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Metaphor
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What is Metaphor?

Metaphor is a fundamental concept in language, literature, and rhetoric, studied across disciplines including English composition, linguistics, literary theory, and communication. It describes the way one concept, image, or idea is understood in terms of another, shaping how readers and speakers make meaning. The topic attracts academic attention because metaphor is not simply a decorative device but a structural feature of thought and language. Works like Metaphors We Live By appear among student references, pointing to scholarly interest in how metaphorical concepts organize everyday understanding and perception. Courses in rhetoric, poetry analysis, and critical reading all give students reasons to engage seriously with how metaphor operates at the level of the line, the argument, and the mind.

Student essays on this topic approach metaphor from several directions. Rhetorical analyses examine how figures of speech function in speeches and nonfiction prose, with papers focusing on texts such as Richard Selzer's The Knife and Martin Luther King Jr.'s "I Have a Dream." Literary analyses extend to poetry, Renaissance French verse, and fiction, including science fiction. Some essays take a conceptual angle, exploring systematicity in metaphorical thinking or the relationship between metaphor and meaning. Others apply the lens more broadly, treating addiction, abortion, anthropomorphism, and cultural practices as themselves structured by underlying metaphors.

A strong essay on metaphor establishes a clear, arguable claim about what a specific metaphor does — how it shapes understanding, persuades an audience, or reveals cultural assumptions — rather than simply identifying examples. Evidence drawn from close reading of language carries the most weight. The most common pitfall is treating metaphor as mere decoration; the strongest essays instead show how metaphorical framing actively constructs meaning and influences how readers interpret a subject.

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Paper Undergraduate
Mary Renault's The King Must Die and historical myth reinterpretation
The King Must Die by Mary Renault first issued in 1958, and is a valuable example of historical fiction. Throughout the book, Renault ventures to create a plausible account, based on archeological findings and real information, for the widely known myth of Theseus and the Minotaur of Crete. In this sense, she begins a first-person narration, recounted from the hero's perspective, of the many events which serve to form Theseus as a capable leader up to the age of nineteen.
Research Paper Doctorate
Cultural influences on Chicana women's sexuality and self-worth
The purpose of this project will be an examination of how culture affects women of Chicana descent and how one's cultural upbringing impacts sexuality and sense of self-worth. Chicana women face unique hardships when it…
Paper Undergraduate
Symbolism and conflict in J.D. Salinger's The Catcher in the Rye
"This fall I think you're riding for -- it's a special kind of fall, a horrible kind...The whole arrangement's designed for men who, at some time or other in their lives, were looking for something their own environment…
Research Paper Doctorate
Driving as illusion of freedom in Chapman and Bowers
Tracy Chapman's song "Fast Car" tells the story of lovers who desperately want to escape poverty but can't find a way out, and Neal Bower's poem "Driving Lessons" discusses a son who is in the middle of his parents'…
Research Paper Doctorate
Donne's argument for eternal love through physical separation
Understanding and analyzing Donne's poetry involves an appreciation of his particular literary style. His poetry is usually known as "metaphysical" due to the use of conceits. Conceits are extended metaphors which are a…
Essay Doctorate
Form and content in G.K. Chesterton's Orthodoxy
Orthodoxy utilizes an immensely unorthodox approach to the defense of the traditional values of Christianity within a rapidly changing world. The author's style utilizes elements of both poetry and prose. Furthermore, this work is just as much autobiographical as it is a defense of a religion that the author believes best denotes the will of God.
Research Paper Doctorate
St. Augustine, Dante, and Cervantes on human change and redemption
¶ … philosophers have used their works to help foster greater awareness within their readers of shortcomings or weakness of the human condition, or a need for change. St. Augustine, Dante Alighieri, and Miguel de…
Research Paper Doctorate
Robert Herrick's "On Julia's Petticoat": misogyny beneath mythic language
Robert Herrick's poem "On Julia's Petticoat" is somewhat reminiscent of the stereotypical serial killer - on the surface it is such a nice fellow which couldn't possibly hurt a fly, educated and well mannered as a poem…
Research Paper Undergraduate
Love as a transforming force in Cummings's "somewhere I have never traveled"
Love as a Transforming Force in Cumming's "somewhere I have never traveled"
Paper Masters
Secularization and the blurring of sacred and secular culture
According to Conrad Ostwalt, the author of Secular Steeples: Popular Culture and the Religious Imagination, secular culture is adopting the tropes of the sacred, while sacred culture is being increasingly secularized.