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Masculinity
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What is Masculinity?

Masculinity is the study of how societies define, enforce, and reproduce ideas about what it means to be male. It appears across disciplines including sociology, gender studies, cultural studies, literature, and psychology. The topic is academically rich because masculinity is not a fixed biological state but a set of contested social constructions that shift across cultures and historical moments. Frameworks such as Michael Kaufman's triad of men's power and tools like the Bem Sex Role Inventory give students structured ways to analyze how masculine identity is produced and measured. Literary texts such as The Strange Case of Dr Jekyll and Mr Hyde and films such as Pumping Iron and Dr Strangelove provide concrete cultural objects through which these ideas can be examined. C. J. Pascoe's work on masculinity and sexuality in high school settings further demonstrates how masculine norms operate at the level of everyday interaction.

Student papers on this topic take a range of approaches. Some use close textual or film analysis to read masculine symbolism and gender roles in specific works. Others apply sociological frameworks comparatively, examining how masculinity functions differently across contexts such as Japanese fatherhood, high school peer culture, or competitive bodybuilding. Several papers explore the relationship between masculinity and femininity directly, including how physical activity and food consumption reflect socially constructed gender differences. Historical and cultural comparison is a common organizing strategy.

A strong essay on masculinity grounds its argument in a clear, specific claim about how masculine norms are constructed or challenged in a defined context. Evidence drawn from cultural texts, sociological theory, or observed behavior carries the most weight when it is analyzed rather than simply described. The most common pitfall is treating masculinity as natural or self-evident — a strong thesis always treats it as something that requires explanation.

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Paper High School
Romeo and Juliet and Atonement: Love, Class, and Gender
Romeo and Juliet has always been one of William Shakespeare's most popular and successful plays, even though critics have sometimes dismissed it as an immature or sentimental work. In that respect, Atonement is not sentimental at all but rather grimly realistic, although the love of Ronnie and Cecelia also ends tragically. Both the play and novel have a great deal of seemingly irrational and senseless violence that destroys the lives of the main characters. In Atonement, the violence takes the form of a system that convicts Robbie unjustly of a crime he did not commit, and then gives him a choice of either serving in a war as cannon fodder or staying in jail. Cecilia and Briony also experience the violence of wartime London with regular bombing and endless numbers of badly mangled bodies that flood into the hospitals where they work. In Romeo and Juliet, the violence is the endless feud between the Monatgue's and Capulet's, in which Romeo kills Tybalt in retaliation for the death of his friend Mercutio. Great Britain in 1935 was not nearly as repressive and patriarchal as the Italy of the 17th Century which is the setting for Romeo and Juliet. Women had won the right to vote by that time, and were beginning to attend universities or work outside the home, as Cecelia and Briony Tallis did. Unlike Juliet, they were not being forced into arranged marriages contracted by their father, who actually seems indifferent to them.
Paper Undergraduate
Strategic Management and Culture in the Bahamian Insurance Industry
The Bahamian insurance industry is divided into two main braches: one domestic, one captive and each operate without regard to the other, overseen by their own act of Parliament (Oxford, 2009). Within this field, around 100 companies are engaged in business, the bulk of them working as brokers, with just a few working as underwriters, working closely together when they do (Oxford, 2009). There appears to be a system of checks in place: agents aren't able to underwrite, and companies cannot engage in sales pitches to prospective customers directly (Oxford, 2009).
Research Paper Doctorate
Abu Ghraib, Torture, and American Culture's Human Rights Failure
Americans were shocked when they learned about the abuse of prisoners at Abu Ghraib. Or were they? Certainly, the media reported shock and outrage on the part of the public to the unpleasant revelations.
Research Paper Doctorate
Heart of Darkness and Things Fall Apart: A Comparative Study
Title and Author - Heart of Darkness, a novel and short story, by Joseph Conrad
Research Paper Doctorate
Hofstede's Cultural Dimensions: UAE, Mexico, and Spain
"Culture is more often a source of conflict than of synergy. Cultural differences are a nuisance at best and often a disaster." - Dr. Geert Hofstede
Essay Doctorate
Managing German Employees: Cross-Cultural Management Insights
Cultural Comparisons and Management Functions
Essay Doctorate
France vs. Greece: Culture, Trade & Political Economy
This paper is about international business. There are two parts to the paper. The first is about cultural dimensions, using the Hofstede stuff, and focusing on France and Greece. These countries are also used in the second section, which is about trade barriers, economic systems and currency exchange rate issues.
Paper Masters
Desire, Gender, and Identity in Almodóvar's Law of Desire
Almodovar's film La Ley Del Deseo or Law of Desire. A seven page paper about Almodovar and desire. Research shows that Almodovar is obsessed with desire and passion. His production company's name is called El Deseo which means desire. In The Law of Desire, everyone in the film desires someone- Pablo's desire for Juan, Antonio desires Pablo, Ada desires Pablo, Tine desires her father and their desire is destructive but transformative.
Paper Doctorate
Tom Ripley as Supervillain Antihero in Highsmith's Novel
This essay argues that the character of Tom Ripley in The Talented Mr. Ripley can only be understood in the context of adventure and comic book superheros and villains. In particular, while one can read Tom as a queer and class-conscious character, these traits are subsumed by his larger movement towards becoming a supervillain. Over the course of the novel, he comes into his own, and gradually comes to understand the unique power he controls and how to use it to make a place for himself in an inhospitable world.
Paper Masters
Hofstede's Cultural Dimensions: U.S. and Cuba Compared
Managing Cultural Diversity: Hofstede's Five Cultural Dimensions Applied to the U.S. And Cuba