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Oscar Wilde
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What is Oscar Wilde?

Oscar Wilde is one of the most studied figures in Victorian and modern literary studies, appearing frequently in courses on nineteenth-century literature, drama, aestheticism, and cultural history. His work sits at the intersection of art, social critique, and biography, making him a rich subject for academic analysis. Students are drawn to the ways his life and writing challenged prevailing social norms, and his ideas about art, beauty, and identity continue to generate scholarly debate. His literary output — spanning plays, fiction, essays, and poetry — gives writers in many disciplines substantial material to examine.

Papers on this topic tend to approach Wilde through a few distinct angles. Some focus on his relationship to aestheticism, exploring how his work contributed to or reflected that movement within late Victorian culture. Others take a more biographical lens, examining how his personal life shaped his literary themes. Intertextual and theoretically informed readings also appear, situating his work alongside broader questions about literature, society, and identity. A notable thread across student writing concerns how Wilde's characters and narratives challenge or reflect the values of the society that both celebrated and condemned him.

A strong essay on Oscar Wilde requires a focused, arguable thesis rather than a broad survey of his life or career. Evidence drawn directly from his texts — specific passages, character choices, dramatic irony, or narrative structure — carries more weight than biographical detail alone. One common pitfall is treating Wilde's biography as a substitute for close literary analysis; while his life is relevant context, the most persuasive essays use textual evidence to support interpretive claims about his work and its cultural significance.

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Thesis Masters
American vs. European Literature: History, Identity, and Canon
Suggesting that there is a fundamental difference between American and European literature means much more than acknowledging that the culture produced by geographically distinct regions is similarly distinct, because…
Paper Undergraduate
Literary methodologies for interpreting J.M. Barrie's Peter Pan
J.M. Berrie's Peter Pan -- A Review of Methodologies
Paper Masters
Syphilis: history, transmission, and clinical stages
Also known as "the pox," "Lues," "Cupid's Disease," the "Great Imitator" of other diseases, or "Syph," syphilis is a potentially-devastating sexually-transmitted bacterial infection infamous for its famous victims (NIH,…
Paper Undergraduate
Psychoanalytical Reading of The Turn of the Screw
Sigmund Freud's theories of psychoanalysis - in particular, the concept of repression -- have been liberally applied to interpretations of Henry James' novella, the Turn of the Screw.
Paper Doctorate
Oscar Wilde's "The Decay of Lying": Art, Life, and Imitation
In Oscar Wilde's the Decay of Lying, one character, Vivian, claims that life and nature imitate art far more than art imitates either life or nature. This is of course dubious to the extreme, so much so that it is very…
Paper Doctorate
Oscar Wilde: Rebellion, Morality, and Victorian Society
Oscar Wilde, Rebellion of His Themes and Morality in Comparison to the Society of the Time
Essay Doctorate
History of Penology: Bentham, Prisons, and Reform
For all intents and purposes the modern history of penology -- which is to say, the science and the theory of imprisonment and the state apparatus of the penitentiary -- begins with the late 18th century British…
Research Paper Doctorate
Queer Theory and Oscar Wilde's The Picture of Dorian Gray
Analysis of "Queer Theory" by Annamarie Jagose in relation to Dorian Gray's character in "The picture of Dorian Gray" by Oscar Wilde
Paper Doctorate
Fabianism and Social Democracy: Gradualist Reform Explained
Fabianism was an early form of socialism that was espoused by many 19th century intellectuals, including George Bernard Shaw and Oscar Wilde. The 19th century was an era of tremendous social injustice.
Paper Doctorate
Vanity and Society in Dostoevsky and Wilde: A Comparative Analysis
Both Sibyl Vane and Liza function as innocent victims in The Portrait of Dorian Gray and Notes from the Underground. Their characters are little more than opportunities for the narrators to demonstrate how corrupt they have become. As such, the narrators reinforce the principle motifs of these works, that society itself is debauched.