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Frost Hughes Alexie the Meaning of Home
Words: 1380 Length: 4 Pages Document Type: Thesis Paper #: 83366662
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Frost, Hughes, Alexie

The Meaning of "Home" in Frost's "Hired Hand," Hughes' "Landlord" and Alexie's "I ill Redeem"

Robert Frost writes in "The Death of the Hired Hand," "Home is the place where, when you have to go there, / They have to take you in" (122-3). Implicit in these lines is the notion that "home" carries certain rules. "Home" is not just a place devoid of higher meaning, but an abstract idea -- a concept bound by a principle of belonging, of submitting, of caring. Just as Langston Hughes shows in "Ballad of the Landlord" (with the tension between negligent landlord and suffering tenant) or as Sherman Alexie shows in "hat You Pawn I ill Redeem" (Jackson sharing a portion of his winnings with Mary, whom he considers family -- "It's an Indian thing"), the principles of "home" are understood and upheld by those who realize its deeper meaning.…

Works Cited

Alexie, Sherman. "What You Pawn I Will Redeem." The New Yorker. 12 Apr 2013.


Frost, Robert. "The Death of the Hired Man." Bartleby. 12 Apr 2013. Web.

Hughes, Langston. "Ballad of the Landlord." 12 Apr 2013. Web.

Frost Birches'so Was I
Words: 378 Length: 1 Pages Document Type: Term Paper Paper #: 97101628
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The contrast between Earth and Heaven is central to Frost's poem. Bowed birch boughs convey sharp distinctions between symbolic realms of Earth and Heaven. "Earth's the right place for love," the narrator states; but the human being will always climb back "toward heaven," (lines 53; 57). Thus, the poet addresses directly the dualistic forces of Earth and Heaven in "Birches."

Structurally, "Birches" contains several distinct and contrasting elements, allowing the narrator to distinguish thematically between the opposing forces of reason and fantasy. The first half of the poem is "matter-of-fact about the ice-storm," (line 22). The ice is tangible, heavy, cold, and hard. Using a parenthetical and hypothetical question to segregate the reason from fantasy portions of the poem, the narrator spends the remainder of the poem describing the youthful playfulness of a young boy. Both the ice and the boy denote impermanence: the boy the impermanence of childhood, signified…

Works Cited

Frost, Robert. "Birches." 1920 Mountain Interval. Reproduced on Retrieved online 25 July 2005 at

Frost's Sounds -- Shaping the Feeling of
Words: 816 Length: 2 Pages Document Type: Term Paper Paper #: 96164278
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Frost's Sounds -- Shaping The Feeling Of The Poem's Reader

Unlike the measured procession of syllables and the soft vowel sounds that characterizes the feelings conveyed in "Stopping by the Woods on a Snowy Evening," the poet Robert Frost uses sharp, cracklings consonants to denote the dangerous and active life of the birches of his poem "Birches." The poem about "Birches," particularly in the first lines that set the scene and the stage for the active engagement of the poet with nature, are rife with crackling sharp 'b' plosive sounds that seem to create a sense of brittleness and breaking and exploding upon the reader's ear, as opposed to the softer vs. And ws of the more leisurely and measured progression of verbiage in "Stopping by the Woods."

"When I see birches bend to left and right," "Birches" begins, immediately locating the reader in a state of action, activating the…

Frost's Wasteland Waiting Afield at
Words: 577 Length: 2 Pages Document Type: Term Paper Paper #: 66880037
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Rather than noticing the fragrance of the newly cut hay, the "abyss" of odor at his back indicates the wasteland that Frost perceives the hay field to be. He observes that the last evening swallow, although intermittently silenced by Frost's presence and rustle, finds its voice again on its "last sweep." These words do not evoke joy or vibrancy, but instead suggest something worse than discomfort - a numbness of spirit that exists in a wasteland of such gloomy depths that it implies an empty stoniness of the heart.

The poet has brought along to the hay field a book of old treasured songs, not to read and reminisce, but to hold and "freshen in this air of withering sweetness." The songs must hold some former joy for him, but he holds the book only for the memory of the person who is absent, the person for whom he is…

Frost's Home Burial Tragedy Will
Words: 700 Length: 2 Pages Document Type: Essay Paper #: 54066916
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Judith Oster notes that the poem is of such a nature that it represents the real trauma that occurs after a tragic loss. She writes, "Home is only suffocating when the marriage is unhappy" (Oster 300) and that its subject matter is too dramatic and tragic too realistically ties to failure in human love to have poetic form as its principal subject" (300). Richard Poirier claims that this poem is one of Frost's "greatest dramatizations" of the theme of home, in which the husband and wife share the same "pressure" (Richard Poirier 123). Richard Thorton states that Frost's description of this home represents how "unending work distorts grief into callousness" (Thornton 257). The role of the husband is "ambiguous" (123) while he does his best to "comprehend the wife's difficulties, he is only partially able to do so" (124). "The very title of the poem means something about the couple…

Works Cited

Frost, Robert. "Home Burial." Robert Frost's Poems. New York: Pocket Books, 1916.

Oster, Judith. Toward Robert Frost: The Reader and the Poet. Athens: University of Georgia Press. 1994.

Parini, Jay. Robert Frost: A Life. New York: Macmillan. 2000.

Pack, Robert. Belief and Uncertainty in the Poetry of Robert Frost. Dartmouth: UPNE. 2004.

American Landscape in Frost's Poetry
Words: 4592 Length: 17 Pages Document Type: Term Paper Paper #: 88110143
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Frost's Poetry And Landscape

The Rise of Modernist Poetry

Between the years of 1912 and 1914 the entire temper of the American arts changed. America's cultural coming-of-age occurred and writing in the U.S. moved from a period entitled traditional to modernized. It seems as though everywhere, in that Year of 1913, barriers went down and People reached each other who had never been in touch before; there were all sorts of new ways to communicate as well as new communications. The new spirit was abroad and swept us all together. These changes engaged an America of rising intellectual opportunities and intensifying artistic preoccupation.

With the changing of the century, the old styles were considered increasingly obsolete, and the greatest impact was on American arts. The changes went deep, suggesting ending the narrowness that had seemed to limit the free development of American culture for so long. That mood was not…

Modern Poetry Frost Eliott Cummings Dickey
Words: 906 Length: 3 Pages Document Type: Essay Paper #: 21832039
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Robert Frost "The Road Not Taken" (lines 18-20):

In the final lines of this poem, the narrator says some of the most famous lines in American poetry: "I took the one less travelled by, / And that has made all the difference" (19-20). Many have interpreted these lines as a celebration of individuality, but on closer inspection, it becomes evident that in reality, the narrator is lamenting that he has made these choices. Instead of following the path of others, he has gone on his own path. His conclusion is that it was this choice, choosing "the path less travelled by" that has marked the rest of his life. The tone of the piece is not one of self-congratulation but rather depression and despondency. He does not say that he regrets the choices that he has made, but acknowledges that his life would be very different had he made other…

Works Cited:

Cummings, e.e. "Nobody Loses All the Time." Print.

Dickey, James L. "Cherrylog Road." Print.

Eliot, T.S. "The Love Song of J. Alfred Prufrock." Print.

Frost, Robert. "Birches." Literature. 11th Ed. 1042-1043. Print.

Analyzing Poetry by Frost and Forche Figurative Language
Words: 1053 Length: 3 Pages Document Type: Essay Paper #: 35240496
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Frost and Forche: Two Poems

In "The Road Not Taken," Robert Frost works the theme of choice into the poem by depicting a traveler -- a walker in the woods -- who is stopped at a fork in the road: one way is the worn path, which indicates that its taker will get where he wants to go; the other way is less worn, greener, and will likely lead the traveler to some foreign destination or even cause him to become lost. Frost describes the two paths and their likely outcomes and then tells of the choice that he made and comically adds that this choice has "made all the difference" -- because, no doubt, it has extended his walk by a good few hours.

Some read into Frost's poem an allegorical remark as they surmise that Frost is advocating that we travelers of this earth take the "road not…

Symbol in Frost Welty Symbol of Journey
Words: 2868 Length: 9 Pages Document Type: Essay Paper #: 60831847
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Symbol in Frost, Welty

Symbol of Journey in Frost and Welty

Welty's Journey is Transcendental/Social

Frost's Journey is Satirical/Inspirational


Both Frost and Welty Use Satire in a Gentle Way

Welty's Style Moves From Satire Towards Compassion

Frost's Style Moves From Satire Towards Self-Awareness

Thematic Structure

Welty eflects all of life in her Thematic Structure

Frost eflects a simple event, losing one's way

Form and Content

Frost's poetry

Allows for many interpretations

The content can be read in varying ways

Welty's short story

Allows a more intimate connection with characters

The story can be read as allegory, social commentary, or realism


Welty and Frost use the same symbol to reflect different facets of life

B. They initiate a journey for the reader, but the reader's destination is of his own choosing

An Analysis of the Symbol of the Journey in Welty's "Worn Path" and Frost's

"oad Not Taken"


Reference List

Baym, N. (1998). Eudora Welty. The Norton Anthology of American Literature, 5th ed.

NY: W.W. Norton & Company.

Frost, R. (1920). The Road Not Taken, Journey into Literature. [ed. By Clugston]. San

Diego, California: Bridgepoint Education, Inc.

Heart and Home in Frost's
Words: 887 Length: 3 Pages Document Type: Term Paper Paper #: 14528509
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Mary tells arren that home is the "place where, when you have to go there, / They have to take you in" (122-3). This displeases arren because he does not feel Silas deserves to call their home his own. arren is not convinced and as he discusses Silas' brother with Mary, he claims Silas is "worthless" (149). Here we see how arren thinks people should earn most of the things they have in life, including a place to call their own. Mary, on the other hand, understands Silas' need to feel as though he has returned to a safe place to spend his last days. ith Silas at "home" she has hope for the future, even though Silas' state is grim.

Through irony, Frost also demonstrates how we all die alone despite our best efforts. Silas returns to a place he knew as home but in the end, arren and…

Work Cited

Frost, Robert. "Death of a Hired Man." Robert Frost's Poems. New York: Pocket Books, 1916.


Life of the Poet Robert
Words: 1029 Length: 3 Pages Document Type: Term Paper Paper #: 32622827
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The poet writes, "My little horse must think it queer / To stop without a farmhouse near / Between the woods and frozen lake / The darkest evening of the year / He gives his harness bells a shake / To ask if there is some mistake. / The only other sound's the sweep / Of easy wind and downy flake" (Frost 275). The narrator has stopped to enjoy the magic of a snowfall on a winter evening. In these few lines, he manages to convey the cold, the natural world around him, his own dependence on the horse and sleigh to get him home to his own house, and his ability to stop for a moment to enjoy the beauty around him.

The only serious tone of the poem comes at the end, when Frost writes, "The woods are lovely, dark and deep. / But I have promises to…


Frost, Robert. Collected Poems of Robert Frost. New York: Henry Holt, 1930.

Hamilton, David. "The Echo of Frost's Woods." Roads Not Taken: Rereading Robert Frost. Ed. J. Wilcox and Jonathan N. Barron. Columbia, MO: University of Missouri Press, 2000. 123-131.

Pritchard, William H. "Frosts Life and Career." University of Illinois at Urbana-Champaign. 2000. 8 Dec. 2006.  

Imagery and Theme in Frost's Out Robert
Words: 728 Length: 2 Pages Document Type: Essay Paper #: 47774844
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Imagery and Theme in Frost's "Out"

Robert Frost's "Out" may appear to be simple in its narrative, straightforwardly telling a story, yet its complex poetic style enables the reader to experience the tragic events that occur through a variety of poetic devices that Frost uses. The poem demonstrates the fickleness of fate and how some things are beyond an individual's control. In "Out," Frost explores the limitations that an individual has over how their life turns out through vivid imagery and its theme.

The poem tells the story of a young boy who accidentally had his hand cut off by a buzz saw and who subsequently died from the shock. "Out" highlights how quickly things can happen and how even a quick response may be futile. Frost establishes a narrative backdrop through imagery and onomatopoeia. For instance, the poem opens, "The buzz-saw snarled and rattled in the yard/And made dust…

Welty vs Frost This Essay Serves to
Words: 1963 Length: 6 Pages Document Type: Thesis Paper #: 65472426
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Welty vs. Fost

This essay seves to compae two liteay woks. One of those woks is a shot stoy by Welty by the name of "A Won Path." The othe liteay wok to be coveed is "The Road Not Taken" by Robet Fost. The foms of the two woks ae diffeent but the metapho and stoy device used in both stoies is the same. Howeve, the manifestations and lessons and/o intepetations dawn fom the two woks is entiely diffeent with one of those tending to be a bit moe sombe and muted than the othe but both woks ae a tad sad in thei own way.

Compae and Contast

As noted in the intoduction, the common theme and device used in both stoies is the oad. Also in both cases, the oad is quite obviously used in a metapho. It is intimated and infeed quite clealy that the subject of…

references the Welty work. On the other hand, the Frost work is much more vague and much more brief but there is still no shortage of what can be thought about and considered even with the much more modest amount of material in play.

Whitman Frost Hughes Three Great American Poets
Words: 692 Length: 2 Pages Document Type: Essay Paper #: 92177541
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Noiseless Patient Spider" by Walt Whitman

Who is the speaker in this poem? What are his/her concerns/feelings? What words in the poem give you this impression of the speaker?

The speaker of "A Noiseless Patient Spider" by Walt Whitman is the poet himself. The poet is watching a spider weave its web and muses about how this is a metaphor for his own soul seeking out new things.

Does the poem convey any particular sensory images (sight, smell, sound)? What words convey that image?

The language of the poem suggests unfurling and unreeling through the use of repetition and alliteration when describing the spider: "It launch'd forth filament, filament, filament, out of itself, / Ever unreeling them, ever tirelessly speeding them." The focus of the poem is on visual elements, as Whitman is observing the spider.

Q3. Is there a message in the poem? What words convey that message?


Wordsworth and Frost Nature and the Individual
Words: 695 Length: 2 Pages Document Type: Essay Paper #: 53676175
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ordsworth and Frost

Nature and the Individual

One's relationship with nature is a theme that has been explored often in poetry and across global borders. In "The orld is Too Much ith Us," illiam ordsworth writes about the disconnect that individuals have with nature and a desire to reestablish a relationship with it. On the other hand, in "The Road Not Taken," Robert Frost looks to nature in order to help him to make life decisions and uses it as inspiration for the future. ordsworth and Frost use nature as a means of defining whom they are and what they choose to do.

In "The orld is Too Much ith Us," ordsworth feels as though people have become disconnected from nature and wishes that he could find a way to reconnect. ordsworth laments, "The world is too much with us; late and soon,/Getting and spending, we lay wasted our powers:…

Works Cited

Frost, Robert. "The Road Not Taken." Web. 23 May 2012.

Wordsworth, William. "The World is Too Much With Us." Web. 23 May 2012.

Stopping Woods a Snowy Evening Frost Frost
Words: 757 Length: 2 Pages Document Type: Essay Paper #: 24818365
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Stopping Woods a Snowy Evening


Frost: Stopping by Woods on a Snowy Evening

This is one of Robert Frost's most famous poems. Its apparent simplicity is deceptive and there is a great deal of depth and complexity that can be gleaned from an interpretation of the poem. Ostensibly, the poem deals with a traveler on horseback who rides out on the darkest night of the year. He stops to gaze in wonder and amazement at the woods and the thick snow that is falling. However, while he is intensely attracted by the beauty of the scene that he observes, he also has responsibilities and duties that he has to take care of and he has to leave this tranquil scene and continue on his journey.

One of the central elements of the poem is the sense of stillness and peace that the poet evokes through his use of language.…

Robert Hayden's Poem Those Winter
Words: 1348 Length: 4 Pages Document Type: Term Paper Paper #: 25891435
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The "blueblack cold" of a winter morning suggests the touch of cold and the sight of blue frost in the darkness. The "cracked hands" of the father who labors for his living appeals to a sense of cold, harsh touch. The son can "hear the cold splintering" and feel the "banked fires blaze," a contrast of the cold sound of ice and the warm crackling fire, and the contrasting sensations of cold and warmth.

The contrast between the physical, particularly the tactile sense of warm and cold, intensifies the sense of thwarted love the father feels for the boy, but cannot really show, except in rising early to make a fire and polish the boy's good shoes.

Figures of speech

Synecdoche: (a single thing that stands for larger meaning) Lighting a fire becomes a synecdoche or stand-in for the man's entire relationship with his son.

Hyperbole: The suggestion "No one…

Works Cited

Austere." Definition from Dictionary. com. [19 May 2006.] 

Hayden, Robert. "Those Winter Days." Backpack Literature, An Introduction to Fiction, Poetry, and Drama. Edited by X.J. Kennedy and Dana Gioia.

Splintering." Definition from [19 May 2006.]

Approaches to Biographical Literature Elizabeth Bishop and Robert Lowell
Words: 3398 Length: 13 Pages Document Type: Research Paper Paper #: 13624972
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Elizabeth Bishop and Robert Lowell

The publication in 2008 of ords in Air: The Collected Correspondence of Robert Lowell and Elizabeth Bishop offers the reader a privileged glimpse into the long and emotional friendship between two major postwar American poets, who were each an active influence on the other's work. Bishop would enclose a poem in a 1961 letter to Lowell, claiming the draft "undoubtedly shows your influence" but also noting that "I'll probably make more changes" (ords in Air, 379). In a 1964 interview, Robert Lowell would claim Bishop as one of "the poets who most directly influenced me." (Kunitz 86). Indeed Travisano notes in his introduction to the letters that "Lowell's Life Studies and For the Union Dead, his most enduringly popular books, were written under Bishop's direct influence, as the letters make clear" (ords in Air, xviii). But those two titles mark a major shift in Lowell's…

Works Cited

Bishop, Elizabeth. The Complete Poems, 1927-1979. New York: Farrar Straus, 1984. Print.

Costello, Bonnie. Elizabeth Bishop: Questions of Mastery. Cambridge: Harvard University Press, 1993. Print.

Gilbert, Sandra. "Mephistophilis in Maine: Rereading Skunk Hour." In Axelrod, Steven Gould and Deese, Helen. (Editors). Robert Lowell: Essays on the Poetry. New York and Cambridge: Cambridge University Press, 1993. Print.

Hamilton, Saskia. The Letters of Robert Lowell. New York: Farrar Straus and Giroux, 2005. Print.

Dickinson Frost Auden the Three
Words: 744 Length: 2 Pages Document Type: Term Paper Paper #: 46225066
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This is emphasized by his regret that he cannot take both roads and be one traveler: "Two roads diverged in a yellow wood, / and sorry I could not travel both / and be one traveler..."(Frost,122) Also, when he decides for one road, he hopes he can take the other later, but afterwards realizes that this is no longer possible since one decision leads to another, and there is no going back. Frost thus discusses life ironically, realizing that one decision can change one's whole life, without the possibility of going back and taking a different road.

In Auden's poem, the Unknown Citizen, the irony is even plainer to see. The death of the citizen who had lived like a saint in the "modern sense" of the word is very ironical. To live as a saint in the modern way, is to be a social character, who lives only according…

Works Cited

Auden, W.H. Collected Poems. New York: Doubleday, 1984

Dickinson, Emily. Poems. New York: Oxford, 2002.

Frost, Robert. Selected Poetry. New York, 1983.

What Makes This Work American
Words: 1586 Length: 5 Pages Document Type: Term Paper Paper #: 19090727
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Self-Reliance and the Road Not Taken

American Transcendentalism: Emerson and Frost

There are several qualities that are inherent in American literature that help to set it apart from English literature. Among the earliest themes explored in American literature was the concept of self-reliance and individuality. These concepts are prevalent of writers and advocates of Transcendentalism, a subset of American Romanticism. Ralph aldo Emerson explored the concept of individuality in his essay, "Self-Reliance," and also aimed to define how self-worth is measured. Likewise, Robert Frost embraces the concepts of individuality and self-worth as defined by Emerson. Emerson's influence on Frost can be seen in the theme and narrative of Frost's poem "The Road Not Taken." Both Emerson and Frost comment on the importance of the self and the impact that individuality has on a person.

Transcendentalism is an American literary, political, and philosophical movement that aimed to bring an individual to…

Works Cited

Emerson, Ralph Waldo. "Self-Reliance." Emerson Central. Web. 7 August 2012.

Frost, Robert. "The Road Not Taken." Mountain Interval. Web. 7 August 2012.

"Romanticism." Brooklyn College. Web. 7 August 2012.

Reuben, Paul P. "Chapter 4: American Transcendentalism (AT): A Brief Introduction." PAL:

Symbols of Disapproval in Two
Words: 361 Length: 1 Pages Document Type: Essay Paper #: 40353926
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Through these symbols, Hardy addresses his disapproval of war.

Just as Hardy's poem uses religious images and images of death as symbols of disapproval, Frost's work uses nature to symbolize this feeling. In this case, Frost disapproves, not of war or some greater social problem, but of his own loneliness. Thus, he uses natural images like snow, the woods, and desert places to symbolize his disapproval of that loneliness. For instance, Frost describes how the snow "smother[s]" the animals in the woods (6-7), how the snow can represent his loneliness (9-12), and how the "empty spaces" of his "desert places" scare him (13, 16). Thus, while both Hardy and Frost exhibit disapproval in their works, they use different symbols to get across that disapproval, which is directed at different concepts.

orks Cited

Frost, Robert. "Desert Places." 1936. 28 November 2008.

Hardy, Thomas. "Channel Firing." Portable 1914. 21…

Works Cited

Frost, Robert. "Desert Places." 1936. 28 November 2008. 

Hardy, Thomas. "Channel Firing." Portable 1914. 21 November 2008.

Recurs Through a Few Works
Words: 1047 Length: 3 Pages Document Type: Essay Paper #: 26208727
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As William Henry Davies would have averred, "… we have no time to stand and stare…" Frost describes, at length, how a young boy might have enjoyed himself swinging along the boughs. Certainly, one boy might have not been able to have bent several boughs. Frost does realize the cause of the bending of the boughs. It is the weight of the ice that collects on the boughs that causes them to bend. But a man can wish, can't he?

In "Mending Walls," Frost celebrates the notion of solitude. He twice mentions, "fences make good neighbors;" this is despite what one hears very often in modern parlance that, one should build bridges, not fences." The poem is interplay between two individuals or two opposing concepts. One is about the protection of one's privacy and the celebration of solitude. The opposing view supports the notion of community living and the need…