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Jesus
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What is Jesus?

Jesus of Nazareth is one of the most studied figures in the academic world, examined across religious studies, theology, history, and literature courses. Students write about him because his life, teachings, death, and reception raise foundational questions about faith, culture, and historical method. Works like Mark Allan Powell's Jesus as a Figure in History and Donald Kraybill's exploration of an upside-down kingdom give students frameworks for approaching Jesus through both scholarly and theological lenses. The concept of the messiah, Jewish expectations surrounding that term, and the development of early Christianity through figures like Paul all make this topic rich with analytical possibility across the New Testament and beyond.

The papers archived here reflect a wide range of approaches. Comparative essays place Jesus alongside Mohammed to examine parallel lives and religious legacies. Historical-critical papers focus on the quest for the historical Jesus, weighing textual and archaeological evidence such as the fishing boat from the Sea of Galilee. Literary and narrative approaches analyze the parables or apply interpretive frameworks drawn from works on how literature communicates meaning. Other papers take a cultural and anthropological angle, as seen in work connecting Jesus to indigenous corn mother traditions, while course-driven assignments address Christianity's spread through centuries of changing interpretation.

A strong essay on Jesus requires a clearly bounded thesis — arguing about one aspect of his life, historical significance, or theological reception rather than attempting a broad biography. Evidence drawn from primary sources like the Bible alongside credible scholarly commentary carries the most weight. The most common pitfall is conflating devotional claims with historical argument; strong academic writing distinguishes between what sources assert and what evidence supports.

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Exegesis of Matthew 9:1-8: Jesus healing the paralyzed man
This paper is an exegesis of the Biblical passage Matthew 9: 1-8, in which Jesus heals a paralyzed man. The paper is written from an academic, scholarly perspective, rather than a theological perspective. It talks about the history of the Gospel of Matthew, Matthew's sources, common themes within the book as a whole, and how these are reflected in the passage.
Paper Doctorate
Tarantino's Inglourious Basterds and Israeli identity during Rosh Hashanah
This is a 4-page paper that is written like a mainstream movie review designed for a major publication. The review follows guidelines related to the purpose and function, as well as form and style, of a review of a popular culture item. The item chosen for the review is the 2009 Tarantino film Inglourius Basterds, starring Brad Pitt. The review builds upon the fact that it is currently the Jewish New Year.
Research Paper Doctorate
How the definition of heroism has evolved over time
According to the Oxford English Dictionary, a hero is "a person, typically a man, who is admired for their courage or outstanding achievements, the chief male character in a book, play, or film, or (in mythology and…
Paper Doctorate
Book review of Darrell W. Robinson's Total church life
¶ … Robinson, Darrell W. (1997). Total church Life: How to be a first century church in a 21st century world. Nashville, TN: Broadman & Homan. The writer provides a summary of chapters two through twelve and then…
Research Paper Doctorate
Matthew Fox's Original Blessing and theological departure from Catholic doctrine
Matthew Fox: Then and Now Matthew Fox is a literary groundbreaker in the world of theology, in particular the doctrines of the Catholic Church. His 1983 first-book, Original Blessing is a solid look at the blessings of…
Research Paper Doctorate
Early Christian polemicists and the Didache's orthodox teachings
Early Christian polemicists such as Clement of Alexandria, Justin Martyr, Irenaeus of Lyons, and Tertullian all attacked Gnosticism as ‘heresy' and until the 20th Century virtually nothing was known about it except in the distorted texts they had written. Their purpose was to construct the boundaries between what later became ‘orthodox' or ‘catholic' Christianity in opposition to Judaism, paganism and carious Christian ‘heresies'. Until the fourth and fifth centuries, however, when Christianity became the state religion of the Roman Empire under "the guiding influence of the Christian emperors" like Constantine and Theodosius, Christian ‘orthodoxy' was still fluid and in dispute. Only because of the power of the Roman state did Christianity become a "monolithic unity" that had not existed before and redefined "manifold ancient religious practices into three mutually exclusive groups: Jews, Christians and pagans (King 22). Early Christian polemicists deliberately exaggerated the differences between these groups and minimized the similarities, although for the first three centuries of Christianity no commonly recognized hierarchy or Scriptural canon existed.
Research Paper Doctorate
Mythology's role in teaching moral values and cultural understanding
¶ … mythology is important for both individualistic and collective reasons. On an individual level, mythology could teach moral or human truths, whereas on a collective level mythology could be used to keep people in…
Research Paper Doctorate
The San Diego Museum of Art's European masters and Spanish artistic traditions
¶ … San Diego Museum of Art: The European Masters Collection to 1900
Research Paper Doctorate
Women's social and legal constraints during the Renaissance period
The Renaissance (14th to 16th centuries) in European history is widely considered to have been a period of "re-birth" and a turning point for the Western Civilization. It is believed to be the transitory period between…
Essay Undergraduate
Renaissance art and the shift away from religious patronage
This paper examines two periods in art history: the Renaissance and the Baroque. It provides a brief examination of the social and cultural influences that impacted both eras. It looks at the hallmarks of art during those time periods. It discusses the masters of those periods, and focuses specifically on da Vinci's The Last Supper and Rubens' The Fall of the Damned.