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Queen Elizabeth
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What is Queen Elizabeth?

Queen Elizabeth I of England ranks among the most studied monarchs in academic history, appearing in courses spanning British history, Renaissance literature, political science, and gender studies. Her reign presents a compelling set of contradictions — a woman holding supreme power in a patriarchal society, a Protestant ruler navigating a fractured Europe, and a monarch whose identity became inseparable from national myth. Carole Levin's Heart and Stomach of a King represents the kind of scholarly work students engage with when examining how Elizabeth constructed and wielded authority through rhetoric and image. Her relationship with Shakespeare's England, the Elizabethan theater tradition, and the political landscape of Europe all give the topic a rich interdisciplinary reach.

Student papers approach Queen Elizabeth from several distinct angles. Historical analyses examine her reign's political dimensions, including her fraught relationship with Ireland and her positioning within broader European power struggles. Comparative essays place her alongside other powerful women rulers, such as Catherine the Great, to explore how female monarchs negotiated authority across different contexts. Cultural and literary approaches address the Elizabethan era's theatrical conventions, including the exclusion of women performers from the stage, as well as the period's art and material culture. Some papers take a media studies angle, using film reviews to assess how Elizabeth has been represented and reinterpreted for modern audiences.

A strong essay on this topic requires a focused thesis that moves beyond biography to address a specific analytical question — about power, gender, representation, or policy. Evidence drawn from primary sources, period texts, or well-regarded scholarship carries the most weight. The most common pitfall is treating Elizabeth's life as a narrative summary rather than an argument, which produces description instead of analysis.

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Essay Doctorate
Portia and Queen Elizabeth I in The Merchant of Venice
Through the trenches of the microcosm of play, no character serves as much semblance to Elizabeth Tudor as Portia. I agree so, and forthwith draw more comparisons between her and a contemporaneous learned Renaissance…
Essay Doctorate
Queen Elizabeth I and Portia in The Merchant of Venice
Merchant of Venice: Queen Elizabeth vs. Portia
Research Paper Doctorate
U.S. Bankruptcy Law: History, Process, and Key Concepts
History and Evolution of the Bankruptcy Law
Paper Undergraduate
Sir Walter Raleigh: Explorer, Poet, and Elizabethan Hero
Sir Walter Raleigh has long been considered as one of the greatest British explorers of his time and is probably best-remembered as a close friend and ally to Queen Elizabeth II. Raleigh was also a poet and historian…
Paper Doctorate
John Dee: Science, Magic, and Elizabethan Imperial Thought
The character of 16th century mathematician and philosopher John Dee presents an intriguing conjunction of science, magic, and imperial patronage seemingly hand-crafted for his time.
Paper Masters
Shakespeare's observation of gender and property in Elizabethan society
¶ … saw the birth of a man who would forever be quoted in College assignments: William Shakespeare. Well, that date has been speculated, as "the actual date of Shakespeare's birth is not known, but, traditionally, April…
Paper Doctorate
Early Native American history and European colonization impacts
¶ … history of the native American Indians is a long and colorful one. The first Indians arrived on the North American continent subsequent to the end of the Ice Age approximately 15,000 years ago.
Research Paper Doctorate
John Knox and the Scottish Protestant Reformation
John Knox was a Scottish religious reformer and political activist who founded the new Scottish protestant religion of Presbyterianism.
Paper Undergraduate
Political instability in Shakespeare's Julius Caesar and Elizabethan England
Elizabethan England: A world of change, a theater of ambiguity
Paper Doctorate
The evolution of Elizabethan theatre from inn-yards to playhouses
In 1558, when Elizabeth I came into power there were no specifically designed theatres in England. Collections of performers moved throughout the kingdom and acted in a broad variety of temporary performing places.