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What is Shakespeare?

William Shakespeare stands as one of the most studied figures in academic history, appearing across disciplines from literature and theater studies to history and cultural theory. Students encounter his work in courses on early modern English literature, drama, and Renaissance studies, among others. What makes Shakespeare academically compelling is the sustained interpretive richness of his plays and poetry — works like Hamlet, Othello, Macbeth, Romeo and Juliet, and Richard II raise enduring questions about character, power, identity, love, and death that reward close critical attention across generations of readers.

Student essays on Shakespeare tend to take several distinct approaches. Close reading and character analysis are common, focusing on figures like Hamlet's indecisiveness or Lady Macbeth's ambition and how these illuminate larger themes. Comparative essays appear frequently, whether contrasting Shakespeare's presentations of the same character or examining adaptations like the 1961 film West Side Story alongside source material. Historical and cultural approaches also surface, including examinations of the Elizabethan stage's exclusion of women performers, festive comedy's Saturnalian patterns, and Shakespeare's treatment of political power in plays like Richard II. Some papers extend outward to film adaptations, such as those featuring Laurence Olivier or the 1971 Macbeth.

A strong essay on Shakespeare begins with a focused, arguable thesis rather than a broad claim about genius or timelessness. Evidence drawn from specific scenes, dialogue, and imagery carries the most weight, especially when supported by attention to genre conventions or historical context. The most common pitfall is summarizing plot instead of analyzing how language, structure, or dramatic choices construct meaning — every claim should circle back to the text itself.

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Paper Doctorate
Shakespeare's Macbeth vs. Polanski's 1971 Film Adaptation
Two Macbeths: An Analysis of Shakespeare's "Scottish Play" and Roman Polanski's 1971 Film
Paper Doctorate
The Clown in Othello: Comic Relief and Symbolism
Clown in William Shakespeare's The Tragedy Of Othello:
Paper Undergraduate
A.L. Kennedy and Hazlitt on King Lear: Life, Loss, and Madness
In his article "King Lear: Very Much Like Life" a.L. Kennedy discusses how the play King Lear is like life. This analysis seems true, though it is like the dark sides of life that are the clearest in Lear.
Paper Masters
Revenge in Titus Andronicus: Addictive, Contagious, Unproductive
Revenge is a Dish Best Not Served: Titus Andronicus
Paper Undergraduate
Honor in Shakespeare's Henry IV Part 1: Hal vs. Hotspur
Honor becomes a principal theme in William Shakespeare's play, I Henry IV. Through the young men, Prince Hal and Hotspur, Shakespeare delves into how character can be misleading at times and how we must learn to look at…
Research Paper Undergraduate
Richard III and Macbeth: Ambition, Power, and Villainy
The lust for power, the thirst for ambition, and the act of murder are the driving forces behind the characters of Richard III and Macbeth. While both men are villains, they become so in very different ways.
Research Paper Undergraduate
Learning Styles, Personality, and Motivation: Interview Profile
For most of American education, teachers have followed a similar education model of lecture or instruction at the front of the room and the students lined up in rows to listen and watch.
Paper Undergraduate
Lady Macbeth's Role and Power in Shakespeare's Macbeth
In William Shakespeare's play, Macbeth, Macbeth and Lady Macbeth share an interesting relationship. While we see them operating together through most of the play, there is no denying she encourages him through the most…
Paper Doctorate
A Midsummer Night's Dream as a Critique of Elizabeth I
A Midsummer Night's Dream is a comedic drama that centers on marriage. Indeed, it is traditionally held that Shakespeare penned the play for a friend's wedding; therefore, it should be no surprise to find that the theme…
Research Paper Undergraduate
Revenge and Madness in Shakespeare's Hamlet: Identity Lost
Revenge and Madness in Shakespeare's "Hamlet" -- Why are the two interlinked?