Emily Dickinson Essays (Examples)

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Emily Dickenson Notoriously Reclusive Even

Words: 1224 Length: 4 Pages Document Type: Essay Paper #: 80053453

Purple is the color of dusk and twilight, a time in-between day and night, night and day. As such, purple symbolizes transition and transformation. Color is often a mystical symbol for Dickinson in her poetry. Silver and gold make frequent appearances; Dickinson writes about "An everywhere of silver," whereas gold is used in relation to sunlight in "Nature, the gentlest mother." In "Nature rarer uses yellow," Dickinson admires the sparing use of the hue in the natural world. For Dickinson, each color conveys a mood or meaning; its appearance in nature is never arbitrary. Her liberal use of color imagery suggests a deep contemplation of color as an interface between the mundane and mystical worlds.

Spiritual themes in the poetry of Emily Dickinson usually centers on religious awakenings, revivalism, and on personal relationships with God. In "ill there really be a morning?" The narrator is a "little pilgrim" crying out…… [Read More]

Works Cited

All poems retrieved from Dickenson, Emily. "The Complete Poems." Online at Bartleby.com. Retrieved July 2, 2008 at  http://www.bartleby.com/113/ 

Emily Dickinson." Biography from Poets.org. Retrieved July 2, 2008 at http://www.poets.org/poet.php/prmPID/155

Emily Dickinson." Retrieved July 2, 2008 at http://www.americanpoems.com/poets/emilydickinson
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Dickinson Flaming Hope There Are a Number

Words: 655 Length: 2 Pages Document Type: Essay Paper #: 34485561

Dickinson

Flaming Hope

There are a number of points of comparison that exist between Emily Dickinson's "Because I Could Not Stop For Death" and Dylan Thomas' "Do Not Go Gentle Into That Good Night." Both of these poems are highly similar in terms of their content, which thematically detail various aspects of death and dying. Some motifs are shared between each of these poetic works as well, such as the literal and symbolic focus on sunlight and light in general that are found within both manuscripts. But where the poems primarily converge from one another is in the poet's attitude and regard for the inevitable -- death. Whereas Dickinson's work suggests a sort of quiet assent to death, Thomas's poem argues staunchly against such compliant acceptance and urges people to rally as much as they can against their inevitable end.

Due to this principle distinction between both of these poems,…… [Read More]

References

Dickinson, E. (). "Because I Could Not Stop For Death." Online-Literature. Retrieved from   http://www.online-literature.com/dickinson/ 443/ 

Thomas, D. (). "Do Not Go Gently Into That Good Night." Big Eye. Retrieved from  http://www.bigeye.com/donotgo.htm
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Dickinson I Felt a Funeral in My

Words: 1545 Length: 5 Pages Document Type: Essay Paper #: 24666614

Dickinson "I Felt a Funeral in My Brain"

Filled with words and phrases laden with imagery of death, drowning, and droning drums, Emily Dickinson's haunting poem "I Felt a Funeral in My Brain" provides insight into a fractured mind. The poet employs a plethora of poetic techniques such as alliteration, repetition, rhyme and rhythm to create mood and convey the central themes of emptiness and mental chaos. Alliteration and repetition reflect the motif of drums beating, while rhyming evokes the tonal qualities of the bells that the speaker hears. Therefore, in conjunction with the musical motifs in "I Felt a Funeral in My Brain," the poem is itself highly lyrical and rhythmic. The poet's use of repetition also creates the thematic tension much like the crescendo of a shaman's drums induces a trance. In addition to the poem's overt lyricism and musicality, Dickinson's work also includes powerful subtleties that contribute…… [Read More]

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Dickinson and Whitman

Words: 869 Length: 2 Pages Document Type: Essay Paper #: 60791083

Dickinson writes in short lines, Whitman in long. Why do these choices seem appropriate for their particular subject matters. Refer to particular poems of each poet to exemplify your points and your own poems to suggest how what you learned in writing them might help you in understanding the choices of the poets. Don't forget, this is an essay and as such requires a thesis as to why the consideration of this topic matters, not in some perfunctory way but how you have found a way to view it meaningfully.

It is interesting that both Dickinson's poetry and Whitman's poetry mimic the character of the respective writers. Dickinson was introverted and abrupt to the point of eccentricity. Her poems too are abrupt and introverted. Whitman, on the other hand, was an extrovert… Verbose and chatty his poems are such too. The poems too may reflect Dickinson's expression of futility to…… [Read More]

Sources

Poem Hunter; Dickinson.

 http://www.poemhunter.com/emily-dickinson/ 

Poem hunter.com. Whitman.

 http://www.poemhunter.com/walt-whitman
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Dickinson in the Chapter Introduction

Words: 396 Length: 1 Pages Document Type: Essay Paper #: 16624984

Emily graduated from high school and attended college for one year (Mt. Holyoke Female Seminary) which was fairly unusual for women at that time. She remained at home in her parents' house all her life, caring for her invalid mother and becoming increasingly reclusive. t is from this quiet reclusive lifestyle that the many poems for which Emily Dickinson is so well-known today sprang, among them "Because could not stop for Death" (712); " Heard a Fly buzz -- when died (465)"; "The Bustle in a House" (1078); "Tell all the Truth but tell it slant" (1129); "There's a certain Slant of light" (258), and "After great pain, a formal feeling comes -(341). Each of these poems captures a distinct atmosphere, a frozen moment in time, a mood, or a fleeting impression, as if the poet is attempting to capture an ephemeral or temporary impression or subject and metaphorically examine…… [Read More]

In the chapter introduction to Dickinson: The Poet's Voice (pp. 321- 327), the author focuses on three key areas distinct to Emily Dickinson's work: her personal voice, the poet as a person, and Dickinson's commitment, or that which she was mainly trying to accomplish or communicate within her poetry. The author also makes the point at the beginning of this chapter, that contrary to suggestions by New Critics, no poem ever stands completely on its own, independent of its author; its author's style, or other poems by that author. Readers of poetry, like readers of books or appreciators of art or music, have their preferences of poet and style, based on their past memories and preferences.

The work of Emily Dickinson is one of the best examples, in all of American poetry, of distinctive voice, style, and creative purpose; and the woman who wrote the two thousand-plus poems discovered after Dickinson's death was herself quite distinctive. Emily Dickinson was born in Amherst, Massachusetts in 1830. Her father was deeply religious in a "stern Puritanical" (323) way. He was a lawyer, the pillar of the family, and a pillar of the Amherst community.

He wanted his children to read only serious books, not novels or other kinds of books that might "joggle the mind'" (323), so Emily and her brother and sister had to sneak such books into the house when he was not looking. Emily graduated from high school and attended college for one year (Mt. Holyoke Female Seminary) which was fairly unusual for women at that time. She remained at home in her parents' house all her life, caring for her invalid mother and becoming increasingly reclusive. It is from this quiet reclusive lifestyle that the many poems for which Emily Dickinson is so well-known today sprang, among them "Because I could not stop for Death" (712); "I Heard a Fly buzz -- when I died (465)"; "The Bustle in a House" (1078); "Tell all the Truth but tell it slant" (1129); "There's a certain Slant of light" (258), and "After great pain, a formal feeling comes -(341). Each of these poems captures a distinct atmosphere, a frozen moment in time, a mood, or a fleeting impression, as if the poet is attempting to capture an ephemeral or temporary impression or subject and metaphorically examine it under a microscope of words, phrases, dashes, and capital letters to create a distinct and memorable impression.
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Emily and Dickinson and Walt

Words: 1797 Length: 6 Pages Document Type: Essay Paper #: 58060262

The poet is in turmoil and he turns from his love in order to prevent tarnishing or "spoil" (Pound 2) her because she is surrounded by a "new lightness" (3). This poem reflects upon the importance of experience. Like the poets mentioned before, this poet wants us to consider every aspect of our actions. e should not only think of what we want to do but also how that desire and acting upon it will alter our lives. Robert Frost is focused upon the experience of nature. In "Dust of Snow," the poet brings poetry to life as if it were music. hen we read:

The way a crow

Shook down on me

The dust of snow

From a hemlock tree (Frost 1-4)

Here the poet wants to explore rather than embark on some discovery. These writers are different in their individuals styles but they each desire to connect with…… [Read More]

Works Cited

Dickinson, Emily. "Because I could Not Stop for Death." Masterpieces of American Poets. New York: Garden City Publishing. 1936.

Eliot, T.S. "The Love Song of J. Alfred Prufrock." The Bedford Introduction to Literature.

Boston: Bedford Books of St. Martin's Press.1993.

Dickinson, Emily. "Because I Could Not Stop for Death." The Complete Poems of Emily
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Emily Dickenson This Is a Thoughtful Post

Words: 323 Length: 1 Pages Document Type: Essay Paper #: 91241325

Emily Dickenson

This is a thoughtful post about Emily Dickenson's personal life, adding depth and understanding to her poetry. You mention difficult themes such as death in a sensitive way, drawing attention to the way such hardships and suffering might have influenced Dickenson's writing. I had not realized yet that she had so many loved ones die within a short period of time -- and you observe correctly that these deaths caused Emily Dickenson to temporarily obsess about death in her writing. I agree with you entirely that losing a loved one is like losing a limb; and that an "obsessive theme of death" is completely understandable. If more people knew this about Emily's personal life, perhaps more people would appreciate her poetry as being able to provide some sort of spiritual guidance during difficult times.

Dickenson was a recluse, and by turning inwards she probed some of the darkest…… [Read More]

Work Cited

Dickenson, Emily. "Because I Could Not Stop for Death." Retrieved online:  http://academic.brooklyn.cuny.edu/english/melani/cs6/stop.html
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Dickinson the Poem by Emily Dickenson Titled

Words: 767 Length: 2 Pages Document Type: Essay Paper #: 34503621

Dickinson

The poem by Emily Dickenson, titled It feels a Shame to be Alive, it is talking about the opposition that many people had directed at the government and the Civil War itself. This is because a large number of women in society were considered to be second class citizens and did not have a voice in these matters. Dickson is challenging these views by showing her opposition to the war and the carnage it caused. What drew us to the post is that these ideas were questioned, as they believed that there are greater sacrifices from war. Moreover, many of the ideas that are presented are illustrating the way Dickinson is questioning the status quo through using it is a form of civil disobedience. This is highlighting how she wanted to voice her concerns about current events and challenge the views of traditional society. The questions being asked were…… [Read More]

References

Dickenson, E. (1865). It Feels a Shame to be Alive. American Poems. Retrieved from: http://www.americanpoems.com/poets/emilydickinson/10396

Kuipers, K. (2004). My First Lover Returns from Iraq. Swarthmore.edu. Retrieved from: http://media.swarthmore.edu/bulletin/?p=462
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Dickinson Frost Auden the Three

Words: 744 Length: 2 Pages Document Type: Essay Paper #: 46225066

This is emphasized by his regret that he cannot take both roads and be one traveler: "Two roads diverged in a yellow wood, / and sorry I could not travel both / and be one traveler..."(Frost,122) Also, when he decides for one road, he hopes he can take the other later, but afterwards realizes that this is no longer possible since one decision leads to another, and there is no going back. Frost thus discusses life ironically, realizing that one decision can change one's whole life, without the possibility of going back and taking a different road.

In Auden's poem, the Unknown Citizen, the irony is even plainer to see. The death of the citizen who had lived like a saint in the "modern sense" of the word is very ironical. To live as a saint in the modern way, is to be a social character, who lives only according…… [Read More]

Works Cited

Auden, W.H. Collected Poems. New York: Doubleday, 1984

Dickinson, Emily. Poems. New York: Oxford, 2002.

Frost, Robert. Selected Poetry. New York, 1983.
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Death and Immortality in Dickinson's Poetry Death

Words: 1737 Length: 5 Pages Document Type: Essay Paper #: 83817148

Death and Immortality in Dickinson's Poetry

Death and Immortality in Emily Dickinson's Poems

Emily Dickinson was an American poet whose unique lifestyle and writing have helped to establish her as an important literary figure. Dickinson was born in Amherst, Massachusetts in 1830 and died in the same town she lived her entire life in 1886. During her lifetime, despite her many attempts and multitudinous volumes of poetry written, only seven poems are believed to have been published during her lifetime, "all anonymously and some apparently without her consent. The editors of the periodicals in which her lyrics appeared made significant alterations to them in an attempt to regularize the meter and grammar, thereby discouraging Dickinson from seeking further publication of her verse" ("Emily Dickinson"). A recurring theme in many of Dickinson's poems, which were mostly distributed among her closest friends via personal correspondence, is that of death and immortality. These…… [Read More]

Works Cited

Dickinson, Emily. "Because I could not stop for Death." Poets.org. Web. 8 May 2012.

-. "I felt a Funeral, in my Brain." Poets.org. Web. 8 May 2012.

-. "My Life had stood -- a Loaded Gun." Poets.org. Web. 8 May 2012.

"Emily Dickinson." Gale Contextual Encyclopedia of American Literature. Vol. 1. Detroit: Gale,
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Whitman and Dickinson and Whitman

Words: 1389 Length: 4 Pages Document Type: Essay Paper #: 79994695



Dickinson, however, approaches art and nature in a much different way. She does not attempt to assert herself or set herself up as "Amerian Poet" the way that hitman does. Instead she wrote her poetry without ever once doing so for fame or fortune. She meditated on her relationship to her surroundings, her understanding of beauty, her admiration for truth, her appreciation of the essence of things. "The Sailor cannot see the North, but knows the Needle can," she wrote in 1862. She considered Death and Judgment as actual realities, doorways to Eternity, rather than the ending of existence. Dickinson looked beyond the here and now, beyond the fleeting feelings of transcendental poetry, to the Infinite. Her fascination with mortality produced vivid images and verses: "Because I could not stop for Death, / He kindly stopped for me; / the carriage held but just ourselves / and Immortality." Because she…… [Read More]

Works Cited

Anderson, Douglas. "Presence and Place in Emily Dickinson's Poetry." The New

England Quarterly, vol. 57, no. 2, 1984, 205-224. Print.

Dickinson, Emily. The Letters of Emily Dickinson. Harvard University Press, 1886.

Print.
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Death in Thomas and Dickinson in Many

Words: 2849 Length: 8 Pages Document Type: Essay Paper #: 25523205

Death in Thomas and Dickinson

In many ways, Dylan Thomas' "Do not go gentle into that good night" and Emily Dickinson's "Because I could not stop for death" are ideal texts to consider when attempting to examine human beings anxieties regarding death, dying, and the longing for permanence, because they make vastly different points in strikingly similar ways. That is to say, while they share some elements of form, style, and topic, the commentary they give on the topic could not be more different. As the title suggests, Thomas' poem is a vocal entreaty to struggle for every bit of life in the face of impermanence, while Dickinson's poem takes a positively lackadaisical approach to the concept of death, viewing it as a transition into immortality rather than a fall into obscurity and darkness. However, despite their nearly oppositional statements regarding death, one can actually view the two poems as…… [Read More]

References

Abbott, C.M. (2000). Dickinson's because I could not stop for death. The Explicator, 58(3), 140-

Brantley, R. (2007). Dickinson's signature conundrum. The Emily Dickinson Journal, 16(1), 27-

48.

Cyr, M.D. (1998). Dylan thomas's "do not go gentle into that good night": Through "lapis lazuli"
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Thomas-Dickinson Perspectives of Death Do Not Go

Words: 1468 Length: 4 Pages Document Type: Essay Paper #: 63222244

Thomas-Dickinson

Perspectives of Death

"Do Not Go Gentle Into That Good Night" is one of Dylan Thomas's most recognized poems. In the poem, he urges his father to fight against death even though it is something that everyone must at some point in his or her lives have to accept. On the other hand, Emily Dickinson, in "Because I could not stop for Death," accepts death as a natural part of life and unlike Thomas, does not combat it. Dylan Thomas and Emily Dickinson approach the topic of death from different perspectives with Thomas attempting to rebel against the inevitable and Dickinson passively submitting to her end.

"Do Not Go Gentle Into That Good Night" was written for Thomas's dying father and is stylistically structured as a villanelle where only two sounds are rhymed. The poem is composed of 19 lines, rhyming the first and third lines, with an alternation…… [Read More]

References:

Alliteration. (n.d.). Accessed 6 February 2012 from,  http://www.tnellen.com/cybereng/lit_terms/alliteration.html 

Anaphora. (n.d.). Accessed 6 February 2012 from, http://rhetoric.byu.edu/figures/a/anaphora.htm

Dickinson, E. (n.d.). "Because I Could Not Stop For Death." Poets.org. Accessed 6 February 2012 from, http://www.poets.org/viewmedia.php/prmMID/15395

Donne, J. (n.d.) "Death Be Not Proud." Bartleby.com. Accessed 6 February 2012 from,  http://www.bartleby.com/105/72.html
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Keats Dickinson Keats and Eliot

Words: 921 Length: 3 Pages Document Type: Essay Paper #: 59364683

However, in line with the Paz prompt at the outset of this discussion, Keats merely uses this tradition as a bridge on which to extend toward motivation on behalf of the evolving form. The subject matter is where this work takes a step toward modernity. The manner in which Keats describes the reality of dying is startling for its time primarily because it lacks religiosity. In describing death, the poet tells, "where youth grows pale, and spectre-thin, and dies; / here but to think is to be full of sorrow / and leaden-eyed despairs; / here beauty cannot keep her lustrous eyes, / or new Love pine at them beyond to-morrow."

The notion of discussing death from a decidedly humanistic rather than spiritual perspective is more daring and innovative than perhaps we are won't to give credit for. It is remarkable that the poet would invert a steadfastly traditional form…… [Read More]

Works Cited:

Dickinson, E. (1862). #303 (the Soul Selects Her Own Society). Poets.org.

Eliot, T.S. (1917). The Love-Song of J. Alfred Prufrock. University of Virginia. Online at  http://people.virginia.edu/~sfr/enam312/prufrock.html 

Keats, J. (1819). Ode to a Nightingale. Arthur Quiller-Couch, ed. 1919. The Oxford Book of English Verse: 1250 -- 1900.
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Thomas Dickinson Comparison the Theme of

Words: 741 Length: 2 Pages Document Type: Essay Paper #: 22814805

In "Do not go gentle into that good night," Thomas argues that "old age should burn and rave at close of day," implying that individuals should not give in to death easily (Thomas line 2). In order to prove his point, and convince his father to fight for his life, Thomas provides various examples of men from all walks of life, who regardless of their past fought to live for as long as they could. Thomas writes, "wise men at their end know dark is right…Do not go gentle into that good night," "Good men…Rage, rage against the dying of the light," "ild men…Do not go gentle into that good night," and "Grave men, near death…Rage, rage against the dying of the light" (4,6,7,10,13). Thomas's fears are emphasized when he addresses his father and pleads, "Curse, bless, me now with your fierce tears, I pray," which can be taken to…… [Read More]

Works Cited

Dickinson, Emily. "Because I could not stop for Death." Poets.org. 1890. Web. 10 July 2013.

Thomas, Dylan. "Do not go gentle into that good night." Poets.org. 1951. Web. 10 July 2013.
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Feminism Heaney and Dickinson Feminist

Words: 380 Length: 1 Pages Document Type: Essay Paper #: 76683429

Because society compromises the value of the woman, it is allowed the life of domesticity and life. The speaker however remains forever beyond this because she chooses self-realization instead.

In Heaney's "Punishment," feminism can be seen from the male viewpoint, as it were. The corpse of a bog girl, an adulteress, educates the narrator regarding issues of gender and politics. The narrator, far from the conventional male reaction of disgust, instead becomes infatuated with her. It is as if he is the male representative of the feminist viewpoint; that women offer value and education rather than objects of sex or symbols of domesticity. The intimacy between the speakers involve no blame. Instead of man and woman, they are equals, in strong contrast with the society that would condemn them both for their actions and their association.

ources

Academy of American Poets. A Close Reading of "I Cannot Live With You."…… [Read More]

Sources

Academy of American Poets. A Close Reading of "I Cannot Live With You." 2007. http://www.poets.org/page.php/prmID/310

Tagle, Stephen. The Bog Girl Re-sexualized: An Analysis of Seamus Heaney's "Punishment." 13 April, 2005. http://www.stanford.edu/~stagle/ESSAYS/SPR%20ENG160%20E01%20Punishment.htm
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Alexie and Another Poem About an Emily

Words: 626 Length: 2 Pages Document Type: Essay Paper #: 33159152

Sister Buried in a Trunk" by Aaron Barth-Martinson evokes the loneliness of death and the fear that the living must encounter when death strikes down one they love. That is the case in Barth-Martinson's poem, as the narrator calls for Emily and begs her to come down to walk with him rather than die alone in her room.

The blank verse poem makes allusions to two famous Emily's of literature: Faulkner's Emily in "A Rose for Emily," and Emily Dickinson, the famous hermit poet, who died virtually unknown, with all of her poems under her bed unpublished. The allusion to the first Emily is made by the last line, "I shed a tear for Emily," as the narrator cries for the recluse. Allusion to Dickinson is made in the lines referring to the poems found in the trunk: "I found a trunk full / Of slanted verse / And I…… [Read More]

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Poetry Case Study

Words: 1143 Length: 4 Pages Document Type: Essay Paper #: 42782599

Emily Dickinson

The poems of Emily Dickinson have been interpreted in many ways and often it is hard to separate the narrator of her works with the woman who wrote them. Dickinson lived such a small and sad little life that it is easy to see these feelings of loneliness and despair in the words she writes. She never married and spent her days isolated from her primarily Christian community for her family's beliefs in a less rigid and more spiritual idea of what God is and how they could communicate with Him. People have speculated about Dickinson's mental state. She became known for wearing only white and for living a reclusive existence until she finally died. Her poems came not from a desire to sell, but from her individual need to express herself. Emily Dickinson never intended to publish her poems. Rather the poems we have were found among…… [Read More]

Works Cited

Brownell, Johanna Ed. Emily Dickinson: Poems. Castle Books: Edison, NJ, 2002. Print.

Wolff, Cynthia Griffin. Emily Dickinson. New York: Knopf, 1986. Print.
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Because I Could Not Stop for Death by emily dickenson

Words: 1131 Length: 3 Pages Document Type: Essay Paper #: 56611122

"Because I Could Not Stop for Death," Emily Dickenson shows that death is not the end of anything, but the beginning of eternal life. The poet addresses death directly, presenting death as a character without going so far as to anthropomorphize death. Death is a "he," but he also appears as more a disembodied spirit or abstraction than a person. Nevertheless, the speaker is on intimate terms with death, who is presented as a kind companion or counterpart to life. Death is contrasted with life, with the latter being fleeting and the former being eternal. Whereas life is hurried and harried, death is calm and slow. Death represents eternity, whereas life remains trapped in time. Dickenson's attitudes toward death conveyed in this poem help readers to overcome their fear of death, and urge readers to reconsider how they live their lives too.

When the speaker claims she "could not stop"…… [Read More]

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Presidency and Congress Evaluate Dickinson's Thesis in

Words: 1162 Length: 4 Pages Document Type: Essay Paper #: 60960055

Presidency and Congress

Evaluate Dickinson's thesis, in the light of the evidence he provides in his article, and the evidence I provided in lectures. Is Congress now a nationalized legislature? Or is it still a collection of representatives of local and special interests?

Matthew Dickinson's article provides a fascinating take on the state of the U.S. Congress as society knows it- Dickinson states that "all politics are local" and that 'Congress had entered a new, more partisan area of increasingly nationalized politics"; but, though fascination, Dickinson is far from the mark. Congress remains partial and politics is very much apparent at the national level, in addition to the local level.

Foremost, the fundamental underpinning of Congress is that it would be a collection of representative from local districts and states, with each district and state fostering special interests. The reason that individuals elect certain people to Congress is to represent…… [Read More]

Works Cited

Agiest, Jennifer. "Government Shutdown Averted, But Bigger Battles are soon to come." Huffington Post 28 Sept 2011. n. pag. Web. 28 Sep. 2011. .

Feldman, Linda. "The Campaign Contribution Scramble: Will Mitt Romney keep his GOP Lead?" The Christian Science Monitor. 27 Sept 2011. Web. 28 Sept 2011.

Rauhala, Emily. "Goldman Case Splits SEC down party lines." Newser 20 April 2010. n. pag. Web. 28 Sep. 2011. .
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Whitman and Dickinson During the Conflict and

Words: 637 Length: 2 Pages Document Type: Essay Paper #: 86007828

hitman and Dickinson

During the conflict and celebration period in America, different authors started to write differently than what had been written by other people. They embraced modern writing styles and broke them with traditional writing styles. Emily Dickson and alt hitman are among these writers. They adopted new styles of writing to express American ideas uniquely. Although both writers are regarded as modern writers, their writing styles can be contrasted and compared in many ways (Moores, 22).

There are more differences in the styles of writing used by hitman and Dickinson than similarities. To begin with, a significant difference can be observed in the structuring of their poems. Looking at hitman, his poems appear to run repeatedly. His poems do not have set lengths, lines or even stanzas. On the other hand, Dickinson's poems have been written using a definite structure. She has written her poems using ballad stanzas…… [Read More]

Work Cited

Moores, D.J. Mystical Discourse in Wordsworth and Whitman: A Transatlantic Bridge.

Michigan. Peeters Publishers, 2006 Print.
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Life and Death Through the

Words: 1692 Length: 5 Pages Document Type: Essay Paper #: 30700705

It is impossible for science to "overtake" the light but not impossible for humans to experience it. hile light is pleasing, it is not lasting for the poet. hen it is no longer present, what remains is something that is almost opposite to light. The poet describes the experience as a "quality of loss / Affecting our content, / As Trade had suddenly encroached / Upon a Sacrament" (17-20). Here we see the emergence of despair and loss when the light is gone. The light is a severe contrast with the darkness alluded to in the other poems mentioned here but above all, the contrast demonstrates the poet's ability to write about diverse topics.

Death is a source of inspiration for Emily Dickinson and while this make seem creepy to many readers, it is actually brave for the poet because death, even today, seems taboo for many artists. This may…… [Read More]

Works Cited

Dickinson, Emily. "A Light Exists in Spring." The Complete Poems of Emily

Dickinson. Ed.

Thomas Johnson. New York: Little, Brown and Company. 1960. Print.

-. "Because I Could Not Stop for Death." The Complete Poems of Emily
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Representation of Death and the Impermanence in

Words: 3843 Length: 10 Pages Document Type: Essay Paper #: 96796499

representation of Death and the impermanence in the short story "A Father's Story" by Andre Dubus, and the poem "Because I could not stop for Death" by Emily Dickinson. These two works were chosen because both speak of Death and impermanence, yet these authors employ different literary forms, characters, settings and plots. "A Father's Story" follows the format of a short story, being prose written in concise paragraphs with a main point or moral and portraying its characters by the way they speak. "Because I could not stop for Death" follows the form of poetry, being structured in shifted lines and using language to evoke imagination or emotion in the reader. In addition, the two writers substantively approach Death very differently. Comparison of these distinct forms shows how writers can make very different styles and statements about Death and impermanence through different devices, including but not limited to the short…… [Read More]

Works Cited

Academy of American Poets. (2013). Emily Dickinson. Retrieved from www.poets.org Web site: http://www.poets.org/poet.php/prmPID/155

Bodwell, J. (2008, July/August). The art of reading Andre Dubus: We don't have to live great lives. Retrieved from www.pw.org Web site: http://www.pw.org/content/art_reading_andre_dubus_we_don%E2%80%99t_have_live_great_lives-cmnt_all=1

Clugston, R.W. (2010). Journey into Literature. Retrieved from www.content.ashford.edu Web site: https://content.ashford.edu/books/AUENG125.10.2/sections/sec1.2

Clugston, R.W. (2010). Poems for comparison, Chapter 12, Journey into Literature. Retrieved from content.ashford.edu Web site: https://content.ashford.edu/books/AUENG125.10.2/sections/sec1.2
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Heard a Fly Buzz When

Words: 599 Length: 2 Pages Document Type: Essay Paper #: 13072727

The fly is a gruesome image because flies gather around decaying corpses. However, while this image is startling, it is still shocking that the poet is not more in shock of dying, of being dead, or witnessing just a fly upon her death.

The poem consists of four stanzas, which include slant rhymes on the second and fourth lines. The lines alternate between six and eight syllables. Dashes in the poem force the reader to slow down and take time to read each phrase. The tone of the poem is lyrical but the message of it is somber. Dickinson uses a simile in the poem In the line, "The Stillness in the Room / as like the Stillness in the Air" (2-3). This image is important because it reveals the poet's notion that there is nothing special that awaits us after death. The still air is a stark contrast to…… [Read More]

Work Cited

Dickinson, Emily. "I Heard a Fly Buzz When I Died." An Introduction to Literature. Ed. Sylvan

Barnet, et al. 13th ed. New York: Harper Collins. 2004.
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Picture Dorian Grey Wilde Then Refer Poem

Words: 1166 Length: 3 Pages Document Type: Essay Paper #: 51136556

picture Dorian Grey" ilde. Then, refer poem "One a Chamber --

The Picture of Dorian Grey: The conflict between the interior and exterior

The Picture of Dorian Grey is a tale of concealment. The titular protagonist Dorian begins the novel a beautiful and innocent young man. The portrait that the painter Basil Hallward creates of Dorian and Dorian's real image is the same in the first chapter of the work. However, author Oscar ide suggests that through the power of art, the created image is so lifelike it takes on the real, physical burdens of aging. As Dorian grows dissipated and cruel, he does not physically change, although the painting changes. The painting becomes a kind of secret, true self for Dorian, hidden in the recesses of his home. No one is allowed to see it, except Dorian. The painting is a living, realistic depiction of Dorian's inner life, versus…… [Read More]

Works Cited

Dickinson, Emily. "One need not be a Chamber -- to be Haunted -- "

Complete e-text:  http://www.americanpoems.com/poets/emilydickinson/10622 

Wilde, Oscar. The Portrait of Dorian Grey. Complete e-text:

 http://www.doriangray.net/
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Assigned Readings

Words: 1740 Length: 6 Pages Document Type: Essay Paper #: 65022383

American Literature

Listen to Sinners in the Hands of an Angry God preached. Discuss in the discussion group.

Jonathan Edwards gives us a perfect example of the Calvinist beliefs of the Puritan settlers in early New England. Edwards studied theology at Yale University -- where today there is still a dormitory named after him -- but then became a noteworthy preacher in the Great Awakening, which exhorted an entire generation to renew their Christian faith. Edwards' skill in preaching lies in using literary imagery to get across abstract theological concepts. Calvinist theology believes in "total depravity" -- in other words, because of Adam and Eve eating the apple, human beings are fallen, and stained with "original sin." The most memorable image in Edwards' sermon -- the image of the spider being held over a fiery pit -- is meant to be a metaphor to enable the listener to imagine how…… [Read More]

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Senses Meet the Spirit When

Words: 3295 Length: 11 Pages Document Type: Essay Paper #: 50825353

Diehl also points out that the poet's retrospective outlook cannot be overlooked, for "by placing this description in the realm of recollection, the speaker calls into question the current status of her consciousness" (Diehl). Here we come into contact with vivid imagery of the poet losing her faculties. Another interesting aspect we find in this poem is how it represents a personal experience. The poet's thoughts are coming from within. After all is said and done, we read "And the windows failed, and then/I could not see to see" (Dickinson 16). Obviously, the poet does not crack the mystery of death but she does seem to come to terms with it, at least.

The poet takes us on another journey in "I heard a Fly Buzz hen I Died." e are told about the "stillness of the air" (3) to the grieving to the distraction of a fly. The poet…… [Read More]

Works Cited

Bloom, Harold. Emily Dickinson. Broomall: Chelsea House Publishers.1999.

The Western Canon. New York: Harcourt Brace and Company. 1994.

Dickinson, Emily. "Because I Could Not Stop for Death." The Complete Poems of Emily Dickinson. Ed. Thomas Johnson. New York: Little, Brown and Company. 1960.

Death is a Dialogue" the Complete Poems of Emily Dickinson. Ed. Thomas Johnson. New York: Little, Brown and Company. 1960.
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Life and Death Explored in

Words: 2207 Length: 7 Pages Document Type: Essay Paper #: 84857193

All of these scenes indicate that there might be little more than nothing after life. This poem allows us to see that Dickinson was not happy with accepting the traditional attitudes toward death and dying.

Another poem that examines death is "The Bustle in the House." Again, we see death is uneventful. Elizabeth Piedmont-Marton claims that in Dickinson's poetry, "the moment of death seems often less momentous than ordinary" (Piedmont-Marton) and it is "one of the most disturbing and powerful characteristics of Dickinson's poems" (Piedmont-Marton). "The Bustle in the House," demonstrates this assertion very well with its idea of humanity continuing to get along with the "industries" (the Bustle in the House 3) of life after a loved one dies. The heart of the dead is swept up (4), making it seem like the process of death needs a clean sweep and that is it. Mourning is nothing more than…… [Read More]

Works Cited

Dickinson, Emily. "Because I Could Not Stop for Death." The Compact Bedford Introduction to Literature: Reading, Thinking, Writing. 8th edition. Boston: Bedford/St. Martin's Press. 2009.

Heard a Fly Buzz When I Died." The Compact Bedford Introduction to Literature: Reading, Thinking, Writing. 8th edition. Boston: Bedford/St. Martin's Press. 2009.

Some keep the Sabbath going to Church." The Compact Bedford Introduction to Literature: Reading, Thinking, Writing. 8th edition. Boston: Bedford/St. Martin's Press. 2009.

Tell All the Truth but Tell it Slant. " the Compact Bedford Introduction to Literature: Reading, Thinking, Writing. 8th edition. Boston: Bedford/St. Martin's Press. 2009.
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Death in Two Poems by

Words: 539 Length: 2 Pages Document Type: Essay Paper #: 51411554

hatever the significance of the phrase "He kindly stopped for me," the speaker does not dread Death, as personified by the kindly carriage driver. This poem also suggests that the speaker's perceptions of time and space are different in death; centuries may pass, yet it still Feels shorter than the Day first surmised the Horses Heads

ere toward Eternity -- (Lines 22-24)

In both "465" ("I heard a Fly buzz -- when I died"), and "712" ("Because I could not stop for Death -- ") death is a theme. In neither poem is the speaker afraid or resisting death. In the first, the speaker simply awaits death while family and friends anxiously mark the "onset" and arrival of the "King" (which never comes). In the second, Death, is a kindly carriage driver, and welcomed. Neither poem contains inference of fear of death. Both poems may therefore underscore Emily Dickinson's own…… [Read More]

Works Cited

Dickinson, Emily. "465." The Harper American Literature. Vol. 2, 2nd. Ed.

Donald McQuade et al. (Eds.). New York: Longman, 1993. 188.

Dickinson, Emily. "712." The Harper American Literature. Vol. 2. 2nd Ed.

Donald McQuade et al. (Eds.). New York: Longman, 1993. 193.
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Poem Interpretation

Words: 1660 Length: 5 Pages Document Type: Essay Paper #: 66488845

Dempsey gives a modern interpretation of Emily Dickinson's "We Grow Accustomed to the Dark." He raises uncertainties regarding the meanings of the various images and words, rather than providing clear meanings to clarify the meaning of the poem as a whole. Indeed, this appears to be a requirement with regard to the poetry of Emily Dickinson. Her images are vague, arbitrary and highly personal in ways that raise poetry to the art form it deserves to be. The images in this particular poem are no exception, as will be seen by the various interpretations offered by a variety of authors. Especially problematic is the image of "Darkness" that is found throughout the poem, and that appears to be dichotomized with the concept of "Light."

According to Dempsey then, the post-modern reading method applies the content of poetry primarily to the reader rather than the author or the context of the…… [Read More]

Bibliography

Dempsey, Jough. "Dickinson's Uncertainty Principle." Poetry X, 14 October 1999.

Kirkby, Joan. Emily Dickinson. London: Macmillan, 1991

Sister Miriam. "Poetic Traditions."  http://www.spondee.net/JessicaPowers/pagetwo.html
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Spider's Objective in Whitman and

Words: 868 Length: 3 Pages Document Type: Essay Paper #: 86106327

The spider is working upon a canvas, referring to it as an "Arc of hite" (Dickinson 3) and the mood of the poem is that the spider is quite content to be this way. The spider is working at night and it is the only thing that can contribute to his project. The spider is grounded in his task and while it might look as though there is no planning involved, the poet realizes the spider does have a strategy. The spider is not simply building a bridge but it is also creating a legacy. The mention of the "ruff of dame" (4) and "the Shroud of gnome" (5) illustrate this. It is also worth noting that the spider is projecting itself into its work and this is its "physiognomy" (10). The work is well done so that it seems permanent, like out personal efforts in the world should be.…… [Read More]

Works Cited

Dickinson, Emily. "A Spider Sewed at Night." The Complete Poems of Emily

Dickinson. Ed.

Thomas Johnson. New York: Little, Brown and Company. 1960. Print.

Whitman, Walt. "A Noiseless Patient Spider." The American Tradition in Literature. Shorter Edition. New York: McGraw-Hill Publications. 2002. Print.