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Exorcism
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What is Exorcism?

Exorcism is the ritual practice of expelling a spirit, demon, or malevolent force believed to possess a person, object, or place. Students write about it across a range of disciplines, including religious studies, abnormal psychology, film studies, and gender studies. The topic holds academic interest because it sits at the intersection of theology, culture, and psychology — raising questions about belief, authority, and the boundaries between the sacred and the pathological. Papers engage with exorcism as it appears in traditions such as Roman Catholicism, Judaism, Christianity, Islam, and Buddhism, as well as in Mongolian shamanic practice, giving the subject genuinely cross-cultural scope.

The papers written on this topic take several distinct approaches. Some are historical and comparative, tracing the figure of Satan through Judaism, Christianity, and Islam, or examining the relationship between Buddhism and shamanism. Others apply feminist frameworks, including the kind of metapatriarchal analysis found in Gyn/Ecology, to ask how exorcism narratives position women. Film-response approaches appear as well, using works like The Last Exorcism to analyze how contemporary media represents possession and belief. Still others come from an abnormal psychology angle, treating exorcism cases as clinical material and examining how religious experience is categorized today.

A strong essay on exorcism needs a focused thesis that commits to one disciplinary lens rather than surveying the ritual from every angle at once. Evidence drawn from primary religious texts, clinical literature, or specific cultural practices carries more weight than vague generalizations about belief. The most common pitfall is treating exorcism as either purely superstitious or purely psychological, when the strongest work takes seriously how believers themselves understand the practice today.

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Paper Undergraduate
The origins of evil in Judaism, Christianity, and Islam
Since the very dawn of civilization, the battle between good and evil has been part of the mythology and interconnected philosophies of human beings. From the Epic of Gilgamesh to the battles between Egyptian Gods, to…
Paper Undergraduate
Emotion, control, and political anxiety in Orwell, Huxley, and Akerlof
¶ … turned on the television any time during the last year or so to watch the news and it is likely -- all too likely -- that you will have seen public displays of people quivering with hate and anger.
Research Paper Undergraduate
Ancient Buddhism's impact on aesthetic values and society
¶ … religion Ancient Buddhism and how its philosophical position impacted the aesthetic values of the period. The writer explores the faith to understand what the aesthetic values were at that time and then relates them…
Paper High School
Otto Dix: Art, War, and Courage Under Nazi Persecution
Otto Dix: A Portrait of an Artist Whom Depicted Reality in the Face of Possible Persecution and Despite the Horror of the Reality Within
Research Paper Doctorate
The Four Gospels: History, Differences, and Similarities
The Bible is probably the most read and most controversial book in the history of humanity. Much of this controversy can be attributed to the first four books of the New Testament, which are referred to as the four…
Paper Doctorate
Class, Power, and Horror in Gogol's "The Viy"
"The Viy" by Russian author Nikolai Gogol is a short, Russian horror story whose underlying themes transcend the genre. The story shows how students and members of the middle classes are at the mercy of the wealthy,…
Essay Doctorate
Shamanism and the Bajau People in The Songs of Salanda
The Songs of Salanda and Other Stories of Sulu by H. Arlo Nimmo is loosely based on the experiences he had conducting field work as an anthropologist. Nimmo injects into the narrative insight based on the two years in…
Paper Undergraduate
Aesthetics, Philosophy & Psychology in The Rime of the Ancient Mariner
This is a short paper that compares the aesthetic, psychological and philosophical elements of the poem by Coleridge. Throughout the poem Coleridge points to beauty as well as terror. He also uses religious imagery as a philsophical tool. But the psychological torture that the mariner encounters may be the most telling of all these elements.
Paper Undergraduate
The Homeric Epics and the Gospel of Mark: A Critical Review
Dennis McDonald's The Homeric Epics and the Gospel of Mark (2000) is a book that was always guaranteed to upset orthodox Christian theologians and biblical literalists and fundamentalists everywhere, since its main thesis held that the author of the first gospel used the Iliad and the Odyssey as literary models. He compares Mark to the apocryphal Acts of Andrew, a Gnostic book, and describes it as a "hypotext" that "relies somehow on a written antecedent" (McDonald, p. 2). Specifically, Mark used Books 22 and 24 of the Iliad as models for the death and burial of Jesus, in which Achilles brutally kills Hector and then releases the body to his father, King Priam of Troy. Hector's soul went to Hades and never returned, but of course Jesus was resurrected on the third day, even if his rather dim disciples in Mark failed to recognize him initially.
Research Paper Doctorate
Baptism of the Holy Spirit: Dunn, Scripture, and Eastern Orthodoxy
James Dunn's book: The Baptism of the Holy Spirit is a traditional exegesis of the religious phenomenon which has been relegated in modern times to the Pentecostal Christian churches.