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Comedy
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What is Comedy?

Comedy is one of the oldest and most studied genres in literary and cultural history, examined across English literature, film studies, drama, and media courses. It encompasses a wide range of forms—from theatrical plays and narrative fiction to film and television—making it relevant in courses on genre theory, dramatic literature, and criticism. What makes comedy academically rich is its relationship to serious human concerns: love, death, character, and social tension are all refracted through humor, allowing writers and filmmakers to approach difficult subjects with distance and irony. Works like Shakespeare's Henry IV Part 1 and films such as Roberto Benigni's Life is Beautiful demonstrate how comedy operates as both entertainment and critique.

Student essays on this topic take several distinct approaches. Many papers engage in comparison and contrast, weighing comedy against tragedy to examine how the two genres define each other through character, plot structure, and audience response. Others perform close analysis of specific works—studying motifs, narrative elements, and dramatic technique in plays and films. Some papers adopt a cultural criticism angle, such as exploring whether comedy functions as a last frontier of sexism and examining its relationship to feminism. Film theory and criticism provide another framework, with essays analyzing how directors use humor to shape audience perception and emotional experience.

A strong essay on comedy establishes a focused thesis about how humor functions in a specific text or context rather than simply describing comic moments. Evidence drawn from character behavior, dramatic structure, and audience effect carries the most analytical weight. The most common pitfall is treating comedy as inherently lighthearted, when the strongest arguments engage with the tension between humor and darker themes like death, power, or gender.

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Love's irrationality in Shakespeare's A Midsummer Night's Dream
Midsummer Night's Dream is the quintessential romantic parody. Involving the use of magic potions and mythical creatures, Shakespeare portrays love as a potentially ridiculous pursuit and one totally devoid of reason.
Paper Doctorate
I Love Lucy and 1950s gender role reinforcement
I Love Lucy was an outstanding 1950's sitcom that ultimately supported 1950's non-threatening gender roles. Though the show differed from other 1950's sitcoms in that Lucy was a 40+-year-old physical comedian married to…
Research Paper Doctorate
Mainstream advertising's emerging recognition of gay and lesbian consumers
¶ … advertising geared to the gay and lesbian communities. Specifically, it will discuss advertising in the context of gay and lesbian culture, and how particular ad campaigns are significant to the gay and lesbian…
Paper Doctorate
Reason and religious belief in Pascal and Giussani
The Roman Catholic church is not generally considered doctrinally "broad," and indeed many of its most fascinating theological voices -- ranging from Pelagius in the fifth century to Pierre Teilhard de Chardin, S.J., in…
Paper High School
Marlon Riggs's Ethnic Notions and African-American stereotypes in media
Marlon Riggs is keenly aware of the impact of stereotypes on real social norms related to race. In Ethnic Notions, Riggs enacts some of the prevalent stereotypes against African-Americans.
Research Paper Doctorate
Satire and comedy in Voltaire's Candide and Molière's Bourgeois Gentilhomme
¶ … satire is. The American Heritage College Dictionary describes satire as a literary work that attacks human vice or folly through irony, derision, or wit. Using this definition, we will focus on the manner in which…
Paper Doctorate
Gender and sexuality in the M*A*S*H television series
The TV series M*A*S*H holds a special place in the history of American popular culture. M*A*S*H ran for eleven seasons beginning in the autumn of 1972 with a total of two hundred and fifty-one episodes, and the series…
Paper Undergraduate
Wit, laughter, and ethics in Jane Austen's Pride and Prejudice
Casal, Elvira. "Laughing at Mr. Darcy: Wit and Sexuality in Pride and Prejudice." Persuasions On-Line 22.1 (2001): n. pag. Web.
Paper Doctorate
Hitchcock's use of irony and wordplay in Psycho
The contention that Psycho is a comedy, as claimed by its director Alfred Hitchcock is contrary to how the film is usually interpreted by audiences.
Paper Doctorate
Women's literacy and male authority in Jane Austen's Persuasion
"I Will Not Allow Books to Prove Anything":