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Comedy
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What is Comedy?

Comedy is one of the oldest and most studied genres in literary and cultural history, examined across English literature, film studies, drama, and media courses. It encompasses a wide range of forms—from theatrical plays and narrative fiction to film and television—making it relevant in courses on genre theory, dramatic literature, and criticism. What makes comedy academically rich is its relationship to serious human concerns: love, death, character, and social tension are all refracted through humor, allowing writers and filmmakers to approach difficult subjects with distance and irony. Works like Shakespeare's Henry IV Part 1 and films such as Roberto Benigni's Life is Beautiful demonstrate how comedy operates as both entertainment and critique.

Student essays on this topic take several distinct approaches. Many papers engage in comparison and contrast, weighing comedy against tragedy to examine how the two genres define each other through character, plot structure, and audience response. Others perform close analysis of specific works—studying motifs, narrative elements, and dramatic technique in plays and films. Some papers adopt a cultural criticism angle, such as exploring whether comedy functions as a last frontier of sexism and examining its relationship to feminism. Film theory and criticism provide another framework, with essays analyzing how directors use humor to shape audience perception and emotional experience.

A strong essay on comedy establishes a focused thesis about how humor functions in a specific text or context rather than simply describing comic moments. Evidence drawn from character behavior, dramatic structure, and audience effect carries the most analytical weight. The most common pitfall is treating comedy as inherently lighthearted, when the strongest arguments engage with the tension between humor and darker themes like death, power, or gender.

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Paper Masters
John Frankenheimer's visual style and thematic preoccupations in cinema
John Frankenheimer began his career in the early days of American television in 1954 and directed over 150 television shows before going to the cinema in 1961. The quality of his major films is to take the viewer in the gut with powerful images and often indelible, imposing his own vision of the subject as indisputable evidence. (Kellner, pp285-305) He is not afraid to shock or provoke violent reactions in the audience and whatever the type of work it performs (small or large production). (Mitchell, pp41-54) To do so, his production is always the result of a lot of work in which he set up structures to complex camera movements bold and never free, which combined with his knowledge of the assembly allows him to surprise and 'hook the audience like few filmmakers are able. (Grice, pp144)
Thesis Masters
Women's autonomy in Othello and The Merchant of Venice
¶ … Shakespearean plays which mirror the dramatist's idea that it is the right of a woman to choose her own husband, without meeting her father's wishes in the matter. The drama "Othello" and the romantic comedy" The…
Research Paper Undergraduate
William Saroyan's "The Human Comedy": war, home, and family
William Saroyan's novel The Human Comedy depicts the effects of war on the lives of a common, ordinary American family. Most of the family it set on the home front, although there are also scenes of what life is like…
Research Paper Undergraduate
Jasper Mayne's "The City Match" and the Commonwealth stage closures
Jasper Mayne's "The City Match" (1639) -- the relationship of the drama to the British Commonwealth and the Restoration
Paper Undergraduate
Television's role in shaping American politics, consumer behavior, and culture
Background and History of Television in America:
Paper Undergraduate
Satire and social commentary in romantic comedy films
Romantic comedy film genre has been around almost since the inception of film as we know it, and before that in countless theatrical productions and even prose and poetry that predates the romantic comedy theatrical…
Paper Undergraduate
Shakespeare's portrayal of historical reality in Henry V's epilogue
Shakespeare's play, Henry V, is regarded as one of the most important portrayals of King Henry V, one of England's most promiment national heroes. Apart from its representation of the king, the play presents not only…
Paper Undergraduate
Roman Polanski's Chinatown and film noir disillusionment
Starring: Jack Nicholson, Faye Dunaway, John Huston
Paper Undergraduate
Human error and moral blindness in Shakespeare's historical plays
Part of Shakespeare's plays, such as those revolving around historical characters ("Henry IV" or "Henry V") or those describing fantastical situations ("A Midsummer Night's Dream"), seem to reply a consistent part of…
Paper Masters
The Simpsons' enduring impact on popular culture and satire
When the Oxford English Dictionary opted to include "d'oh" as a new entry in 2001, it was clear: The Simpsons had made their mark on history. The Oxford English Dictionary, which is "widely considered the leading…