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John Milton's poem, "hen I Consider How My Light is Spent," is an excursion into doubt, with one's self and one's God. The poem is one man's attempt to reconcile his relationship with God since he feels his service to God has been hindered as a result of blindness. This paper will explore the notion of how Milton struggled with feelings of worthiness and justification and how he reconciled these feelings through his faith.
According to Abrahms, Milton's blindness represents a "severe test" which proves to be a challenge difficult to accept at times (Abrahms 1443). However difficult the blindness proved to be at times and however his faith might have wavered, Milton was still able to write, which, according to the poem, was Milton's single talent. Lionel Trilling observed that even though Milton's blindness presented an understandable challenge, his greatest works were "performed under discountenance, and in blindness" (Trilling…
Abrahms, M.H. The North Anthology of English Literature, Fifth Edition. New York W.W. Norton and Company. 1986.
Bloom, Harold, ed. Blooms Major Poets, John Milton. Broomhall, PA. Chelsea House Publishers. 1999.
Lancashire, Ian. University of Toronto, Department of English. 2003. http://eir.library.utoronto.ca/rpo/display/displaypoem.cfm?poemnum=145717 January, 2003.
Matthew. The Life Application Bible, New International Version. Grand Rapids, MI: Zondervan Publishing House. 1991.
Thy anger had overshadowed me, and I knew it not. I was become deaf by the rattling of the chins of my mortality, the punishment for my soul's pride; and I wandered farther from Thee, and Thou didst "suffer" me; and I was tossed to and fro, and wasted
Augustine's reflections in this passage brought into fore the fact that rebellion against the divine authority was, for him, through the accomplishment of what he considered as 'immoral actions.' Thus, the "dark concupiscence of the flesh" and "pure affection from unholy desire" characterized his rebellion, where he continued committing these undesirable acts despite his knowledge that they were against the standard of morality or what is considered wrong, not only in his society, but in the eyes of God as well. Augustine's personal narrative showed that rebellion against divine authority happened when he was not able to conform with society and…
Military -- Analysis of World War I by John Milton Cooper
John Milton Cooper, Jr.'s Pivotal Decades: The United States, 1900-1920, explores the political aspects of many societal arenas and war aspects. Rather than reciting mere historical facts, Cooper apparently knows underlying mindsets and motivations of acknowledged great men/groups and lesser known characters in early 20th Century history. His very facile discussions about political underpinnings and interplay, particularly during the War years, make his work exceptionally historically interesting.
John Milton Cooper, Jr.'s Pivotal Decades: The United States, 1900-1920, is an ambitious work addressing American culture, military forces, society and classic politics during the early 20th Century. His analysis of the war years focuses on political orientations, motivations, actions and interplay. Politics, whether international, national, local, cultural, military or social, infuse Cooper's writing and appears to be his forte. Clearly, Cooper has conducted in-depth research on the politics of every aspect…
Cooper, Jr., John Milton. Pivotal Decades: The United States, 1900-1920. New York, NY W.W. Norton & Company, Inc., 1990.
John Milton and illiam Blake
John Milton wrote work of poetry during the late 17th century. illiam Blake wourld write at the end of the 18th century and at the beginning of the following century. One lived during the tail end of the Restoration period and the other lived in the time of the Romantic poets. At a first glance, it would seem that the two poets John Milton and illiam Blake would have very little in common outside of the fact that they were both writers, both men, and that they were both British. Milton lived more than a century before illiam Blake and yet their work can be read together and analyzed as a pair of like-minded individuals. Though they wrote in different centuries and within different historic moments, they shared interests in expressing their thoughts on similar themes. Both men questioned the accepted conditions of their days…
Alexander, Gavin. "Why Milton Matters." (2008). Web. 29 Nov. 2010.
Article celebrating the 400th anniversary of John Milton and his continued importance in the world of English literature
Anderson, G. "The Fall of Satan in the Thought of St. Ephrem and John Milton." Hugoye:
Journal of Syriac Studies. January 2000. Print.
In John Milton's Paradise Lost, Milton tells of Satan's banishment from Heaven.
The entire event is first relegated to a handful of verses from the Christian bible book of Isaiah, and apocalyptic imagery from the books of Revelation. Milton applied his poetic license to the setting, characters, and motives in order to expand the setting and give his readers a humanized perspective of these events. Through the tapestry of his poem, Milton searched for meaning for his own tormented life and answers to questions such as the nature of men, and the reason for evil in the world.
Because Satan and his brigade plotted war against God, they are now doomed to billow in the fiery pits of hell. Satan is a complex character. Like Milton himself, Satan wrestled with his demented nature which was bent on self-destructive behavior. Milton used the exaggerated dimensions of Satan's persona in…
Big Stick Abroad John Milton Cooper American Perspectives volume 2 5th edition. typed, double space
Essentially, John Milton Cooper's historical article entitled "Big Stick Abroad" is about the accomplishments of United States President Theodore Roosevelt in the fledgling years of the 20th century. The article focuses primarily on Roosevelt's foreign policy and the many cessions he was able to grant the U.S. during his tenure as president. However, the article also attempts an inspection of some of the moral implications of Roosevelt's actions, which were largely viewed as imperialist in tendency and in practice. Essentially then, this article contextualizes Roosevelt's presidency within the scope of focus of his foreign policy and explains to the reader that this part of the president's career was his most noteworthy.
According to Cooper's article, Roosevelt's primary accomplishment during his tenure in command of the executive branch of the U.S. all stems from the Roosevelt…
The poem by John Milton is written in the style of literary epics; it starts not the beginning but in the middle of the story. Still, right away the reader knows that there is a war between good and evil, between Satan and Heaven (or God Himself), and that Satan was an Angel before he fell into disfavor with God. Since Satan had been an angel, in the reader's mind something must have happened to cause Satan to fall from grace. There are two basic stories in this long, complicated and esoteric poem -- one involved Satan and why he was banished from Heaven, and the other narrative is about Adam and Eve. In fact, in the poem Satan is the one who temps Eve to eat fruit from the tree that God asked her not to eat. Readers know that Satan is clever, tricky, and while disguised…
"Devil's Advocate." Director Taylor Hackford. 1997.
Milton, John. "Paradise Lost." Samuel Simmons, Publisher. 1667.
As the other demons obey Lucifer's call, Milton describes how these are false gods, who were once worshiped but now have been transformed into terrible beings -- such as Moloch, once worshiped as a god, now a devil who demands human sacrifice. This is the kind of transformation that Milton uses to tell his story: This is an archetypal story of how the lightness is made dark. His description of the diminishing of once-great and powerful (and beneficent) gods and their transmutation into their own opposites provides us with an epistemological microcosm of Milton's world. (Milton would no doubt argue that this is also a microcosm of God's world.)
One of the most important structural aspects of the poem is that as we move through it we shift our connection to the characters. The point of perspective does not shift, or not exactly, for we always hear the…
Dobranski, Stephen and John Rumrich (eds.). Milton and Heresy. Cambridge: Cambridge UP, 2009.
Fish, Stanley. Surprised by Sin: The Reader in Paradise Lost. Cambridge: Harvard UP, 2003.
Forsyth, Neil. The Satanic Epic. Princeton: Princeton UP, 2003.
Herman, Peter. Destabilizing Milton: Paradise Lost and the Poetics of Incertitude. London: Palgrave-McMillan, 2003.
Symbols are part of Milton's method, and it is likely that the term "light" in the poem refers to the concept of time and chronological movement. Since Milton was not born blind, it is likely that in his youth, he used his sense of sight to observe the world, interact within the confines of society, and as his sight faded, use his hands and pen to right the wrongs he previously observed. "Talent," then, is likely to mean his active poetry and what the word can do, over time, to en-lighten the ignorant (in the true sense of "not knowing.") Thus -- "And that one talent which is death to hid//Lodg'd with me useless, though my soul more bent//to serve there with my Maker, and present//My true account."
Similarly, Milton was famous for imbibing his work with punny wordplay, not as obvious to the modern reader as it was…
Labriola, a. (2006). Milton Studies, Volume 46. University of Pittsburgh Press.
Lace, W. (2005). Elizabethan England. Lucent Books.
Shakespeare's "Twelfth Night" with Milton's "Paradise Lost"
Comparison of the two works:
Shakespeare's Twelfth Night and Milton's Paradise Lost are two examples of great works that seemingly have little in common. The differences in subject, approach, language and style contrast greatly but these works also share many common themes. Although Twelfth Night is a romantic comedic work and Paradise Lost is an epic poem that deals with a much heavier subject matter, both present the reader with stories of the consequences when there is a disruption in world order and balance while incorporating elements of disguise and character consequences.
Shakespeare's work is consistent with the witty, bright comedies popular during its time. According to Warren and Wells, these comedies typically included a mixture of dialogue, singing, stage fights, and suspense and the nature of the lighthearted language used was commonplace during the early 1600's (1994). Additionally, critic en Johnson said…
Bloom, H. (ed.) (1987). John Milton's Paradise Lost. New York: Chelsea House Publsihers.
Corns, T. (1998). John Milton: The Prose Works. New York: Twayne Publishers.
Elledge, S. (1993). John Milton's Paradise Lost: An Authoritative Text Backgrounds and Sources of Criticism. New York: W.W. Norton & Company.
Notkoff, T. (2001). Readings on Twelfth Night. San Diego, CA: Greenhaven Press
With this example, it is not surprising that John Locke is considered an instrument for the right political cause. Aside from the essays that he had written, Locke also has philosophies in the different subjects of life. This includes the role of families in the liberal society, theories on properties and money, ethics and beliefs, and many others.
Locke's contribution to his generation and the modern society focused on the role of the government and the people to each other. Despite of the changing course of politics in the seventeenth century, Locke was able to also shift his intellect effectively. The various political situations that happened in his time had been useful to the future generation because from his works, the contemporary times has gained basis and reference for the ideologies they fight for which are related to Locke's philosophies and writings. As Tim Harris indicated, in his article John…
Goldie, M. 2004. John Locke Icon of Liberty.
History Today, vol 54 issue 10, pp 31-36.
Jhunjhunwala, B. 2004. Role of Intellectuals in Governance.
Adams Business Media, Vol 36 Issue 6-7, pp 787-795.
John Clive is illiam R. Kenan Jr. Professor of History and Literature at Harvard University, and he brings his knowledge of both history and literary style to bear in analyzing the life and historical writings of Thomas Babington Macaulay in his book Macaulay: The Shaping of the Historian. The approach considers the works of Macaulay in terms of what they reveal about the forces that shaped them, including the family situation of Macaulay, the intellectual currents of the time, and Macaulay's psychology, showing how these forces interacted to cause Macaulay to think as he did and to begin to write history as he did. The book does not cover all of Macaulay's life but instead examines what the sub-title indicates -- the shaping of the historian, the forces that shaped Macaulay up to 1839 when he started writing history. Clive's book has been well-received and was given the National Book…
Clive, John. Macaulay: The Shaping of the Historian. Cambridge, Massachusetts: Harvard University Press, 1973.
After acknowledging that God had forbid she and Adam from eating the fruit of the tree of knowledge, the serpent is able with a single sentence to persuade her to try the fruit: "God doth know that in the day ye eat thereof, then your eyes shall be opened, and ye shall be as gods" (King James, Genesis 3:5). Appealing to her own pride and vanity made it easy for her to change sides; the serpent's base flattery and suggestion of God's jealousy was enough to convince Eve. This has led to the standard depiction of women as flighty and empty-headed, which is abundantly apparent in Milton's portrayal of Eve in this passage. Though the possibility that he intended this representation satirically definitely exists, it is not especially apparent and served to further the image of women as both foolish and overly prone to sinful behavior.
King James Bible. Accessed 11 July 2009. http://etext.virginia.edu/kjv.browse.html
Milton, John. Paradise Lost. Accessed 11 July 2009. http://www.dartmouth.edu/~milton/reading_room/pl/book_4/index.shtml
Another favorite is the Dylan poster that is, again, not complicated in its appearance. The silhouette of Dylan is topped off with a mass of hair that is in the form of thick curly lines in bright colors. This image is one that is difficult to forget once it is seen. These images are iconic and they remain with us because they grab our attention without being overdone. The Saratoga Performing Arts Center poster is another design that is a favorite because Glaser has taken what we consider everyday elements and turned them into something that is recognizable but different enough to garner a second or third look. I enjoy the School of Visual Arts poster because it captures what artists do with a few words and what appears to be a simple image. Glaser's style is one that cannot be defined in a few words but, like most real…
Barnicoat, John. "Poster." Oxford Art Online. Information Retrieved 29 Jan. 2009. http://www.oxfordartonline.com
Glaser, Milton." Oxford Art Online. Information Retrieved 29 Jan. 2009.
Collaboration Work With John Cage
John Cage was a revolutionary artist that transcended his time and his generation. He was a man that refused to limit himself or his work in any way. eing a musician myself, I was certainly very appreciative of his radical and uncompromising musical style and his unique willingness to take great chances in his work. However, after further research I have realized that I had only come to regard a small sliver of Mr. Cage's true mastery. While my musical penchants drew me specifically to his melodic concoctions, I was unaware of his other talents in the genres of poetry, painting, printmaking, philosophy and composition. Through extensive examination of his remarkable and groundbreaking works in these artistic arenas, I began to realize Mr. Cage's genuine and complete genius. The vast scope of his artistic capacity did make it a bit difficult to decide on which…
Cage, John. "An Autobiographical Statement." Southwest Review 17.1 (1991).
John Cage: From Zero. Dirs. Andrew Culver and Frank Scheffer. Perf. John Cage. 2004.
John Cage: One11 with 103. Dir. John Cage. Perf. John Cage. 2006.
Kozinn, Allan. "John Cage." The New York Times 28 July 2009.
At the Tree of Knowledge, in a last impassioned speech designed (successfully to convince Eve to taste the fruit, Satan (in the guise of the serpent) extols the virtues of the fruit in high apostrophe: "O Sacred, Wise, and Wisdom-giving Plant, / Mother of Science" (Paradise Lost 9 679-80). This is a clear indication of what the fruit of the Tree of Knowledge represented, both to Eve in Milton's tale and to the seventeenth century readers of Milton's telling. That is, Milton quite purposefully equated knowledge with science, and not just the moral knowledge of good and evil that is explicitly referenced in the Bible, and later on in Milton's own version of the tale. Paradise Lost is not meant to simply be a modern retelling of the story of Adam and Eve, the casting out of Satan and the other fallen angels, and other portions of the Christian mythology.…
Heroic Qualities of the Son of God and Satan in Milton's Paradise Lost
John Milton's Paradise Lost presents us with complex images of the hero. e have come to understand the epic hero being portrayed as a person of historical significance possessing courage and strength and usually placed in a grand setting. Heroic actions and characteristics are present in the Son of God and Satan and this paper will examine the similarities and differences between each character.
The Son of God can easily be seen as the hero of Paradise Lost because he is good. He sits with God in Heaven and because he is the Son, his actions (as well as his person) are perfect. For instance, Milton tells us that the Son is "most glorious... And in his face/Divine compassion visibly appeared,/Love without end, and without measure grace" (III.139-42). God says that the Son is his word, wisdom,…
Milford, Humphrey. The English Poems of John Milton. London: Oxford University Press. 1926.
Characterizations of Satan in Paradise Lost
The character of Satan is a prominent figure in "Paradise Lost." In fact, it is arguable that without this character, there would be no poem and there would be no myth of the fall of humanity and the war in heaven. The paper will focus upon this character's significance and role in the overall narrative. The paper will reference Books 1, 2, and 4 as part of this discussion. As most people are aware and certainly readers of "Paradise Lost" are aware, Satan was an angel in heaven, a servant of God. When he rose against God and the kingdom of heaven, a great and epic struggle ensued, which is the primary narrative thrust of the poem. Examination of this character can provide insight into other characters, themes of the poem, and other literary structures that are present within Milton's great opus.
Literature.org. (2012) Paradise Lost. Milton, J. Available from http://www.literature.org/authors/milton-john/paradise-lost/index.html . 2012 June 01.
While at J.C. Penney, Walton read extensively about retailing theory and principles. He also had the insight to consider the importance of proximity to his merchandise suppliers and he took full advantage of his ability to turn around merchandise so fast that he could leverage his short-term debts to suppliers into capital for investment and growth.
6. Who is in charge of the company now?
Michael Terry Duke, became the Chief Executive Officer and President of Wal-Mart tores Inc. In 2009. Previously, he was the Executive Vice President of Wal-Mart tores Inc., and before that, he served as Executive Vice President of Administration, and Executive Vice President of Logistics, enior Vice President of Logistics at Wal-Mart tores Inc., and enior Vice President of Distribution of Wal-Mart tores Division (UA).
7. Describe any "barriers of entry," competition or marketing challenges the Entrepreneur overcame.
The principal barrier of entry faced by Walton…
Kennon, J. (2011) Sam Walton (aka Samuel Moore Walton)
The Hershey Company. (2011). Our Story.
John Rawls' philosophical theme centers on the topic of "justice as fairness." It's hard not to relate this to one of the growing topics of discussion, namely the importance of digital deception which might well include the idea of airbrushing photos and images. Technology has the capacity today to provide us all with a Veil of Ignorance (Freeman, 2009) that even Rawls did not see coming and one that has the capacity of wiping away the honest elements of rationality and reason that he believes is necessary for people to be able to work together toward a balanced and honest society that works well for everyone.
The issue of airbrushing models or maybe the basic characteristics of those we admire or who are the attention of a public event can mean nothing more than making pictures prettier. This as we know can mean relatively little, or it can lead…
Birnholtz, J., Guillory, J., Hancock, J., and Bazarova, N. (2010) "on my way": Deceptive Texting and Interpersonal Awareness Narratives. Cornel University. Downloadable at http://research.microsoft.com/en-us/um/redmond/groups/connect/cscw_10/docs/p1.pdf .
Freeman, S. (2009). "Original Position," The Stanford Encyclopedia of Philosophy (Spring Edition), Edward N. Zalta (ed.). Viewable at http://plato.stanford.edu/archives/spr2009/entries/original-position/ .
Hutchinson, W. (2006). Information Warfare & Deception. Informing Science. Vol. 9.
James, K. (2011). Digital Deception. Simple Lies that manage our social interactions. Viewable within JayPlay at http://media.features.kansan.com/issues/jayplay/2011-11-03.pdf.
Sophocles & Milton
Sophocles wrote his great works two and a half millennia ago, and yet today they are still fresh and powerful. This is because Sophocles deals with deep and important human situations and emotions. Even though we can no longer imagine what it would be like to live in the world which Sophocles inhabits, we can completely understand his characters because they are fully human and human nature does not change much over time. Though he writes about kings and queens and the wealthy of Greece, his characters have the sense of being representatives of every man and woman, in every era. His characters struggle with pride and with sin and with accepting the will of the gods -- when they do things they should not do, in the end they are punished, and accept this punishment. This gives them a greater morality than sinners who are portrayed…
Milton, John. Paradise Lost. Project Gutenberg. ftp://ftp.knowledge.com/pub/mirrors/gutenberg/etext91/plboss10.txt
Sophocles. Oedipus the King. Trans. F. Storr. Internet Classics. http://classics.mit.edu/Sophocles/oedipus.pl.txt
philosophy of education through a historical and then through an explicitly Christian lens, with a focus on the political role of education, and the Christian philosophy of John Milton. Milton's 1644 works Areopagitica and Of Education are invoked to justify the true Christian purpose of education as being exposure to the sort of free expression and free exchange of ideas that are guaranteed in America under the First Amendment.
What would a true Christian philosophy of education look like? The answer might actually be surprising to the majority of Americans who identify themselves as Christian and seek a Christian education. In 2014, frequently Christian education can seem retrograde, a form of ressentiment and indoctrination that derides Darwinism and has a greater interest in upholding a political consensus than in embodying the ideals set forth by Christ Himself. I propose to examine a Christian philosophy of education through a somewhat unique…
Fish, S. (1971) Surprised by sin: The reader in Paradise Lost. Berkeley: University of California Press.
Gaustad, E.S. (2005). Roger Williams. New York: Oxford University Press.
Gutek, G.L. (2011). Historical and philosophical foundations of education: A Biographical introduction (5th ed.). Upper Saddle River, NJ: Pearson Education.
Jefferson, T. (1778) A bill for the more general diffusion of knowledge. Retrieved from http://candst.tripod.com/jefflaw1.htm
332-333, 336-337). The fallen angels' response to Satan's call is the final confirmation of his character, because it demonstrates how he is able to maintain the respect and interest of his followers even though it appears as if they have been stripped of everything. In this sense, Satan is a kind of idealized revolutionary leader, outmatched by the "Almighty" but unwilling to give up, all the while maintaining the respect and loyalty of his followers.
In Paradise Lost, it seems almost inevitable that Milton, whether intentionally or not, was on the Devil's side, even if the narrator of the poem was explicitly not. This is evidenced by the discrepancies between the narrator's account of Satan's character and what is revealed in Book I, when Satan first interacts with the other fallen angels. here the narrator suggests that Satan's actions were born out of vanity and greed, Satan argues otherwise, claiming…
Milton, John. Paradise Lost. Boston: Woolsworth, Ainsworth, & Co., 1870.
Satan and Paradise Lost
In Paradise Lost by John Milton, Satan represents the royalist, Catholic and aristocratic enemies of the Puritans during the civil wars and religious wars of the 17th Century and reflects the culture and events of the era such as the Renaissance, Reformation and Scientific Revolution. Milton was a Puritan who had supported Oliver Cromwell in the English Civil ar and the overthrow of the king, aristocracy and Church of England. He was disappointed by the outcome of this revolution, and especially with the Restoration of the monarchy and the old order in 1660, which banned and censored many of his writings for being too radical. Not only is it a specifically Christian story of original sin, the fall from grace and hope for redemption, it should be considered as a revolutionary tract from the Puritan-Protestant side during the civil wars and religious wars of the 17th…
Milton, John. Paradise Lost, 1674 edition. Dartmouth.edu http://www.dartmouth.edu/~milton/reading_room/pl/book_1/index.shtml
John Milton's Paradise Lost tells the story of Heaven and Hell both before and after Adam and Eve fell from grace. At the center of Milton epic poem is the story of the character of Satan, a being who has been sent to the underworld to live in agony forever after trying and failing to take over the control of Heaven from God. Satan will spend the rest of eternity amid the demons and monsters that live in what is now his realm. As he was punished for disobeying and daring to challenge God, so he wishes to damn all of God's creations in kind. Mankind is God's newest experiment and thus the subject of Satan's diabolical machinations. Before, God had made angels and other celestial beings that were extremely powerful and thus could pose a challenge to Him. ith man, God took a different position with his…
Anderson, Gary A. "The Fall of Satan in the Thought of St. Ephrem and John Milton." Hugoye:
Journal of Syriac Studies. 3:1. 2000. Print.
Benet, Diana Tevino. "Adam's Evil Conscience and Satan's Surrogate Fall." Milton Quarterly.
39:1. 2005. 2-15. Print.
Yet, I suggest that while Anne Clifford succeeded in life -- she was at last able to join the fellowship at Penshurst and through long life and tenacity to reclaim her lands -- Aemilia Lanyer succeeds in an imaginative vision: out of marginality, out 'of absence, darkness..., things which are not,' indeed out of weakness, Lanyer creates in Salve Deus a remarkable community of strength, present more powerfully and enduringly in her fiction than in life itself. (Pebworth and Summers 46)
This fictionalization of such a "remarkable community" is one aspect of the rigors of life during this period in history that might escape a casual reader today, but the fact that Lanyer was able to craft such a work during such an otherwise bleak era suggests that she did in fact have some compelling reasons beyond money and fame that drove her work.
John Milton's masque "Comus." Because Europe…
Briggs, Julia. This Stage-Play World: Texts and Contexts, 1580-1625. Oxford: Oxford University Press, 1997.
Hall, Kim F. Things of Darkness: Economies of Race and Gender in Early Modern England. Ithaca, NY: Cornell University Press, 1995.
Haselkorn, Anne M. And Betty S. Travitsky. The Renaissance Englishwoman in Print: Counterbalancing the Canon. Amherst, MA: University of Massachusetts Press, 1990.
Hunter, William B., Jr. Milton's Comus: Family Piece. Troy, NY: Whitston Publishing Company, 1983.
Studying the characters of Adam and Samson reveals that they have many things in common but it seems totally out of place to compare them with Jesus. Adam and Samson typify men who are on a godward journey while Jesus is the way and also the end of the road.
John Milton the poetic legend of the seventeenth century is well-known for his deep belief in providence and divine judgement. His puritanical sentiments are echoed in most of his poems. His sheer belief in divine ordinance is reflected in his works like "On his Blindness," "Paradise lost" and the tragic poem "Samson Agonistes." In all these poems we see a peculiar pattern wherein Milton projects his own beliefs through the characters. In these poems there is a gradual transition wherein the troubled conscience finally finds tranquility and deliverance by divine grace. Particularly Milton's Paradise lost and "Samson Agonistes" have…
power is depicted in William Shakespeare's "King Lear," Book I of John Milton's "Paradise Lost" and Francis Bacon's "Of Plantations" and "The Idols" from his "Novum Organum."
Shakespeare's depiction of power in King Lear shows how cunning, ruthless people come to gain political power at the expense of those that show qualities that one would desire in a leader: nobility, honesty and integrity. Shakespeare's key focus is the transition of power from one king or leader to his progeny. In King Lear, the title role decides to abdicate the throne and divide his kingdom equally between his three daughters: Goneril, Regan and Cordelia. Whereas the first two flatter him, Cordelia is honest and is ultimately punished for it: she loses her inheritance. In another part of the story, two brothers fight for control of a dukedom.
Here Shakespeare illustrates a contradiction between well-meaning, honest people and manipulative, power-hungry people. One…
Universally accepted as one of the world's foremost epics, John Milton's Paradise Lost traces the history of the world from a Christian perspective. (Milton, 1667) The narrative of the poem largely deals with falling and how desires -- God, Satan, Jesus, Adam and Eve's -- lead to it. The book is about mankind's fall -- Original Sin -- Adam and Eve's disobedience of God. There are other instances of falling in the plot too. First, Satan's fall from God's graces, as related to Adam and Eve by the angel Raphael, represents the past in the Universe's creation. The second instance -- the present (in the narrative) -- is the Adam and Eve's eating of the Forbidden Fruit. The third instance represents the future. Michael, as he readies to escort Adam and Eve out of Paradise, presents to them the various falls of man until Jesus comes to rescue by dying…
Bendz, Fredrik. Proof That There Is No God. 1998. Fredrik Bendz. Available. December 27, 2002. http://www.update.uu.se/~fbendz/nogod/no_god.htm
Milton, John. Paradise Lost. The Poetical Works of John Milton. Vol. I and II. Boston R.H. Hinkley Company, 1667.
Wigglesworth, Michael. Day of Doom. The Poems of Michael Wigglesworth. Ed. Roland Basco. New York: University Press of America, 1662.
Lomax can be interpreted to mean the highest of the low and possibly hints at his place within Satan's hierarchy as he is Satan's son. Mary Ann's name, on the other hand, seems to allude to Mary the mother of Jesus or Mary Magdalene; by naming the character Mary, the author insinuates that she is innocent in the entire affair. Most importantly is John Milton. This is clearly a reference to the author of Paradise Lost. The epic poem seeks to "justify the ways of God to men" by analyzing how Adam and Eve were tempted and why they were expelled from the Garden of Eden (Milton 1.26). Moreover, the epic poem also makes an argument for free will, a concept that Milton, the character, exploits.
One of the central themes within the story is that everything is a test. This sets up the argument that there are several conflicts…
The Devil's Advocate. Dir. Taylor Hackford. United States: Warner Brothers, 1997. Film.
The King James Bible. Web. 27 April 2012.
Milton, John. Paradise Lost. Web. 27 April 2012.
This reflection on Milton and Blake is also the reflections of every person who is looking for purpose in their lives (ibid, 588).
However, in the last generation more and more people are asking the same question as Bloom and raising the issue of purpose. Like the humans that recorded the creation story in Genesis, we are searching for the purpose of our being and existence. Blake's parables answer use poetic license to extend this question of existence into the time of the twilight of the Enlightenment when new knowledge was causing people to ask many of the same questions that they asked when they set down the creation story of Genesis thousands of years before that (ibid).
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hile Israel may be the apple of God's eye, it appears that Jerusalem is that of Blake's since the work comes from this source as well. Inspiring the famous…
Blake, W., and J.E. Grant. Blake's Poetry and Designs. 2nd. New York, NY: W.
W. Norton & Company, 2007. Print.
"The Genesis Apocryphon." Bibliotecapleyades.net. 2011. Web. 19 Sep 2011.
...[p. 41] Reasons may be given, why an Act ought to be repeal'd, and yet obedience must be yielded to it till that repeal takes place.
The intent of most colonists, was to create change through the proper channels, as has been described by the Philadelphia congress, as having occurred over the ten years bridging the two previous declarations.
A consummate expert on the War of Independence, writing in the early twentieth century, Van Tyne, stresses that the development of the ideal of democratic representation, was seeded in the ideals of Puritan politics which were spurned by the exposure of ministers to the ideas of John Locke and John Milton, who demonstratively effected the ideas of the American colonists as well as many others all over the colonial world. The idea of a fierce fight against tyranny and unchecked despotism was an essential standard of the day and at some…
Bancroft, Hubert H.. American war for Independence: Early Causes. 2002-2003. http://www.publicbookshelf.com/public_html/The_Great_Republic_By_the_Master_Historians_Vol_II/americanw_bb.html .
Leach, Douglas Edward. Roots of Conflict: British Armed Forces and Colonial Americans, 1677-1763. Chapel Hill, NC: University of North Carolina Press, 1986.
Miller, John C. Origins of the American Revolution. Boston: Little, Brown, 1943.
Morison, S.E., ed. Sources and Documents Illustrating the American Revolution, 1764-1788, and the Formation of the Federal Constitution. Oxford: Clarendon Press, 1923.
ERASED BEFORE YOU TURN IT IN!!!
Volpone by Ben Jonson
Act I, Scene 1, Lines 30-39: This is at the start of the play when we learn about what kind of man Volpone is. This particular passage, being spoken by him, is referring to his money -- he is speaking of how he enjoys the chase of the money more than the actually having it. The play is centered on how Volpone is faking a fatal illness that has caused some greedy people to become "butt-kissers" in order to become his sole heir. Again, it is more fun for Volpone to play tricks on people. In this particular passage he is referring to how he gets his money -- he doesn't actually work for it, nor does he share it, nor does he keep it in a public bank. Mosca is his servant, whom has joined him in his trickery.…
Doctrine of the Holy Trinity
The Doctrine of the Trinity and Anti-Trinitarian Theologies:
Servetus, Milton, Newton
The Doctrine of the Trinity
The Arian Heresy
Anti-Trinitarianism Part I: Michael Servetus
Anti-Trinitarianism Part II: John Milton
Sir Isaac Newton
The Arian heresy -- or rejection of the Christian doctrine of the Holy Trinity -- is actually relatively uncommon among contemporary Christian denominations; to pick one particular national example, Post-Reformation England would tolerate a broad array of theological stances -- from the dour Calvinism of the early Puritans to the sunnier Arminianism of the esleyan Methodists -- but more or less drew the line at anti-Trinitarianism. Yet it is remarkable that some of England's greatest intellectuals -- including the epic poet John Milton and the father of modern physics Sir Isaac Newton -- would secretly author theological works reviving the old heresy of Arius in order to disprove the Christian doctrine of the…
Bouwsma, William J. John Calvin: A Sixteenth Century Portrait. New York and London: Oxford University Press, 1988.
Catholic Encyclopedia, "Nicene Creed." http://www.newadvent.org/cathen/11049a.htm (accessed 21 March 2011).
Grudem, Wayne. Sytematic Theology. Grand Rapids; Zondervan, 1994.
Hill, Christopher. Milton and the English Revolution. New York: Viking, 1978.
And so, Kenton goes on, given this schism between East and est, it is his theory that the schism was perhaps symbolized through the interactions between God and the Devil. The freedom of the individual to find his way to God "through Scripture...coincided with Milton's commitment to symbolically unify East and est as proof of the regeneration," Kenton wrote (p. 17). Indeed, Milton's Christian background "necessitates" the need for "transgression in order to justify the salvation of all mankind" - hence, if a reader buys into Kenton, that need for "transgression" is played out dramatically and symbolically through God's punishment and the Devil's power to disrupt.
Brittan, Jillisa; & Posner, Richard a. "Classic Revisited: Penal Theory in Paradise Lost."
Michigan Law Review vol. 105 (2007): pp. 1049-1059.
Carnes, Valerie. "Time and Language in Milton's Paradise Lost." ELH 37.4 (1970): 517-539.
Kenton, illiam G. III. "English Liberty and Turkish…
Brittan, Jillisa; & Posner, Richard a. "Classic Revisited: Penal Theory in Paradise Lost."
Michigan Law Review vol. 105 (2007): pp. 1049-1059.
Carnes, Valerie. "Time and Language in Milton's Paradise Lost." ELH 37.4 (1970): 517-539.
Kenton, William G. III. "English Liberty and Turkish Tyranny: The Symbolic Function of the East in Milton's Poetry and Prose." ProQuest Dissertations and Theses. New York
459). Such an encounter is the mainstay of Book 9 since both Eve and Adam are chastened by God and are forced to reason with Him in order to confess to their sin and accept the punishment required in order to 'multiply and replenish' the earth as they had been commanded. They knew the reason behind such a commandment, and they also knew that in the long run, what they had done, was what had to happen. According to Milton, both Adam and Eve had accepted that reasoning in Heaven before they were even placed on earth, and with that acceptance were blessed with the capability to reason over earthly circumstances that perhaps they would not have been capable of otherwise.
Besserman, L. (2007) Encounters with God in medieval and Early Modern English poetry, the Sixteenth Century Journal, Vol. 38, No. 2, pp. 459 -460
Bradburn, E. (2006)…
Besserman, L. (2007) Encounters with God in medieval and Early Modern English poetry, the Sixteenth Century Journal, Vol. 38, No. 2, pp. 459 -460
Bradburn, E. (2006) Theatrical wonder, amazement, and the construction of spiritual agency in "Paradise Lost," Comparative Drama, Vol. 40, No. 1, pp. 77-98
Steggle, M., (2005) Gender and the power of relationship, the Sixteenth Century Journal, Vol. 36, No. 2, pp. 554-556
Walker, W. (2007) on reason, faith and freedom in "Paradise Lost," Studies in English Literature 1500-1900, Vol. 47, No. 1, pp. 143-59
role of a prophet in society has often been questioned and misunderstood. Prophets are often seen as peculiar people who receive divine inspiration. The purpose of this paper is to discuss whether a prophet is always inspired. We will begin our discussion by defining prophetic inspiration and the function of a prophet. Our discussion will then focus on how to distinguish between prophecy that is inspired and prophecy that is uninspired.
The prime examples of prophetic inspiration can be found in the bible. According to a book entitled Inspiration and Revelation in the Old Testament, it is very difficult to explain the function of the Hebrew prophet. The book asserts that this difficulty exist because the function of the prophet is beyond that of human experience and is characterized by philosophical and religious assumptions. (Robinson) The author also asserts that 'The Hebrew prophets have so greatly influenced religion…
Camille, Michael. "Prophets, Canons and Promising Monsters." The Art Bulletin 78.2 (1996): 198+. Questia. 5 Aug. 2004 .
Cohon, Beryl D. The Prophets: Their Personalities and Teachings. New York: Charles Scribner's Sons, 1939.
Engammare, Max. "Calvin: A Prophet Without a Prophecy." Church History 67.4 (1998): 643-661.
Erler, Mary C. "Palm Sunday Prophets and Processions and Eucharistic Controversy." Renaissance Quarterly 48.1 (1995): 58+. Questia. 5 Aug. 2004 .
Hello, my name is Fadi Awwad. Apologies for the late submission -- for some reason the due date was not showing on my Blackboard! The most recent book I read that really subverted the concept of Freytag's Triangle was probably The Crying of Lot 49 by Thomas Pynchon. In the spring semester 2014, I wrote a research paper on Pynchon for a course on postmodern narrative here at UHV. Pynchon is considered the postmodern novelist par excellence, so it is no surprise that The Crying of Lot 49 subverts traditional narrative structure.
Pynchon's short novel tells the story of a California housewife, Mrs. Oedipa Maas, who is given the duty of being executor for the estate of an ex-lover, Pierce Inverarity, who has just died. The central plot of the novel, however, hinges on whether Oedipa has inadvertently discovered the existence of a vast conspiracy called "The Trystero"…
Feminists, like Christine Pizan, who stressed the importance of female education and some of her male feminist contemporaries would mainly remain on the fringes as the classical form of education was reaffirmed as the standard.
In the 1970s, much of the challenge to female education was answered as the tradition of educating all people was accepted early in the development of the U.S. educations system, though it was not an easy transition and according to most inequalities still existed even in the late modern era. In fact there was no official federal department of education until 1979, yet this did not stop the progress of education.
Stallings 677) the marked entrance of women into higher education is thought by most people to be the beginning of the end for male exclusive education but pre-secondary education was available for women from the early part of the foundation of education as a…
Brown-Grant, Rosalind. Christine de Pizan and the Moral Defence of Women: Reading beyond Gender. Cambridge, England: Cambridge University Press, 1999.
Clark, Donald Lemen. John Milton at St. Paul's School: A Study of Ancient Rhetoric in English Renaissance Education. New York: Columbia University Press, 1948.
Clinton, Catherine, and Christine Lunardini. The Columbia Guide to American Women in the Nineteenth Century. New York: Columbia University Press, 2000.
Furniss, W. Todd, and Patricia Albjerg Graham, eds. Women in Higher Education. Washington, DC: American Council on Education, 1974.
Bloom claims that Victor was a "moral idiot" (Bloom) when he shirked his responsibilities. Victor's actions reveal that he is a completely selfish individual, incapable of being aware of anyone else's existence. The monster undergoes a radical transformation in the novel, from a being with no sense to a being completely aware of himself. He is more aware of himself than Victor could ever be and this allows the reader to identify with him on a more personal level. It is his sense of self that makes him human and Victor's selfishness that makes him seem inhuman. The irony is what brings Bloom back to the Romantic mythology of self.
Bloom successfully proves his points in this essay. He could have used more quotations from the text itself but the essay is strong enough without them. Bloom's examination of the novel in the broader spectrum of the Romantic Movement is…
Bloom, Harold. "An Excerpt From a Study of Frankenstein: or, The New Prometheus." Partisan
Review. XXXII. 4. 1965.
Milton, John. Paradise Lost. The English Poems of John Milton. London: Oxford University
Taking a character from The Iliad and setting him on his own journey, the Roman Virgil's epic The Aeneid necessarily contains certain parallels with the earlier Greek text. The overall story of this lengthy poem in and of itself reflects many of the same basic understandings of mankind's place in the universe, its relationship to the gods, and the relationships that exist within society and between men that are already described above, demonstrating that no real fundamental change has occurred in this schema. Aeneas, the titular hero of the tale who flees his native Troy after it is sacked by the Greeks, is as important as the individual heroes of the war itself, but more than a tale of individual heroism The Aeneid is the story of the founding of a people and the long trajectory of history and humanity. It is a tale for and in many…
Symbolism in "The Origin of Stories"
In "The Origin of All Stories" we can see an example of the importance that the Seneca -- a Native American tribe -- placed in their oral tradition, stories, as well as symbolism. Symbolism, especially, figures prominently in "The Origin of All Stories." It is the figurative device through which this story impresses upon readers the importance of storytelling to the Seneca people. Literally, storytelling formed the basis of the sense of history that the Seneca possessed. ithout it, vital cultural information could not have been passed down from generation to generation. The purpose of this essay is to examine some of the usage of symbolism in "The Origin of All Stories" and detail how those examples of symbolism demonstrate the centrality of the oral tradition to the Seneca people.
To begin, I should make it clear what it means that the Seneca had…
Lauter, Paul (Ed.). The Heath Anthology of American Literature Volume A: Colonial Period to 1800. 5th ed. Boston: Houghton Mifflin Company, 2005.
Blake's "The Tyger"
illiam Blake is a well-respected English painter, poet, and printmaker whose works went greatly unrecognized during his lifetime, but who has since been recognized as a major contributor to literature and art. Blake was born on November 28, 1757 in London and died on August 12, 1827. Through his work, Blake sought to express his political and religious views and often illuminated these works with illustrations that emphasized the meaning behind what he wrote. "Blake believed that his poetry could be read and understood by common people, but he was determined not to sacrifice his vision in order to become popular" ("illiam Blake"). Blake's collection of illuminated poems contained within Songs of Innocence and Songs of Experience are intended to compliment each other and contain some of his better-known works such as "The Tyger." "The Tyger," found in Songs of Experience, explores the relationship between religion…
Blake, William. "The Tyger." Web. 21 May 2012.
Paley, Morton D. "Tyger of Wrath." PMLA. 81.7 (Dec. 1966), pp. 540-551. JSTOR. 21 May
Sagar, Keith. "Innocence and Experience." Keithsagar.co.uk. 2002. Web. 21 May 2012.
Father, and of the Son, and of the Holy Spirit. Amen. This invocation, accompanying the sign of the cross, marks the beginning and end of every Roman Catholic prayer. It has become synonymous with Catholicism -- a celebration of the crucifix as representative of the lessed Trinity. While, every good Catholic takes this Triumvirate for granted, it is left to theological scholars like Jurgen Moltmann to dissect and analyze the salient features of the Trinity. Is the Trinity a Pneumatological or Christological entity? Is it a combination of the two? Where is God in the scheme of Moltmann's thesis? The theoditic question challenged the omnipotence, omnipresence and omniscience of God in his relationship with man. Is this question revisited in relation to Jesus Christ as the carrier of the Holy Spirit during his life on earth? Moltmann presents a clear interpretation of the relationship between Christ and the Holy Spirit…
Dabney, D. Lyle. "The Advent of the Spirit: The Turn to Pneumatology in the Theology of Jurgen Moltmann." Asbury Theological Journal 48 (1993): 81-107.
Hume, David. The Theodice Problem. 2002 n.d. God And Science. org. Available. December 7, 2002. http://godandscience.org/apologetics/nogod.html#01
Macchia, Frank. "the Spirit and Life: A Further Response to Jurgen Moltmann." Journal of Pentecostal Theology 5 (1994): 122.
McWilliams, Warren. "Why All the Fuss About Filioque? Karl Barth and Jurgen Moltmann on the Procession of the Spirit." Perspectives in Religious Studies 22 (1995): 176.
-29 and -26 bombers were used by U.S. forces to decimate Korean cities through round-the-clock air war using incendiary bombs, delayed demolition explosives and an "infernal jelly" called napalm.[footnoteRef:38] Created secretly during World War II, napalm was basically a mixture of petroleum and a thickening agent, designed to fiercely adhere to the target and severely burn it. Though first used against enemy structures and humans in World War II, napalm was used in the Korean War to devastating effect.[footnoteRef:39] the results of the U.S. air war against North Korea were intentionally catastrophic: at the commencement of the War, North Korea had 22 major cities, 18 of which suffered at least 50% obliteration.[footnoteRef:40] Furthermore, the U.S. government seriously considered using the atomic bombs that had so decisively ended World War II in the Pacific Theater. Particularly in September and October of 1951, -29 bombers were used for multiple runs to drop…
Bizony, Piers. The Space Shuttle: Celebrating Thirty Years of NASA's First Space Plane. Minneapolis, MN: Zenith Press, 2011.
Blight, James G., and Janet M. Lang. The Fog of War: Lessons from the Life of Robert S. McNamara. Lanham, MD: Rowman & Littlefield Publishers, Inc., 2005.
Boyne, Walter J. Beyond the Wild and Blue: A History of the United States Air Force, 1947-2007, Second Edition. New York, NY: St. Martin's Press, 2007.
Chant, Christopher. The World's Greatest Aircraft. New York, NY: Crescent Publishing, 1991.
43). To that comment, Tennyson is believed to have replied that the poem is "The embodiment of my own belief that the Godlike life is with man and for man" (Brunner, p. 43).
In critiquing the Palace of Art Brunner offers common-sense substance that some previous critics had avoided. He claims that the poem demonstrates "to live in art…is to live for selfish delight" and living in selfish delight is not "Godlike" but instead it is like living in hellish mode. The truth about Tennyson is that he is rarely satisfied with "mere accurate observations of states of mind," Brunner continues (p. 43). Brunner should know, and certainly does, that Tennyson's refusal to be satisfied with mere observations is not unique to him, or to poets. Creative artists in all mediums are rarely satisfied with the status quo or with doing what is expected.
Result of the Problem / Discussion…
Brunner, Larry. "I Sit as God'? Aestheticism and Repentance in Tennyson's 'The
Palace of Art.'" Renascence: Essays on Values in Literature, Vol. 56 (2003).
Cronin, Richard. "The Palace of Art and Tennyson's Cambridge." Oxford Journals,
XLIII (3), 195-210.
ith the link to the Bible, the story "…resonates with the richness of distant antecedents" and it no longer is "locked in the middle of the twentieth century"; hence, it never grows old, Foster concludes (56).
C.S. Lewis on the Importance of Reading Good Literature
C.S. Lewis, noted novelist, literary critic, lay theologian and essayist, advocates reading literature in his book an Experiment in Criticism. He is disappointed in fact when individuals only read important novels once. Reading a novel the second time for many on his list of incomplete readers is "…like a burnt-out match, an old railway ticket, or yesterday's paper" (Lewis, 2012, p. 2). Those bright alert people who read great works will read the same book "…ten, twenty or thirty times" during their lifetime and discover more with each reading, Lewis writes. The person who is a "devotee of culture" is worth "much more than the…
Draughon, Earl Wells. A Book Worth Reading. Bloomington, in: iUniverse, 2003.
Files, Robert. "The Black Love-Hate Affair with the Adventures of Huckleberry Finn. The Western Journal of Black Studies, 35.4 (2011): 240-245.
Foster, Thomas C. How to Read Literature Like a Professor: A Lively and Entertaining Guide to Reading Between the Lines. New York: HarperCollins, 2003.
Lewis, C.S. An Experiment in Criticism. New York: Cambridge University Press, 2012.
William Shakespeare was born into a world of words that took him from cold, stone castles in Scotland to the bustling cities of Italy and the high seas of colonial change. An emblem of the Renaissance, the Bard of Avon was not only the conqueror of his own mind and pen, but also of the language of his own social, political, and religious reality. His theatre, the epic Globe, mirrors the stories of the early, bustling London and ever-morphing England in the duration of its own life, from plank and dirt to flame and fame.
By 1598, Richard Burbage was the practicing don of the London theatre world, extending his fingertips for production all over the lively center of British commerce and governance. His players, a collection of all-male actors, were widely recognized throughout the theatre world, one of the only sources of popular entertainment.
Burbage produced the works of…
Short story -- A brief story where the plot drives the narrative, substantially shorter than a novel. Example: "Hills like White Elephants," by Ernest Hemingway.
Allusion -- A casual reference in one literary work to a person, place, event, or another piece of literature, often without explicit identification. It is used to establish a tone, create an indirect association, create contrast, make an unusual juxtaposition, or bring the reader into a world of references outside the limitations of the story itself. Example: "The Wasteland" by T.S. Eliot alludes to "Paradise Lost" by John Milton.
epetition -- The repeating of a word or phrase or rhythm within a piece of literature to add emphasis. Example: The story of Agamemnon in The Odyssey by Homer.
Blank verse -- Unrhymed lines of ten syllables each with the even-numbered syllables bearing the accents, most closing resembling the natural rhythms of English speech. Example: "The…
Wheeler, Dr. L. Kip. "Literary Terms and Definitions." Web.
"Word List of Literary and Grammar Terms." Web.
In Rowson's version he mimics Eliot in the sense that his comic book is part satirical, it is pessimistic, and it is told in fragments, as well. But the two literary works could hardly be farther apart in substance, as Rowson parodies a crime novel's trashy tone -- parodying noted pulp crime writer Raymond Chandler more than Eliot or Eliot's poem -- and it shows in his edgy comic drawings that there is more than one "waste land" in the world.
Rowson had some problems in getting his lawyers to sign off on his parodies of Eliot's lines; for example, in Eliot's "The Fire Sermon," line 205, the poet writes "Jug jug jug jug…" and originally Rowson had his hero, Chris Marlowe ("Philip Marlowe" was a Chandler character ) walking past six jugs in the British Museum (which he uses in his comic illustrations). So instead of the six "jug[s]…"…
Eliot, T.S. (1922). The Waste Land. Bartleby.com. Retrieved January 2, 2012, from http://www.bartleby.com/201/1.html .
Rowson, Martin. (1990). The Waste Land. New York: Harper and Row.
Man" intended to present a set of ethical and moral rules that would help a man vindicate the ways of God instead of criticizing the same. It was written in the neoclassical tradition which favored reason over blind passion and emotional restraint over enaissance obsession with excessive expression. It is more in line with John Milton's Paradise Lost where theme and central Christian beliefs are concerned. While "Essay on man" may not be inherently Christian, it does promote ancient Christian assumption that man sinned once and the burden of that original sin stays with man throughout his life. For this reason, he needs to work even harder to exonerate himself and achieve salvation.
The most controversial line in the Essay claims that "one truth is clear, 'Whatever IS, is IGHT'" (I. 1.294). This line appears to suggest that morality and ethical rules are useless, since whatever happens for example, rape,…
1) Pope, Alexander. "An Essay on Man." Ed. Gordon N. Ray. Boston: Houghton Miflin Company, 1969.
Voltaire and Dostoyevsky
Dostoyevsky's Notes from Underground and Voltaire's Candide are precisely similar works: in attempting to construct a narrative critique of a philosophical system, they slip from harsh satire into a form of sentimentality. I would suggest that comparing the two works' differing approaches to the philosophical problems of optimism, adversity, and violence are indicative of a different attitude altogether toward the philosophical problems presented. Dostoyevsky is passionate but ultimately sees no alternative between traditional religious morality and nihilism; Voltaire, by contrast, sees traditional religious morality as banal and proposes his own alternative. But in my conclusion, I will compare and contrast the role played by comedy in both works -- although each takes a broadly satirical approach toward the philosophical fashions of the present-day, only Candide is the genuinely comic work.
In comparing the role played by optimism in both works, it is important to recall that this…
Art has always been used as a means of expression and of confirmation of events and movements that take place in the society in that respective period of time. The Neo-Classical and Romanticist art makes no exception to this rule and the two periods have been considered in the history of artistic art as two of the most representative for the expressivity they brought to the world of the arts as well as through the painters they inspired. Jacques-Louis David and Eugene Delacroix are two of the most representative painters of the New Classical period and the Romanticist art and their paintings are significant for the symbols and ideals these two periods provided for the artistic world.
Neo-classical art must be seen in the wider context of the 18th century and the era of Enlightenment when the new perceptions on the role of reason were redefined against the concepts of…
Education in America
The seventeenth century has been called, as an age of faith, and for the colonists a preoccupation with religion, as probably right. The religious rebel of the sixteenth century was severe and shaking as its impact was felt both on the continent as well as in America. However, intelligent Americans of the seventeenth century thought and realized that education could, and may be should, be a handmaiden to religion. Yet, humanism was there more than religion in the intellectual diet of the educated Americans 1.
The humanists preceded their work at a stable speed, which, affected education of northern, middle & southern colonies of America. However, many argued that without much attention given to education, and without even realizing that the books comprised illustrations of better life were taught into schools in order to affect the life and mind of students, how could the aspiration of humanism…
1. George R. Waggoner; Barbara Ashton Waggoner. Education in Central America
University Press of Kansas. Lawrence, KS. 1971
2 H.E. Butler. Institutes of Oratory. Cambridge: Loeb Classical Library, Harvard
University Press, 1921, 4 vols.
He also feels that in his work, he is reminded of his own mortality, and fleeting time here on Earth. He strives to accomplish much with the talent he possesses. Milton's use of the line, "They also serve who only stand and wait." (Milton, 14) shows that standing idle and waiting for death and the inevitable extinguishing of one's talents and senses is something that must be avoided. This line also shows Milton's concern for impending events and the unrelenting nature of death and mortality themselves.
Milton's Sonnet XXIII, entitled, "On His Deceased Wife" also deals with death quite directly. The poet works to paint an image of a loving, sweet wife who returned from the grave to greet him in his dreams. But, just as he goes to embrace her, she disappears. Milton writes,
"Full sight of her in Heaven without restraint,
Came vested all in white, pure as…
The partners are directly responsible financially for the obligations of the business. Therefore, in case of loss or debts, the owners suffer the risks and losses since they have liability for the business. In terms of complexity and flexibility, the partnerships remain appropriate for the partners. The issue of raising finance is shared between the partners; however, they cannot get loans for the business independently. Therefore, they are not suitable for the two partners who wish to set their business.
The third venture is a corporation, which is a separate entity from the persons that establish the business. Therefore, in financial terms, they are easy to raise capital as members contribute, and can borrow finance independently. Like the limited liability partnership, they are legally bound and hence the liability is limited. They eliminate the issue of personal liability. The tax returns are similar to those of partnerships and are taxed…
Graubner, M. (2006). Task, firm size, and organizational structure in management consulting an empirical analysis from a contingency perspective. Wiesbaden, Deutscher UniversitSts-Verlag. http://site.ebrary.com/id/10231907 .
Spadaccini, M. (2007). Business structures. Irvine, CA, Entrepreneur Press.
Douglas, a. (2009). Partnership working. Milton Park, Abingdon, Oxon, by Routledge. http://site.ebrary.com/id/10258056 .
Grandori, a. (2006). Corporate governance and firm organization microfoundations and structural forms. Oxford, Oxford University Press.
These different elements are used to provide balance, scale and proportion through illustrating the natural movements / actions that are taking place. Repetition, variety, rhythm and unity are demonstrated based upon the way the image is represented and how it changes as it moves further away from the subject. ("John Biglin in a Small Skull")
From a historical context, this is showing the traditions the elite are continuing to embrace (such as: rowing). However, there are economic and political changes with this group of society growing from a new class of affluent that is emerging. This is illustrating how there are ideological shifts in the views and beliefs of everyone. From a social perspective, these areas are highlighting the way society is becoming wealthier with more people having the opportunity to participate in these activities. ("John Biglin in a Small Skull")
"John Biglin in a Small Skull." Met…
"John Biglin in a Small Skull." Met Museum, 2013. Web 24 Apr. 2013
"Kindred Spirits." Met Museum, 2000. Web. 24 Apr. 2013
"The Veteran in a New Field." Met Museum, 2013. Web. 24 Apr. 2013
"View from Mount Holyoke." Met Museum, 2013. Web. 24 Apr. 2013
1960's through the 1980's (and eyond)
The chosen historical event is actually a 4 1/2-year phenomenon: Kenneth Starr's extensive investigation of President and Mrs. William Clinton, culminating in the impeachment of President Clinton. Given the leeway of choosing an event from later than the 1960s through the 1980s, an event was chosen from the 1990s. The choice was not necessarily made due to the writer's relative youth but due to the searing controversy and clear memory of the event. Patterson's recollection of the event is genteel compared to the acidic nastiness and political maneuvering recalled by this writer.
The appointment of Independent Counsel for investigation and possible prosecution was authorized by the Ethics in Government Act of 1978, passed in at least partial reaction to the Watergate Scandal.[footnoteRef:1] According to Patterson, this appointment was used by conservative members of Congress to counter the political savvy of President William Clinton, "who…
Carville, James. ...and the Horse He Rode In On: The People V. Kenneth Starr. New York, NY: Simon & Schuster, 1998.
Harris, John F. The Survivor: Bill Clinton in the White House. New York, NY: Random House, 2005.
Patterson, James T. Restless Giant: The United States from Watergate to Bush v. Gore. New York, NY: Oxford University Press, 2005.
Schmidt, Susan, and Michael Weisskopf. Truth at Any Cost: Ken Starr and the Unmaking of Bill Clinton. New York, NY: HarperCollins, 2000.
Paradise Lost Book I
Explain why Satan and his crew are cast out of Heaven.
Milton identifies the reason why Satan and the other angels are cast from Heaven at line 36: "Pride." In Milton's account here, apparently Satan's pride assembled a "host of rebel angels" because he was, with their help, "aspiring / to set himself in glory above his peers" and thus Satan "trusted to have equal'd the most high" if he had been victorious (lines 37-40). For a being (such as Satan) created by a perfect God to "trust" to "equal" that perfect God cannot be ascribed to any motive other than stupidity or hubris, and Milton's Satan does not seem stupid. In fact, Milton's grammar seems to make a gesture in the direction of gratifying the Satanic hubris, as the poem states "Pride / had cast him out of heaven," rather than God. The ambiguity of…
Apart from taking an authoritative role in the Symposium, many people consider her to be behind the doubts of her existence. She passes her wisdom to Socrates who in turn passes it to his many friends. She distinguishes the difference that existed between good and beautiful in the context of love. She emphasizes the significance of the object of love even in beauty and birth.
Duchess of Malfi by John Webster
The story presents a penetration of the surface of the anarchy of life that does not guarantee a divine moral pattern. Instead, the outcome is a cycle of terror. The Duchess are yet to conquer the horror to realize spiritual victory. My first encounters with the book Duchess of Malfi was through the course CL/EN2051: English Literature Before 1800. The Duchess of Malfi takes place during the 16th Century at the Duchess' palace in Italy. Ferdinand and the Cardinal…