research is media discourse analysis or media as the linguistic discourse analysis object. Media is highly relevant and almost fundamental to life in the 21st century. There is no doubt that there are social, perceptual, psychological, linguistic, and behavioral affects of technology and media upon users and communities. Objects of discourse analysis vary in their definition of articulated sequences of communication events, speech acts, etc. Media is nothing but a series of coordinated sequences of various communications events operating semiotically. Therefore, media discourse analysis is a worthwhile linguistic research endeavor. The hypothesis of the research contends that media discourse analysis, as part of media literacy is necessary to function in 21st century information societies, as are information literacy and technological literacy.