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Haraway argues that the new feminism will pave the way for the future, where technology and the back to nature crowd do not have to have separate existence. The cyborg will come to terms with their inability to reconcile their differences into a whole. They will be able to accept their incompleteness as totality. They will let go of the constant need to search for missing pieces. They will accept the idea that it does not fit together perfectly on all levels, and that there will always be missing pieces.
Haraway presents the cyborg as the emerging face of feminism. It is the recognition that feminism must change in relation to societal changes. The key argument against technology was its male dominated, capitalist image. This was considered oppressive to the earth mother image of feminism. Haraway feels that the new face of feminism should embrace technology for all that it…
Haraway, D. A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century, in Simians, Cyborgs and Women: The Reinvention of Nature (New York; Routledge, 1991), pp.149-181. www.stanford.edu/dept/HPS/Haraway/CyborgManifesto.html. Accessed March 25 http://www.stanford.edu/dept/HPS/Haraway/CyborgManifesto.html . Accessed March 25, 2008.
Even in the purported technology rich Asian countries, women are still in need of special attention with regard to technology access and organization. Without such address Lui argues that the feminist agenda will falter and that real change will not be achieved until access is equal. (Lui, 2004)
As an aside, the gender that is most often associated with a strongly developed social skill surrounding multitasking, the internet as a structure should be more easily understood than almost any other modern structure, by women. The system is a vast spiderweb (that may even be to structured an analogy) of interconnected items and resources that are more multifaceted and fantastic than any one could completely understand in a short time. Internet skills are therefore, forgive the pun, hardwired into our gendered skill set and should be embraced rather than feared. Interestingly enough, this may even become a greater common ground between…
Benston, M. (1988) "Women's Voices/Men's Voices" Technology and Women's Voices (UK: Routklage)
Fantone, L. (2003) "From Dissections to Digital Genetic Maps" www.5thfeminits.lu.selfiler.paper_542pdf
Fernandez, M. (2002) "Cyberfeminism, Racism, Embodiment" in: Domain Errors:
Cyberfeminist Practices!, Maria Fernandez, Faith Wilding, Michelle M. Wright, eds., (New York: Autonomedia)
Abjection of the Body & Cyborg Jewelry Design
The examples of jewelry located and examined for the purposes of this paper align with the definitions and ideas of the authors that contextualize the conversation. (efinery 29, 2012) Notice how both of the models are positioned side by side, which immediately prompts the audience, viewer, or consumer to compare and contrast. Though their precise background are unknown, it is presumed that both models are Caucasian. Both models have short brown hair. The models do not closely resemble each other, yet there are similarities in the thickness of their lips, the subtlety of their cheek bones, and the composition of the product photos. Viewers are meant to draw more similarities between the models than highlight the differences.
Though we presume that one model is male and one model is female, their similarity highlights their androgyny, their lack of gender or the…
Creed, B. 1993. The Monstrous-Feminine: Film, feminism, psychoanalysis. Routledge, London.
Haraway, D. 1991. A Cyborg Manifesto. Simians, Cyborgs, and Women: The Reinvention of Nature, Routledge, New York.
Mulvey, L. 1999. Cosmetics and Abjection -- Cindy Sherman, 1977 -- 1987. Shiach, M. (ed) Feminism and Cultural Studies, Oxford University Press, New York.
Refinery 29. 2012 Fashion -- Jewelry. Web, Available from: http://www.refinery29.com/fashion . 2012 August 27.
If the medium is one requiring intellectual thought and inquiry, then the media is likely to be interpreted as such; likewise, in the case of television, the corollary holds true.
Donna Haraway takes the "medium as the message" statement a few steps further. There is no denying that she sees a powerful connection between the medium and the message. Perhaps, she takes this message a bit too far or a bit too fast (It may just be that I'm not willing to accept her cyborg theory since I'm just beginning to understand the meaning of a cyborg). Specifically, when Haraway wears the hat of media theorist, she sets forth the forward-thinking, modern, and somewhat controversial statement that human beings are so closely linked to the mediums of today that we are actually morphing into half cyborg-half human creatures given our interconnectedness with the medium of computers themselves and their intrustion…
Barthes, R. (1972). Mythologies. London: J. Cape.
Haraway, Donna. "A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century." Socialist Review . (1985): 150-166. Print.
Haraway, Donna. Simians, Cyborgs and Women: The Reinvention of Nature, . New York, NY:
Routledge Press, 1991. Print.