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Humorous
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What is Humorous?

Humor as a subject of academic study appears across English courses in composition, rhetoric, and literature. Students write about it because humor is both a literary mode and a rhetorical strategy — a deliberate craft choice that shapes how readers receive an argument or story. Works like Aristophanes' Lysistrata and Virgil's Aeneid demonstrate that comic and satirical registers have been central to serious writing for centuries, and contemporary texts continue that tradition. Understanding how humor functions helps students analyze tone, audience awareness, and the relationship between writer and reader more precisely than surface-level reading allows.

The papers archived here approach humor from several directions. Some perform rhetorical analysis, examining how writers deploy comic techniques to persuade or engage — including analyses of speeches, advertisements, and essays such as Amy Tan's "Mother Tongue." Others take a literary approach, contrasting texts or reading works like In a Sunburned Country to consider how a humorous voice shapes nonfiction narrative. Still others treat humor as a practical mode, studying or producing humorous speeches and evaluating what makes writing feel lively and interesting to a reader. A smaller set of papers explores humor in relation to broader cultural or social topics, from media to personal experience.

A strong essay on humor grounds its claims in specific textual evidence — particular word choices, structural decisions, or rhetorical techniques — rather than simply asserting that something is funny. A well-scoped thesis identifies which type of humor is at work and explains what effect it produces on the reader. The most common pitfall is treating humor as decoration rather than as argument, which causes analysis to stay shallow. Humor almost always serves a purpose beyond entertainment, and strong essays pursue that purpose directly.

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Essay Doctorate
Frank Abagnale's con artistry in book and film adaptations
Catch Me If You Can is a 1980 book written by Frank Abagnale as well as a 2002 film directed by Steven Spielberg which depicts the story of Frank Abagnale, a notorious con artist who cashed $2.5 million worth of bad checks and assumed various jobs and identities until being caught by the FBI. Both the book and the movie detail many different instances within Abagnale's life including his time as a doctor, lawyer, and Pan Am pilot as well as the ease and comfort with which Abangnale slipped into each respective role. In viewing the history, culture and overall tone of the book and its following movie adaptation, as well as viewing relevant reader response factors, one can better understand why Abagnale's story has successfully made its way into the realm of American notoriety and interest.
Research Paper Doctorate
June Jordan's life and multifaceted literary career
¶ … Jordan has not been honored by naming any street or postal holidays. She was respected and recognized by her own milestones; as she designed modern Harlem with R. Buckminster Fuller, had coffee with Malcolm X,…
Paper Undergraduate
Neil Smith's theory of uneven geographical development and nature
In the 1824 Brazilian constitution's endorsement of the rights of man, could it be long before they would question the denial of those rights to the country's chattel slaves? Is not the "free market" simply an…
Research Paper Undergraduate
Humor and imagination in the children's anthology Monster Poems
¶ … children's anthology entitled Monster Poems is written by various children's, edited by Daisy Wallace and illustrated by Kay Chorao. The anthology has collected poems by various authors, all being on the shared…
Paper Undergraduate
The nude figure of Venus in Titian's Venus and Adonis
In the Renaissance painter Titian's original depiction of Venus and Adonis, the nude Venus sits, clinging to her lover Adonis, as she tries to restrain him from going to hunt wild boar.
Paper Undergraduate
Dark humor and guilt in Edgar Allan Poe's stories
Illuminating the Obvious: Dark Humor and Macabre Guilt in the Works of Edgar Allen Poe
Paper Doctorate
Myelin and talent development in Daniel Coyle's The Talent Code
Talent Code by Daniel Coyle is the culmination of extensive work by the author to unearth the basis of the phenomenon of talent. In order to do this, Mr. Coyle visited "talent hubs" across the world to determine any…
Paper Doctorate
Glenn Bowman's anthropological reflection on September 11, 2001
¶ … Unthinkable," Glenn Bowman reflects as an anthropologist on the events of September 11, 2001. This person normally works doing ethnographies of people and places. This was a personal ethnography of a day in the life…
Paper Masters
Separate spheres ideology in Adam's Rib and cinema
¶ … Spheres: Men and women and the 'battle of the sexes' before and after the film
Paper Undergraduate
Valle-Inclán's esperpento technique and social critique in Luces de Bohemia
A number of influential Spanish playwrights were active during the early part of the 20th century, including Ramon Maria del Valle-Inclán who invented a new dramatic device that he termed "esperpento" in his play, "Luces de Bohemia" or "Bohemian Lights." Originally published in 1920, this play about the people of the City of Madrid was not actually produced until 1963, but Valle-Inclán's other major contributions to dramatic literature include Divinas palabras and the three Comedias bárbaras, but most authorities agree that "Luces de Bohemia" is Valle-Inclán's masterpiece. To gain some fresh insights into the delayed production of this play and the social criticism that it generated at the time as well as the time, space and historical moment in which it was created, this paper provides a review of the relevant literature concerning Ramon Maria del Valle-Inclan's play, "Bohemian Lights," followed by a summary of the research and important findings in the conclusion.