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Revenge
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What is Revenge?

Revenge is a compelling subject in academic writing because it sits at the intersection of ethics, psychology, literature, and law. Students encounter it across disciplines — from literature and philosophy courses examining moral justice to criminal law classes analyzing punishment and retribution. What makes revenge intellectually rich is the tension it creates between emotional justification and ethical consequence, between a character's or society's desire for satisfaction and the cost of pursuing it. Works like The Count of Monte Cristo by Alexandre Dumas, Shakespeare's Hamlet, Titus Andronicus, The Revenger's Tragedy, and the ancient Greek Oresteia all place revenge at the center of their moral universes, giving students a wide literary tradition to analyze.

The papers archived here approach revenge from several distinct angles. Literary analysis is the most common, with essays examining how specific characters — particularly sons avenging fathers — navigate moral ambiguity, madness, and consequence. Comparative approaches appear frequently, setting texts like Hamlet against The Revenger's Tragedy, or contrasting adaptations of The Count of Monte Cristo. Some essays take an ethical or philosophical angle, asking whether a quest for revenge can ever be morally just. Others draw on religious frameworks or principles of criminal law to evaluate revenge against broader systems of justice.

A strong essay on revenge requires a focused, arguable thesis — not simply that revenge appears in a text, but what the work ultimately claims about its moral or psychological consequences. Literary evidence drawn from character actions, motivation, and outcome tends to carry the most weight. The most common pitfall is treating revenge as self-evidently wrong or justified without engaging the genuine complexity the source material presents.

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Thesis High School
Point of view and racial conflict in Zz Packer's "Brownies"
Literature: "Brownies" by Z. Z. Packer "Brownies" is a short story focusing on point of view. Racial points of view of members of the black girls' Brownie Troop are important because Packer shows how differing points of view cause individuals to interpret situations differently: those predisposed to be racially paranoid see racism in many situations, for example. Points of view within a group are also important, as we can see the different girls lead, intimidate, follow, join a cause and stand up for themselves, depending on their points of view. Consequently, a short story that could be superficially read as merely recounting a youthful incident gives several layers of deeper meaning based on points of view.
Paper Undergraduate
Shylock's lament to his absent wife about his humiliations
"Good thing you were not around, Girlie, to see me humiliated so. First was the problem with that cussed Antonio. Then your Daughter! I wonder if she is your daughter at all, Dame! How could you bring about such a creature to shame me? Me, a devout and very pious Jew? How could that be? How did I loose the family and the money and my revenge all at one time? First you die off on me, letting me tend to the house, cook and all that. Servants are costly and the rogues may steal you know. Then you are good for nothing, daughter not only lets her old man do the chores, but also is always out, in the company of no goods. I had great ambitions for her. I wanted her to marry Finalock, the great merchant moneylender from Austria. You know that person. He brought you a silk scarf, and is now the biggest lender in that city. What great thing that would have been! He is our own kind. Now how will I go to the Synagogue? Will not the others laugh at me? My daughter runs away with a Christian!
Research Paper Doctorate
Assessment and intervention in Clara's child abuse case
The bruises on Clara's upper arms are indicative of something serious that the health visitor, if she, indeed, has been seeing her for two and a half years, should have noted or anticipated.
Paper Undergraduate
Pride and humility in Flannery O'Connor's "Good Country People"
This paper analyzes Flannery O'Connor's short story "Good Country People." It looks at the way the theme of pride is developed in the story and how the character of Joy-Hulga is particularly touched by this vice. Her story ends with a revelation of sorts when she realizes that she is not as smart as she thinks she is--as the con-man Bible-salesman proves to her.
Research Paper Doctorate
Franco Zeffirelli's 1984 Hamlet as action hero and moral simplification
"Hamlet: The Tragedy of Hamlet, Action Hero of Denmark." This thesis statement or subtitle for Franco Zeffirelli's 1984 movie version of Shakespeare's Danish prince may not be catchy on a box office marquee (although…
Research Paper Doctorate
American response to 9/11 and national unity after terrorism
This report is about the next day, the after effect - the survivor's guilt and the thirst for revenge. This paper is basically a quick review of the articles "War at Home," "It's Not All America's Fault," and what…
Research Paper Doctorate
The heroic code of comitatus in Beowulf
The heroic code of comitatus, as it manifests itself in the story of Beowulf, relates to the mutual respect and obligation between a ruler or leader and his followers (Tierney-Hynes).
Paper Doctorate
Author bias in accounts of the atomic bombing of Japan
Bias of Authors Regarding America Dropping the Atom Bomb on Japan
Research Paper Doctorate
Imperfect love and adult loneliness in Wuthering Heights
The classic novel Wuthering Heights is as long-lived as the spirits of its main characters, Catherine and Heathcliff. Emily Bronte has an ability to articulate the story through the skillful and creative use of mystery,…
Essay Doctorate
Flannery O'Connor's "A Good Man Is Hard to Find" and the origins of evil behavior
aggressor and victim (Enders, and Bevington). The idea of presenting violence, torture, and cruelty through fiction is a dangerous combination in which the related laws, drama, and poetry cannot present the lighter side of art and culture. The medieval authors presented the sufferings and culture of their societies. The French authors not only harmed their credibility in metaphor but at the same time the audience of these drams and fiction were also taught unethical practices. These included that finding truth through torture and violence. The creativeness within the drama and fiction was also damaged through projecting violence and the phenomenon that physical pain cannot resist language and it has to take a medium to flow out of the creative minds (Enders, and Bevington).