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Humorous
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What is Humorous?

Humor as a subject of academic study appears across English courses in composition, rhetoric, and literature. Students write about it because humor is both a literary mode and a rhetorical strategy — a deliberate craft choice that shapes how readers receive an argument or story. Works like Aristophanes' Lysistrata and Virgil's Aeneid demonstrate that comic and satirical registers have been central to serious writing for centuries, and contemporary texts continue that tradition. Understanding how humor functions helps students analyze tone, audience awareness, and the relationship between writer and reader more precisely than surface-level reading allows.

The papers archived here approach humor from several directions. Some perform rhetorical analysis, examining how writers deploy comic techniques to persuade or engage — including analyses of speeches, advertisements, and essays such as Amy Tan's "Mother Tongue." Others take a literary approach, contrasting texts or reading works like In a Sunburned Country to consider how a humorous voice shapes nonfiction narrative. Still others treat humor as a practical mode, studying or producing humorous speeches and evaluating what makes writing feel lively and interesting to a reader. A smaller set of papers explores humor in relation to broader cultural or social topics, from media to personal experience.

A strong essay on humor grounds its claims in specific textual evidence — particular word choices, structural decisions, or rhetorical techniques — rather than simply asserting that something is funny. A well-scoped thesis identifies which type of humor is at work and explains what effect it produces on the reader. The most common pitfall is treating humor as decoration rather than as argument, which causes analysis to stay shallow. Humor almost always serves a purpose beyond entertainment, and strong essays pursue that purpose directly.

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Lucas Cranach the Elder's rendering of mythological subject matter in contemporary settings
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The simulacrum in postmodern culture and consumer imagery
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The freshman fifteen: causes and consequences of college weight gain
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Hitchcock's use of irony and wordplay in Psycho
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Bob Berman's Secrets of the Night Sky: A review
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Love as fate and divine will in Genji and the Mahabharata
The course of true love never did run smooth according to the Bard of Avon. Certainly any relationship involving at least two people must allow for at least a good chance of turbulence.
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Self-denial in Lawrence, Woolf, Lessing, and Bainbridge's novels
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