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Revenge
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What is Revenge?

Revenge is a compelling subject in academic writing because it sits at the intersection of ethics, psychology, literature, and law. Students encounter it across disciplines — from literature and philosophy courses examining moral justice to criminal law classes analyzing punishment and retribution. What makes revenge intellectually rich is the tension it creates between emotional justification and ethical consequence, between a character's or society's desire for satisfaction and the cost of pursuing it. Works like The Count of Monte Cristo by Alexandre Dumas, Shakespeare's Hamlet, Titus Andronicus, The Revenger's Tragedy, and the ancient Greek Oresteia all place revenge at the center of their moral universes, giving students a wide literary tradition to analyze.

The papers archived here approach revenge from several distinct angles. Literary analysis is the most common, with essays examining how specific characters — particularly sons avenging fathers — navigate moral ambiguity, madness, and consequence. Comparative approaches appear frequently, setting texts like Hamlet against The Revenger's Tragedy, or contrasting adaptations of The Count of Monte Cristo. Some essays take an ethical or philosophical angle, asking whether a quest for revenge can ever be morally just. Others draw on religious frameworks or principles of criminal law to evaluate revenge against broader systems of justice.

A strong essay on revenge requires a focused, arguable thesis — not simply that revenge appears in a text, but what the work ultimately claims about its moral or psychological consequences. Literary evidence drawn from character actions, motivation, and outcome tends to carry the most weight. The most common pitfall is treating revenge as self-evidently wrong or justified without engaging the genuine complexity the source material presents.

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Thesis Undergraduate
Community Outreach as a Tool Against Terrorism
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Jay Gatsby: Ambition, Illusion, and the American Dream
This paper is a character profile of Jay Gatsby, the main protagonist of F. Scott Fitzgerald's novel The Great Gatsby. It examines various events in Gatsby's life to determine what is real and what is an illusion and concludes with a discussion of whether Gatsby, despite his bootlegging, can be characterized a a sympathetic or unsympathetic character.
Essay Doctorate
Machiavelli on the Populace: The Prince and the Discourses
The focus of this study is Machiavelli’s Understanding of the Populace in the Prince and the Discourses. This study will answer the question of what makes the populace of his contemporary era different from that of other places and times. Secondly this work will compare the populace of Machiavelli’s contemporary era with past societies and republics.
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Memento and Plato's Allegory of the Cave: Truth vs. Darkness
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Paper Masters
Planning for Marta: Domestic Violence Safety and Recovery
Planning for Marta Spousal abuse/violence victims are authorized to try for legal reparation, and formal assistance and support following abuse incidents. The myriad of impacts linked to spousal abuse and violence…
Essay Undergraduate
Gender, Identity, and Betrayal in Shakespeare's Othello
Of the alleged chief tragedies penned by Shakespeare, Othello has led to a certain degree of embarrassment. This 'domestic tragedy' lacks the dynastic and political consequences that characterize Macbeth, Hamlet, and…
Paper Doctorate
Charlemagne's Role in Expanding Church Authority
Charlemagne and the Authority of the Church
Paper Undergraduate
Women in Euripides: Female Power in Ancient Greek Tragedy
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