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Comedy
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What is Comedy?

Comedy is one of the oldest and most studied genres in literary and cultural history, examined across English literature, film studies, drama, and media courses. It encompasses a wide range of forms—from theatrical plays and narrative fiction to film and television—making it relevant in courses on genre theory, dramatic literature, and criticism. What makes comedy academically rich is its relationship to serious human concerns: love, death, character, and social tension are all refracted through humor, allowing writers and filmmakers to approach difficult subjects with distance and irony. Works like Shakespeare's Henry IV Part 1 and films such as Roberto Benigni's Life is Beautiful demonstrate how comedy operates as both entertainment and critique.

Student essays on this topic take several distinct approaches. Many papers engage in comparison and contrast, weighing comedy against tragedy to examine how the two genres define each other through character, plot structure, and audience response. Others perform close analysis of specific works—studying motifs, narrative elements, and dramatic technique in plays and films. Some papers adopt a cultural criticism angle, such as exploring whether comedy functions as a last frontier of sexism and examining its relationship to feminism. Film theory and criticism provide another framework, with essays analyzing how directors use humor to shape audience perception and emotional experience.

A strong essay on comedy establishes a focused thesis about how humor functions in a specific text or context rather than simply describing comic moments. Evidence drawn from character behavior, dramatic structure, and audience effect carries the most analytical weight. The most common pitfall is treating comedy as inherently lighthearted, when the strongest arguments engage with the tension between humor and darker themes like death, power, or gender.

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Paper Undergraduate
Genre classification and thematic depth in City Slickers and Dances with Wolves
City Slickers does follow the western genre in that it portrays the main characters in the West and presents them with opportunities to overcome the wilderness. As with typical elements we find in Westerns, the frontier…
Research Paper Undergraduate
Award-winning films and television in 2006: trends and cultural themes
Looking at the recipients for the major film and television awards for 2006 reveals distinct trends. In fact, history has clarified many of the trends that help determine which actors and which films win awards.
Paper Doctorate
Women comedians and the persistence of gendered humor expectations
A woman has served as Secretary of State -- but can women be funny? It might seem that women have broken down virtually every barrier that exists in the workforce. The idea of allowing women to serve on the front lines…
Paper Undergraduate
John Dryden's Mac Flecknoe as mock-heroic satire
The poem Mac Flecknoe was written by John Dryden in 1678 but was not published until 1682 (Broich, 1990). Dryden's poem is considered in the genre satire or mock-heroic poetry (Broich, 1990).
Paper Undergraduate
Memory and identity in "Being John Malkovich"
The movie "Being John Malkovich" is a dark and wildly creative comedy -- and the fact that it is rated "R" is no surprise, given the raw, bizarre nature of the themes, and the sexuality not to mention tough language.
Research Paper Undergraduate
Ideology and subtext in Hitchcock's North by Northwest
Hitchcock is the master of subtext and suspense, he is definitely a genius when it comes to creating memorable scenes that balance sensual tension, sensual innuendo, and comedy and up bring suspense seamlessly.
Paper Doctorate
Biblical roots of modern Jewish humor and satire
Jewish humor is often secularized, making it seem that it is not rooted in the Bible or the Talmud. In fact, Jewish humor is almost always based on the irony, satire, and sarcasm inherent in the sacred texts of Judaism.
Paper Undergraduate
Iago's deception and Othello's tragic flaw in Act III, Scene 3
Analyze the use of deception by Iago in Act III, Scene 3. What kinds of deception does Iago use as various pieces of "evidence" he gives to Othello in this scene? How many pieces of evidence does Iago give Othello in…
Research Paper Undergraduate
The transcendent power of love in Shakespeare's Romeo and Juliet
If I were to imagine pure love as a geometrical form, I would imagine it as a circle with the line interrupted. I have chosen the round figure, as it is the symbol of perfection, and the interrupted circle because love…
Paper Doctorate
Chan-wook Park's Oldboy as a morality play about gossip
Chan-wook Park's Oldboy (2003) is a South Korean film that is one part mystery and one part Greek tragedy. One might easily compare it to Sophocles' Oedipus Rex, but doing so still leaves much to be said of the Asian…