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Comedy
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What is Comedy?

Comedy is one of the oldest and most studied genres in literary and cultural history, examined across English literature, film studies, drama, and media courses. It encompasses a wide range of forms—from theatrical plays and narrative fiction to film and television—making it relevant in courses on genre theory, dramatic literature, and criticism. What makes comedy academically rich is its relationship to serious human concerns: love, death, character, and social tension are all refracted through humor, allowing writers and filmmakers to approach difficult subjects with distance and irony. Works like Shakespeare's Henry IV Part 1 and films such as Roberto Benigni's Life is Beautiful demonstrate how comedy operates as both entertainment and critique.

Student essays on this topic take several distinct approaches. Many papers engage in comparison and contrast, weighing comedy against tragedy to examine how the two genres define each other through character, plot structure, and audience response. Others perform close analysis of specific works—studying motifs, narrative elements, and dramatic technique in plays and films. Some papers adopt a cultural criticism angle, such as exploring whether comedy functions as a last frontier of sexism and examining its relationship to feminism. Film theory and criticism provide another framework, with essays analyzing how directors use humor to shape audience perception and emotional experience.

A strong essay on comedy establishes a focused thesis about how humor functions in a specific text or context rather than simply describing comic moments. Evidence drawn from character behavior, dramatic structure, and audience effect carries the most analytical weight. The most common pitfall is treating comedy as inherently lighthearted, when the strongest arguments engage with the tension between humor and darker themes like death, power, or gender.

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Essay Doctorate
University of Miami's production of South Pacific explores love and prejudice
¶ … miami./theatrearts/ring.html performance "south pacific" write a concise 500-word critical response
Research Paper Doctorate
Character punishment and moral consequences in Volpone
Act I, Scene 1, Lines 30-39: This is at the start of the play when we learn about what kind of man Volpone is. This particular passage, being spoken by him, is referring to his money -- he is speaking of how he enjoys…
Paper Doctorate
Emotional appeals and symbolism in Shakespeare and Bob Marley
¶ … incongruous to try to compare the artists William Shakespeare and Bob Marley. These two men, separated by centuries and embodying two very different forms of art, both make up part of the history of popular culture.
Paper Doctorate
Humor and heroism in Mel Brooks' Blazing Saddles
One of the most intriguing things about humans is that they have the ability to laugh in the face of danger. Even when they are in critical situations, people know that using humor is likely to make things easier for them and that optimism is one of the best methods to avoid feeling lost. Mel Brooks' motion picture Blazing Saddles and Richard Donner's film The Toy both present desperate individuals as they manage to find impressive solutions to seemingly impossible situations. The central characters in the two movies are individuals whom society tends to discriminate and who are unlikely to have success when considering their general condition.
Paper Doctorate
Roberto Rossellini's Paisan and the emergence of Italian neorealism
This essay on Italian director Roberto Rossellini's 1946 Paisan discusses the emerging aesthetic of Neorealism in Italian postwar film. Paisan adopts many techniques from the novel, in terms of its multifaceted method of storytelling. It is neither realistic nor a false spectacle. There is an authorial point-of-view but the director also draws upon his experience as a witness to history.
Paper Doctorate
Race and social class in Blazing Saddles and The Toy
An analysis of how issues of race and social class are depicted in comedy films such as Blazing Saddles and The Toy. It is argued that commentary on race and class in Blazing Saddles is successful because of the film's narrative and satirical structure, which depicts blacks in a positive light and gives them upward social mobility. On the other hand, The Toy is unsuccessful at commenting on these issues because it not only degrades the protagonist through voluntary slavery, thus depicting downward social mobility of blacks, but also depicts whites as entitled, power-hungry megalomaniacs.
Thesis Masters
Magical illusion and forgiveness in Shakespeare's The Tempest
In the epilogue of A Midsummer's Night Dream, Puck speaks to the audience directly not as an actor or a character in a play, while in The Tempest, Prospero is still in character but begs the audience to set him free so…
Paper High School
Character development and dialogue in the film Juno
"Juno" is a great movie about a young high school girl who gets pregnant and rather than go into a terrible tail-spin, she intelligently and with humor devises a plan to have a worthy couple adopt the child. A far cry from other movies in which a teen gets pregnant, "Juno" has believable and intelligent characters who complement each other perfectly.
Research Paper Doctorate
Greek drama's influence on modern film and theatre
Greek Drama and Its Effects on Drama Today
Research Paper Doctorate
Pushkin and O'Connor as icons of world literature
¶ … age and several thousand miles separated Russian Alexander Pushkin and American Flannery O'Connor. This essay seeks to illustrate why they deserve to be considered as icons of world literature.